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  • Cropsey, Wyeth, and the American Landscape Tradition

    Cropsey, Wyeth, and the American Landscape Tradition

    Cropsey, Wyeth, and the American Landscape Tradition

    Open Wednesday–Monday. Closed Tuesdays except for special events.

    October 4, 2025 – May 31, 2026

    Brandywine Museum of Art — Chadds Ford, PA

    The Brandywine Museum of Art presents Cropsey, Wyeth, and the American Landscape Tradition, a landmark exhibition centered on the first-ever museum display of a monumental rediscovered masterwork by Hudson River School painter Jasper Francis Cropsey (1823–1900).

    At the heart of the exhibition is Autumn in the Ramapo Valley, Erie Railway (1873), an extraordinary canvas measuring nearly 7 feet long. Commissioned in 1873 by Irish-American railroad magnate James McHenry, the painting celebrates both the grandeur of the American landscape and the rise of American industry. The train cutting through the valley references the Erie Railroad, in which McHenry had recently secured a controlling stake — a subtle but powerful statement about progress, expansion, and national identity.

    Shortly after its completion, the painting was shipped to England and remained in private British collections for more than 150 years. In 2025, it was acquired by The J. Jeffrey and Ann Marie Fox Foundation for American Art, marking its long-awaited return to public view. This exhibition offers the first opportunity for audiences to see the work since 1873.

    The Hudson River School and Industry

    Beyond Cropsey’s masterwork, the exhibition surveys the 19th-century explosion of American landscape painting and its relationship to industrial expansion. Featured artists include:

    • Alfred Thompson Bricher
    • Albert Bierstadt
    • William Trost Richards
    • John Frederick Kensett
    • Mary Blood Mellen
    • Martin Johnson Heade

    These painters helped define a distinctly American vision of nature — dramatic, expansive, and often infused with national optimism. Yet their works also reveal the tension between untouched wilderness and advancing railroads, commerce, and settlement.

    From Cropsey to the Wyeths

    The exhibition continues beyond the Hudson River School, tracing a line of artistic inheritance into the 20th century. Through key works in the Brandywine Museum and Wyeth Foundation collections, the show explores how American landscape painting evolved through:

    • Winslow Homer
    • George Bellows
    • N.C. Wyeth
    • and ultimately Andrew Wyeth (1917–2009)

    Archival material from the Wyeth family library reveals a deeper engagement with Hudson River School artists than previously recognized. Andrew Wyeth studied their composition, allegorical themes, and even their treatment of industry within landscape. Selected watercolors and tempera works — including some never before exhibited — demonstrate how that legacy carried forward in subtle but meaningful ways.

    The result is not just a historical survey, but a reconsideration of how American landscape painting evolved across generations.

    Exhibition Dates

    October 4, 2025 – May 31, 2026

    For deeper context on the rediscovered Cropsey painting, visitors can explore the exhibition microsite:

    https://brandywineathome.org/cropsey/

  • Living Indigenous

    Living Indigenous

    Living Indigenous – Delaware Art Museum (Wilmington, DE)

    The Delaware Art Museum is closed on Monday and Tuesday

    Dates: February 28 – August 23, 2026

    Price: Free with museum admission

    Location: Delaware Art Museum, Gallery 9, 2301 Kentmere Parkway, Wilmington, Delaware

    Explore contemporary Indigenous creativity at Living Indigenous, an exhibition at the Delaware Art Museum that celebrates the work of Indigenous artists living in or connected to the Delaware community. Developed in partnership with the Nanticoke Indian Museum, the exhibition highlights artistic voices that reflect cultural heritage, identity, and community connections.

    The exhibition brings together intergenerational artists, offering perspectives that link history, cultural traditions, and modern Indigenous experiences. By centering these voices during the United States’ 250th anniversary era, the exhibition emphasizes broader stories of the inhabitants of Turtle Island, connecting past knowledge with present-day artistic expression.

    Visitors will encounter a diverse range of artwork—from painting and mixed media to contemporary interpretations of Indigenous identity. Additional works and ephemera by Indigenous artists are installed throughout the museum’s permanent galleries, expanding the narrative beyond a single exhibition space.

