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DTSTART;TZID=America/New_York:20251004T080000
DTEND;TZID=America/New_York:20260531T170000
DTSTAMP:20260406T212649
CREATED:20260215T235357Z
LAST-MODIFIED:20260303T195328Z
UID:10006100-1759564800-1780246800@delawareads.com
SUMMARY:Cropsey\, Wyeth\, and the American Landscape Tradition
DESCRIPTION:Cropsey\, Wyeth\, and the American Landscape Tradition\n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nOctober 4\, 2025 – May 31\, 2026\nBrandywine Museum of Art — Chadds Ford\, PA \nThe Brandywine Museum of Art presents Cropsey\, Wyeth\, and the American Landscape Tradition\, a landmark exhibition centered on the first-ever museum display of a monumental rediscovered masterwork by Hudson River School painter Jasper Francis Cropsey (1823–1900). \nAt the heart of the exhibition is Autumn in the Ramapo Valley\, Erie Railway (1873)\, an extraordinary canvas measuring nearly 7 feet long. Commissioned in 1873 by Irish-American railroad magnate James McHenry\, the painting celebrates both the grandeur of the American landscape and the rise of American industry. The train cutting through the valley references the Erie Railroad\, in which McHenry had recently secured a controlling stake — a subtle but powerful statement about progress\, expansion\, and national identity. \nShortly after its completion\, the painting was shipped to England and remained in private British collections for more than 150 years. In 2025\, it was acquired by The J. Jeffrey and Ann Marie Fox Foundation for American Art\, marking its long-awaited return to public view. This exhibition offers the first opportunity for audiences to see the work since 1873. \nThe Hudson River School and Industry\nBeyond Cropsey’s masterwork\, the exhibition surveys the 19th-century explosion of American landscape painting and its relationship to industrial expansion. Featured artists include: \n\nAlfred Thompson Bricher\nAlbert Bierstadt\nWilliam Trost Richards\nJohn Frederick Kensett\nMary Blood Mellen\nMartin Johnson Heade\n\nThese painters helped define a distinctly American vision of nature — dramatic\, expansive\, and often infused with national optimism. Yet their works also reveal the tension between untouched wilderness and advancing railroads\, commerce\, and settlement. \nFrom Cropsey to the Wyeths\nThe exhibition continues beyond the Hudson River School\, tracing a line of artistic inheritance into the 20th century. Through key works in the Brandywine Museum and Wyeth Foundation collections\, the show explores how American landscape painting evolved through: \n\nWinslow Homer\nGeorge Bellows\nN.C. Wyeth\nand ultimately Andrew Wyeth (1917–2009)\n\nArchival material from the Wyeth family library reveals a deeper engagement with Hudson River School artists than previously recognized. Andrew Wyeth studied their composition\, allegorical themes\, and even their treatment of industry within landscape. Selected watercolors and tempera works — including some never before exhibited — demonstrate how that legacy carried forward in subtle but meaningful ways. \nThe result is not just a historical survey\, but a reconsideration of how American landscape painting evolved across generations. \nExhibition Dates\nOctober 4\, 2025 – May 31\, 2026 \nFor deeper context on the rediscovered Cropsey painting\, visitors can explore the exhibition microsite:\nhttps://brandywineathome.org/cropsey/
URL:https://delawareads.com/event/cropsey-wyeth-and-the-american-landscape-tradition/
LOCATION:Brandywine Museum of Art\, 1 Hoffmans Mill Rd\, Chadds Ford\, PA\, 19317\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Brandywine-Museum-Art.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260131T100000
DTEND;TZID=America/New_York:20260517T160000
DTSTAMP:20260406T212650
CREATED:20260216T000310Z
LAST-MODIFIED:20260303T194417Z
UID:10006359-1769853600-1779033600@delawareads.com
SUMMARY:John Sloan’s Street Theater
DESCRIPTION:John Sloan’s Street Theater\n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nJanuary 31\, 2026 – May 17\, 2026\nStrawbridge Family Gallery\nCurated by Amanda C. Burdan\, Ph.D. \nThe Brandywine Museum of Art presents John Sloan’s Street Theater\, an exhibition exploring the graphic work of John Sloan (1871–1951)\, a central figure of the Ashcan School. Emerging in the early twentieth century\, Sloan and his contemporaries rejected idealized subjects in favor of the realities of modern urban life\, particularly in New York City. \nBest known for his paintings and etchings of everyday city scenes\, Sloan captured sidewalks\, rooftops\, tenements\, shop windows\, and neighborhood theaters with both humor and social awareness. While his oil paintings employed loose\, modern brushwork\, his prints reveal a more intricate approach\, using etching to record fleeting gestures\, crowd interactions\, and private moments glimpsed through open windows. \nThis exhibition draws from a collection of more than 500 prints donated to the museum by the late Paul Preston Davis\, presenting over 50 works that highlight Sloan’s mastery of the medium. The selection underscores his deep interest in human behavior — from children playing in the streets to the rhythms of working-class neighborhoods. \nSloan’s art offers insight into a transformative period in American life. During his lifetime\, the city shifted from horse-drawn transportation to automobiles; women’s public roles expanded dramatically; and social norms were reshaped through movements such as suffrage and Prohibition. Through his prints\, urban life becomes both stage and subject — a “street theater” unfolding in real time.
