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SUMMARY:Citizen Artist
DESCRIPTION:Citizen Artist – Delaware Art Museum (Wilmington\, DE)\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: April 11 – July 19\, 2026\nPrice: Free with museum admission\nLocation: Fusco Gallery\, Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, Delaware \nExplore the role of artists as community builders in Citizen Artist\, an exhibition at the Delaware Art Museum that reflects on the relationship between art\, public service\, and civic identity. Timed with the United States Semiquincentennial in 2026\, the exhibition highlights artists who worked through major federal arts programs designed to support creative workers and strengthen communities. \nBeginning with the New Deal arts initiatives of the 1930s\, the exhibition examines programs such as the Public Works of Art Project\, the Works Progress Administration\, the Farm Security Administration\, and the Treasury Section on Fine Arts. These programs employed artists who created murals\, photographs\, performances\, and educational programs that connected art to everyday American life. \nThe exhibition also explores the Comprehensive Employment and Training Act (CETA) of the 1970s\, which funded job programs that many communities adapted to employ professional artists. In Delaware\, these efforts helped expand community arts programs and contributed to the development of institutions such as the Delaware Art Museum and The Delaware Contemporary. \nThrough historical works and contemporary commissions\, Citizen Artist highlights how artists have served their communities while shaping cultural life across generations. The exhibition also connects with the statewide Citizen Photographer initiative\, inviting Delaware residents to contribute photographs that reflect identity\, place\, and civic life during the nation’s 250th anniversary. \nExhibition Highlights \n\n\nArtwork connected to New Deal and CETA artist employment programs \n\n\nContemporary commissions exploring the role of artists in civic life \n\n\nCommunity participation through the Citizen Photographer initiative \n\n\nPart of Delaware’s cultural programming for the U.S. Semiquincentennial in 2026 \n\n\n\n\n\n\n \n\n \n\n\n\n\n\n 
URL:https://delawareads.com/event/citizen-artist/
CATEGORIES:Art
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SUMMARY:Abundance/Excess: A Contemporary Eye on Still Life
DESCRIPTION:Abundance/Excess: A Contemporary Eye on Still Life\nMarch 15\, 2026 – June 7\, 2026 \n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nCurator: Kerry Bickford \nAbundance/Excess: A Contemporary Eye on Still Life brings together ten contemporary artists who engage with the long tradition of still life while reframing it for the twenty-first century. Historically a genre associated with technical skill and symbolic meaning\, still life has also served as a space for experimentation — a place where artists explore texture\, composition\, and coded messages about wealth\, mortality\, and desire. \nThe exhibition is organized into two thematic sections: \nAbundance\nThis section examines how still life imagery has historically symbolized prosperity and status. The featured contemporary works interrogate systems of wealth\, commerce\, and exchange — asking how objects signal value and how consumer culture shapes perception. Fruit\, fish\, flowers\, and meat become markers not only of bounty\, but of economic power. \nExcess\nThe second section focuses on the environmental and social consequences of overconsumption. Many works incorporate discarded or repurposed materials — bath towels\, reclaimed toys\, grocery flyers\, and other found objects — reflecting on industrial production and waste. These reinterpretations of still life question what remains after abundance tips into excess. \nThe Brandywine Museum of Art presents John Sloan’s Street Theater\, an exhibition exploring the graphic work of John Sloan (1871–1951)\, a central figure of the Ashcan School. Emerging in the early twentieth century\, Sloan and his contemporaries rejected idealized subjects in favor of the realities of modern urban life\, particularly in New York City. \nBest known for his paintings and etchings of everyday city scenes\, Sloan captured sidewalks\, rooftops\, tenements\, shop windows\, and neighborhood theaters with both humor and social awareness. While his oil paintings employed loose\, modern brushwork\, his prints reveal a more intricate approach\, using etching to record fleeting gestures\, crowd interactions\, and private moments glimpsed through open windows. \nThis exhibition draws from a collection of more than 500 prints donated to the museum by the late Paul Preston Davis\, presenting over 50 works that highlight Sloan’s mastery of the medium. The selection underscores his deep interest in human behavior — from children playing in the streets to the rhythms of working-class neighborhoods. \nSloan’s art offers insight into a transformative period in American life. During his lifetime\, the city shifted from horse-drawn transportation to automobiles; women’s public roles expanded dramatically; and social norms were reshaped through movements such as suffrage and Prohibition. Through his prints\, urban life becomes both stage and subject — a “street theater” unfolding in real time. \nTogether\, the exhibition expands still life beyond decorative tradition\, connecting it to urgent contemporary concerns about sustainability\, consumption\, and economic imbalance. The familiar language of fruit and flowers becomes a lens for examining extraction\, production\, and responsibility in modern society.
URL:https://delawareads.com/event/abundane-excess-eye-still-life/
CATEGORIES:Art
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