    Exhibition Highlights

    • Artwork by Indigenous artists connected to the Delaware region
    • Collaboration with the Nanticoke Indian Museum
    • Intergenerational perspectives linking tradition and contemporary life
    • Additional Indigenous works are displayed across the museum galleries

    Venue: The Delaware Art Museum in Wilmington connects visitors with American art, illustration, and contemporary exhibitions through rotating shows, educational programs, and cultural events.

  • Abundance/Excess: A Contemporary Eye on Still Life

    Abundance/Excess: A Contemporary Eye on Still Life

    Abundance/Excess: A Contemporary Eye on Still Life

    March 15, 2026 – June 7, 2026

    Open Wednesday–Monday. Closed Tuesdays except for special events.

    Curator: Kerry Bickford

    Abundance/Excess: A Contemporary Eye on Still Life brings together ten contemporary artists who engage with the long tradition of still life while reframing it for the twenty-first century. Historically a genre associated with technical skill and symbolic meaning, still life has also served as a space for experimentation — a place where artists explore texture, composition, and coded messages about wealth, mortality, and desire.

    The exhibition is organized into two thematic sections:

    Abundance

    This section examines how still life imagery has historically symbolized prosperity and status. The featured contemporary works interrogate systems of wealth, commerce, and exchange — asking how objects signal value and how consumer culture shapes perception. Fruit, fish, flowers, and meat become markers not only of bounty, but of economic power.

    Excess

    The second section focuses on the environmental and social consequences of overconsumption. Many works incorporate discarded or repurposed materials — bath towels, reclaimed toys, grocery flyers, and other found objects — reflecting on industrial production and waste. These reinterpretations of still life question what remains after abundance tips into excess.

    The Brandywine Museum of Art presents John Sloan’s Street Theater, an exhibition exploring the graphic work of John Sloan (1871–1951), a central figure of the Ashcan School. Emerging in the early twentieth century, Sloan and his contemporaries rejected idealized subjects in favor of the realities of modern urban life, particularly in New York City.

    Best known for his paintings and etchings of everyday city scenes, Sloan captured sidewalks, rooftops, tenements, shop windows, and neighborhood theaters with both humor and social awareness. While his oil paintings employed loose, modern brushwork, his prints reveal a more intricate approach, using etching to record fleeting gestures, crowd interactions, and private moments glimpsed through open windows.

    This exhibition draws from a collection of more than 500 prints donated to the museum by the late Paul Preston Davis, presenting over 50 works that highlight Sloan’s mastery of the medium. The selection underscores his deep interest in human behavior — from children playing in the streets to the rhythms of working-class neighborhoods.

    Sloan’s art offers insight into a transformative period in American life. During his lifetime, the city shifted from horse-drawn transportation to automobiles; women’s public roles expanded dramatically; and social norms were reshaped through movements such as suffrage and Prohibition. Through his prints, urban life becomes both stage and subject — a “street theater” unfolding in real time.

    Together, the exhibition expands still life beyond decorative tradition, connecting it to urgent contemporary concerns about sustainability, consumption, and economic imbalance. The familiar language of fruit and flowers becomes a lens for examining extraction, production, and responsibility in modern society.

  • The City on Paper

    The City on Paper

    The City on Paper – Delaware Art Museum

    The Delaware Art Museum is closed on Monday and Tuesday

    Dates: March 28 – August 16, 2026

    Price: Free with museum admission

    Location: Galleries 11 & 12, Delaware Art Museum, 2301 Kentmere Pkwy, Wilmington, Delaware

    Explore urban life through the lens of printmaking in The City on Paper, an exhibition at the Delaware Art Museum featuring 47 drawings and prints that capture city scenes from 1875 to 2007. The exhibition highlights how artists have documented the energy and architecture of cities such as New York, Paris, and Wilmington, portraying grand boulevards, quiet alleyways, towering skyscrapers, and the people who animate these spaces.

    Printmaking plays a central role in the exhibition, with works created through techniques including etching, woodcut, lithography, monotype, and screen printing. Drawn entirely from the museum’s own collection, the exhibition includes new acquisitions alongside rarely displayed works, offering visitors a chance to see pieces that are not often on view.

    The exhibition features works by 45 artists, including notable figures such as Peggy Bacon, Stuart Davis, John Marin, Martin Lewis, John Sloan, Wayne Thiebaud, and James McNeill Whistler. Together, these artists present a rich visual narrative of city life across more than a century of artistic interpretation.

    Exhibition Highlights

    • 47 works on paper exploring city life and architecture

    • Printmaking techniques including etching, lithography, and screen printing

    • Artwork spanning more than 130 years of urban imagery

    • Works by 45 artists from the Delaware Art Museum collection

    Venue: The Delaware Art Museum in Wilmington presents American art, illustration, and contemporary exhibitions while offering educational programs and community events throughout the year.

  • The American Landscape Tradition: Cropsey and Wyeth

    The American Landscape Tradition: Cropsey and Wyeth

    Cropsey, Wyeth, and the American Landscape Tradition

    Open Wednesday–Monday. Closed Tuesdays except for special events.

    October 4, 2025 – May 31, 2026

    Brandywine Museum of Art — Chadds Ford, PA

    The Brandywine Museum of Art presents Cropsey, Wyeth, and the American Landscape Tradition, a landmark exhibition centered on the first-ever museum display of a monumental rediscovered masterwork by Hudson River School painter Jasper Francis Cropsey (1823–1900).

    At the heart of the exhibition is Autumn in the Ramapo Valley, Erie Railway (1873), an extraordinary canvas measuring nearly seven feet in length. Commissioned in 1873 by Irish-American railroad magnate James McHenry, the painting celebrates both the grandeur of the American landscape and the rise of American industry. The train cutting through the valley references the Erie Railroad, in which McHenry had recently secured a controlling stake — a subtle but powerful statement about progress, expansion, and national identity.

    Shortly after its completion, the painting was shipped to England and remained in private British collections for more than 150 years. In 2025, it was acquired by The J. Jeffrey and Ann Marie Fox Foundation for American Art, marking its long-awaited return to public view. This exhibition offers the first opportunity for audiences to see the work since 1873.

    The Hudson River School and Industry

    Beyond Cropsey’s masterwork, the exhibition surveys the 19th-century explosion of American landscape painting and its relationship to industrial expansion. Featured artists include:

    • Alfred Thompson Bricher
    • Albert Bierstadt
    • William Trost Richards
    • John Frederick Kensett
    • Mary Blood Mellen
    • Martin Johnson Heade

    These painters helped define a distinctly American vision of nature — dramatic, expansive, and often infused with national optimism. Yet their works also reveal the tension between untouched wilderness and advancing railroads, commerce, and settlement.

    From Cropsey to the Wyeths

    The exhibition continues beyond the Hudson River School, tracing a line of artistic inheritance into the 20th century. Through key works in the Brandywine Museum and Wyeth Foundation collections, the show explores how American landscape painting evolved through:

    • Winslow Homer
    • George Bellows
    • N.C. Wyeth
    • and ultimately Andrew Wyeth (1917–2009)

    Archival material from the Wyeth family library reveals a deeper engagement with Hudson River School artists than previously recognized. Andrew Wyeth studied their composition, allegorical themes, and even their treatment of industry within landscape. Selected watercolors and tempera works — including some never before exhibited — demonstrate how that legacy carried forward in subtle but meaningful ways.

    The result is not just a historical survey, but a reconsideration of how American landscape painting evolved across generations.

    Exhibition Dates

    October 4, 2025 – May 31, 2026

    For deeper context on the rediscovered Cropsey painting, visitors can explore the exhibition microsite:

    https://brandywineathome.org/cropsey/

  • Citizen Artist

    Citizen Artist

    Citizen Artist – Delaware Art Museum (Wilmington, DE)

    The Delaware Art Museum is closed on Monday and Tuesday

    Dates: April 11 – July 19, 2026

    Price: Free with museum admission

    Location: Fusco Gallery, Delaware Art Museum, 2301 Kentmere Pkwy, Wilmington, Delaware

    Explore the role of artists as community builders in Citizen Artist, an exhibition at the Delaware Art Museum that reflects on the relationship between art, public service, and civic identity. Timed with the United States Semiquincentennial in 2026, the exhibition highlights artists who worked through major federal arts programs designed to support creative workers and strengthen communities.

    Beginning with the New Deal arts initiatives of the 1930s, the exhibition examines programs such as the Public Works of Art Project, the Works Progress Administration, the Farm Security Administration, and the Treasury Section on Fine Arts. These programs employed artists who created murals, photographs, performances, and educational programs that connected art to everyday American life.

    The exhibition also explores the Comprehensive Employment and Training Act (CETA) of the 1970s, which funded job programs that many communities adapted to employ professional artists. In Delaware, these efforts helped expand community arts programs and contributed to the development of institutions such as the Delaware Art Museum and The Delaware Contemporary.

    Through historical works and contemporary commissions, Citizen Artist highlights how artists have served their communities while shaping cultural life across generations. The exhibition also connects with the statewide Citizen Photographer initiative, inviting Delaware residents to contribute photographs that reflect identity, place, and civic life during the nation’s 250th anniversary.

    Exhibition Highlights

    • Artwork connected to New Deal and CETA artist employment programs

    • Contemporary commissions exploring the role of artists in civic life

    • Community participation through the Citizen Photographer initiative

    • Part of Delaware’s cultural programming for the U.S. Semiquincentennial in 2026

     
     
  • Pacem in Terris: Youth Peace Exhibition at Alapocas Run

    Pacem in Terris: Youth Peace Exhibition at Alapocas Run

    Pacem in Terris is a grassroots, non-partisan, interfaith, member-supported non-profit organization that brings together people of all ages, ethnic backgrounds and professions for the purpose of positive peaceful change on the local, national and global level. The Youth Peace Art Exhibition is where the art and words of young people can help us all see the world anew. “It is an opportunity for all of us to learn from our younger citizens what the world should be like.” Free, with paid park admission.

  • Festival of Fountains at Longwood Gardens

    Festival of Fountains at Longwood Gardens

    Festival of Fountains

    Illuminated Fountain Performances

     

    Open Wednesday–Monday. Closed Tuesdays except for special events.

    “Our Illuminated Fountain Performances offer a spectacle unlike any other” isn’t marketing fluff. It’s a pretty accurate description of what happens when water, fire, music, and light all agree to show off at the same time.

    May 8–August 20, 2026

    Gardens Open
    10:00 am–6:00 pm Monday, Wednesday, Thursday

    10:00 am–10:00 pm Friday, Saturday, Sunday

    Closed Tuesdays

    August 21–September 27, 2026

    Gardens Open
    10:00 am–6:00 pm Monday, Wednesday, Thursday

    10:00 am–9:00 pm Friday, Saturday, Sunday

    Closed Tuesdays

    A Little History Behind the Splash

    Longwood Gardens traces its roots to 1906, when industrialist Pierre S. du Pont purchased the farm in Kennett Square, Pennsylvania, to preserve a historic collection of trees. Du Pont wasn’t content with a quiet botanical garden. He wanted drama. He wanted scale. He wanted fountains that could rival European estates.

    The original fountains debuted in 1931, inspired by du Pont’s travels to Italy and France. Think Versailles, but with American engineering muscle. The Main Fountain Garden became the crown jewel—spanning five acres and featuring hundreds of jets choreographed to music.

    Fast forward to 2017, and the Main Fountain Garden underwent a $90+ million revitalization. The result:

    • 1,719 fountain jets
    • Water columns reaching up to 175 feet
    • Advanced LED lighting systems
    • Fire effects that turn the night sky into a stage

    This wasn’t just a renovation. It was a glow-up worthy of the Gilded Age.

    What Makes the Illuminated Performances So Unique?

    During the Festival of Fountains (typically May through September), daytime shows are impressive. But when the sun sets, the real magic begins.

    The Illuminated Fountain Performances combine:

    • 🎵 Choreographed music ranging from classical to contemporary
    • 💡 Precision lighting that shifts in color and intensity
    • 💦 High-powered water jets moving in sync
    • 🔥 Fire bursts integrated into select shows

    Each performance feels theatrical. The fountains don’t just spray water—they “dance.” And yes, the water hits its mark with timing that would make a Broadway director proud.

    European Inspiration, American Scale

    Du Pont’s inspiration came from places like the fountains of Italy’s Villa d’Este and France’s Palace of Versailles. The difference? Longwood’s system was engineered using 20th-century innovations, enabling greater height, pressure, and precision.

    The modern restoration introduced:

    • Advanced computer-controlled choreography
    • Underground infrastructure upgrades
    • Expanded viewing terraces
    • ADA-accessible improvements

    It’s old-world elegance powered by modern tech.

    The Festival of Fountains Tradition

    The Festival of Fountains began as a seasonal highlight and evolved into one of the region’s most anticipated summer attractions. Families plan trips around it. Photographers stalk the golden hour. Couples claim benches early.

    Many evenings conclude with fireworks—because if you’re going to do fountains, you might as well go all in.

    Planning Your Visit

    • 📍 Location: Kennett Square, Pennsylvania
    • 📅 Season: Late spring through early fall
    • 🌙 Illuminated Performances: Select evenings
    • 🎟️ Timed tickets required

    Longwood’s fountain system circulates over 10,000 gallons of water per minute during peak shows. That’s not just a splash—it’s hydraulic choreography.

    Pierre du Pont reportedly tested early fountain systems himself, sometimes getting soaked in the process. Industrialist by day, accidental water feature by night.

    If you’re building out a “Things to Do” list, Longwood’s Illuminated Fountain Performances aren’t just an entry—they’re a headline act. Water, fire, music, and a century of history working together in perfect rhythm.

  • Arsenic and Old Lace

    Arsenic and Old Lace

    ARSENIC and OLD LACE. This wildly popular comedic farce, written by Joseph Kesselring, revolves around two elderly sisters who are famous in their Brooklyn neighborhood for their numerous acts of charity but are as crazy as loons. Mix in a dollop of Teddy Roosevelt, a dash of Albert Einstein, and stir with an assortment of quirky characters, and you get a lethal cocktail of murder, mayhem, and laughter. Come see what the New York Times called “a play so funny you will never forget.”

    Times and dates vary. See website for the latest schedule

     Saturday, May 9, 2026 to Saturday, June 20, 2026

  • Rockford Tower Afternoons at Rockford Park

    Rockford Tower Afternoons at Rockford Park

    Enjoy views of the City of Wilmington and the surrounding countryside from the top of Rockford Tower. Note: Tower may close if there is inclement weather. Free!

  • Nature Babies Session 4 at White Clay Creek

    Nature Babies Session 4 at White Clay Creek

    For ages birth to 2. Bring your little ones out for their first nature programs at the park! Cost includes one parent /guardian with child.

  • Nature Nuggets Session 4 at White Clay Creek

    Nature Nuggets Session 4 at White Clay Creek

    For ages 2-4, we’ll spend about 45 minutes with the preschoolers and their adults investigating a variety of nature topics.

  • Bellevue Hall Guided Tour at Bellevue

    Bellevue Hall Guided Tour at Bellevue

    From the glamorous du Ponts of the Gilded Age to the eccentric philanthropist who first built his mansion here in the mid 1800’s, Bellevue Hall is a testament to its varied architectural and personal history. Come discover the beauty of this historic home on a guided tour, the 3rd Tuesday of each month (unless otherwise specified). We will explore the mansion itself and its interesting quirks, as well as stories of the folks who lived and worked here. This tour will cover the exterior, ground floor, and some of the second floor of the mansion. Register online. $6 per person.

  • Treasures from the Family: The Gift of Betsy James Wyeth

    Treasures from the Family: The Gift of Betsy James Wyeth

    Treasures from the Family: The Gift of Betsy James Wyeth

    Open Wednesday–Monday. Closed Tuesdays except for special events.

    May 23, 2026 – November 8, 2026

    Strawbridge Family Gallery

    Curated by Amanda C. Burdan, Ph.D.

    Treasures from the Family: The Gift of Betsy James Wyeth explores the profound legacy of Betsy James Wyeth (1921–2020) as steward of the Wyeth family’s artistic and archival history. The exhibition draws from the major bequest she arranged for the Brandywine Museum of Art, ensuring the long-term preservation of paintings and thousands of archival materials connected to the Wyeth family.

    Andrew and Betsy Wyeth were instrumental supporters of the museum from its founding in 1971. They ensured that works by N.C. Wyeth and Andrew Wyeth would be displayed in its galleries and played a central role in transferring the N.C. Wyeth House and Studio and later the Andrew Wyeth Studio into the museum’s care. Their long-term vision also helped establish the museum’s Andrew and Betsy Wyeth Study Center, which stewards the collections of the Wyeth Foundation for American Art.

    A Transformational Bequest

    Betsy Wyeth’s final philanthropic act extended beyond Andrew Wyeth’s work. Her bequest includes paintings long held within the family, many of which had been on extended loan to the museum for decades and are now permanently part of its collection.

    Among the highlights:

    • N.C. Wyeth’s Self-Portrait with Palette (ca. 1909–1912)
    • Captain Nemo (1918)
    • Early Western illustrations that launched N.C. Wyeth’s career
    • A teenage self-portrait revealing his formative years
    • Experiments with Impressionist brushwork

    While the bequest centers on N.C. Wyeth, it also includes works by other family members, including Henriette Wyeth, Carolyn Wyeth, and Jamie Wyeth. The exhibition reflects the interconnected creative lives of a multi-generational artistic family.

    Andrew and Betsy Wyeth also shared a deep admiration for illustrator Howard Pyle, Andrew’s grandfather and N.C. Wyeth’s teacher. Several Pyle paintings included in the exhibition reflect the couple’s personal collecting interests and their commitment to preserving the lineage of American illustration.

    The Archive: A Life’s Work

    Perhaps equally significant is the archive that Betsy Wyeth spent decades assembling and organizing. Known formally as the “N.C. Wyeth Correspondence Collection of Betsy James Wyeth,” the archive contains thousands of letters, photographs, and personal documents spanning from N.C. Wyeth’s birth in 1882 through the aftermath of his untimely death in 1945.

    Betsy gathered these materials from dispersed private collections and institutional sources, catalogued them, and published selections in her book The Wyeths: The Letters of N.C. Wyeth, 1901–1945. The archive is now housed within the museum’s Walter and Leonore Annenberg Research Center, where it supports ongoing scholarship.

    Selected materials in the exhibition include:

    • A 1904 valentine sent by N.C. Wyeth to Carolyn Bockius before their marriage
    • Family photographs taken by N.C. Wyeth
    • Letters exchanged between N.C. and Andrew Wyeth
    • N.C. Wyeth’s final known correspondence with Andrew, written weeks before his death

    These documents reveal the private dimension behind the public legacy, illuminating the Wyeths not only as artists but as a closely connected family navigating creativity, ambition, and loss.

    A Unified Legacy

    Treasures from the Family underscores Betsy Wyeth’s understanding that paintings and archives must be preserved together. Artworks gain depth through letters, photographs, and personal artifacts; archival materials gain resonance when seen alongside finished works. Her gift ensures that both will remain publicly accessible for generations of visitors and researchers.

    Through this bequest, the Brandywine Museum of Art becomes not only a guardian of the Wyeth artistic tradition, but also the primary steward of the family’s historical record.

  • Annie

    Annie

    Little orphan Annie charms everyone’s hearts as she attempts to find the parents who abandoned her years ago on the doorstep of a New York City orphanage. Based on the popular comic strip by Harold Gray, Annie has become a worldwide phenomenon and has won seven Tony Awards, including Best Musical. The beloved book and score by Tony Award winners Thomas Meehan, Charles Strouse, and Martin Charnin features some of the greatest musical theater hits ever written, including “Tomorrow.”

    Times and dates vary. See the website for the latest schedule

    July 17 – August 30, 2026

  • The People’s Gallery

    The People’s Gallery

    The People’s Gallery – Delaware Art Museum (Wilmington, DE)

    The Delaware Art Museum is closed on Monday and Tuesday

    Dates: August 7 – September 6, 2026

    Price: Free with museum admission

    Location: Gallery 10, Delaware Art Museum, 2301 Kentmere Parkway, Wilmington, Delaware

    Celebrate Delaware’s creative community in The People’s Gallery, a special exhibition at the Delaware Art Museum that invites residents across the state to share their artwork with the public. Created as part of the Delaware250 celebration, the exhibition welcomes up to 600 Delaware residents and DelArt members to submit one piece of art for display in the museum.

    Unlike traditional juried exhibitions, The People’s Gallery offers an open opportunity for artists of all experience levels to showcase their work. Every submitted piece will be exhibited in the museum’s gallery space, highlighting the wide range of artistic voices found throughout Delaware communities.

    Artwork featured in the exhibition will also be available for purchase through Market at DelArt during the show’s run, giving visitors the chance to support local artists directly. Registration for participating artists opens online on July 5, 2026, with submissions accepted on a first-come, first-served basis.

    Exhibition Highlights

    • Community exhibition featuring up to 600 Delaware artists
    • Open submission format with no jury selection
    • Artwork available for purchase through Market at DelArt
    • Part of the statewide Delaware250 celebration of the nation’s 250th anniversary