URL:https://delawareads.com/event/john-sloans-street-theater/
LOCATION:Brandywine Museum of Art\, 1 Hoffmans Mill Rd\, Chadds Ford\, PA\, 19317\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Brandywine-Museum-Art.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260228T100000
DTEND;TZID=America/New_York:20260823T160000
DTSTAMP:20260406T212650
CREATED:20260303T214623Z
LAST-MODIFIED:20260303T214820Z
UID:10007747-1772272800-1787500800@delawareads.com
SUMMARY:Living Indigenous
DESCRIPTION:Living Indigenous – Delaware Art Museum (Wilmington\, DE)\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: February 28 – August 23\, 2026\nPrice: Free with museum admission\nLocation: Delaware Art Museum\, Gallery 9\, 2301 Kentmere Parkway\, Wilmington\, Delaware \nExplore contemporary Indigenous creativity at Living Indigenous\, an exhibition at the Delaware Art Museum that celebrates the work of Indigenous artists living in or connected to the Delaware community. Developed in partnership with the Nanticoke Indian Museum\, the exhibition highlights artistic voices that reflect cultural heritage\, identity\, and community connections. \nThe exhibition brings together intergenerational artists\, offering perspectives that link history\, cultural traditions\, and modern Indigenous experiences. By centering these voices during the United States’ 250th anniversary era\, the exhibition emphasizes broader stories of the inhabitants of Turtle Island\, connecting past knowledge with present-day artistic expression. \nVisitors will encounter a diverse range of artwork—from painting and mixed media to contemporary interpretations of Indigenous identity. Additional works and ephemera by Indigenous artists are installed throughout the museum’s permanent galleries\, expanding the narrative beyond a single exhibition space. \nExhibition Highlights \n\nArtwork by Indigenous artists connected to the Delaware region\nCollaboration with the Nanticoke Indian Museum\nIntergenerational perspectives linking tradition and contemporary life\nAdditional Indigenous works are displayed across the museum galleries\n\nVenue: The Delaware Art Museum in Wilmington connects visitors with American art\, illustration\, and contemporary exhibitions through rotating shows\, educational programs\, and cultural events.
URL:https://delawareads.com/event/living-indigenous/
LOCATION:Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, DE\, 19806\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Delaware-Art-M.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260315T110000
DTEND;TZID=America/New_York:20260723T160000
DTSTAMP:20260406T212650
CREATED:20260216T000555Z
LAST-MODIFIED:20260303T145322Z
UID:10006988-1773572400-1784822400@delawareads.com
SUMMARY:Abundance/Excess: A Contemporary Eye on Still Life
DESCRIPTION:Abundance/Excess: A Contemporary Eye on Still Life\nMarch 15\, 2026 – June 7\, 2026 \n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nCurator: Kerry Bickford \nAbundance/Excess: A Contemporary Eye on Still Life brings together ten contemporary artists who engage with the long tradition of still life while reframing it for the twenty-first century. Historically a genre associated with technical skill and symbolic meaning\, still life has also served as a space for experimentation — a place where artists explore texture\, composition\, and coded messages about wealth\, mortality\, and desire. \nThe exhibition is organized into two thematic sections: \nAbundance\nThis section examines how still life imagery has historically symbolized prosperity and status. The featured contemporary works interrogate systems of wealth\, commerce\, and exchange — asking how objects signal value and how consumer culture shapes perception. Fruit\, fish\, flowers\, and meat become markers not only of bounty\, but of economic power. \nExcess\nThe second section focuses on the environmental and social consequences of overconsumption. Many works incorporate discarded or repurposed materials — bath towels\, reclaimed toys\, grocery flyers\, and other found objects — reflecting on industrial production and waste. These reinterpretations of still life question what remains after abundance tips into excess. \nThe Brandywine Museum of Art presents John Sloan’s Street Theater\, an exhibition exploring the graphic work of John Sloan (1871–1951)\, a central figure of the Ashcan School. Emerging in the early twentieth century\, Sloan and his contemporaries rejected idealized subjects in favor of the realities of modern urban life\, particularly in New York City. \nBest known for his paintings and etchings of everyday city scenes\, Sloan captured sidewalks\, rooftops\, tenements\, shop windows\, and neighborhood theaters with both humor and social awareness. While his oil paintings employed loose\, modern brushwork\, his prints reveal a more intricate approach\, using etching to record fleeting gestures\, crowd interactions\, and private moments glimpsed through open windows. \nThis exhibition draws from a collection of more than 500 prints donated to the museum by the late Paul Preston Davis\, presenting over 50 works that highlight Sloan’s mastery of the medium. The selection underscores his deep interest in human behavior — from children playing in the streets to the rhythms of working-class neighborhoods. \nSloan’s art offers insight into a transformative period in American life. During his lifetime\, the city shifted from horse-drawn transportation to automobiles; women’s public roles expanded dramatically; and social norms were reshaped through movements such as suffrage and Prohibition. Through his prints\, urban life becomes both stage and subject — a “street theater” unfolding in real time. \nTogether\, the exhibition expands still life beyond decorative tradition\, connecting it to urgent contemporary concerns about sustainability\, consumption\, and economic imbalance. The familiar language of fruit and flowers becomes a lens for examining extraction\, production\, and responsibility in modern society.
URL:https://delawareads.com/event/abundane-excess-eye-still-life/
LOCATION:DE
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Brandywine-Museum-Art.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260328T100000
DTEND;TZID=America/New_York:20260816T160000
DTSTAMP:20260406T212650
CREATED:20260303T215002Z
LAST-MODIFIED:20260303T215002Z
UID:10007748-1774692000-1786896000@delawareads.com
SUMMARY:The City on Paper
DESCRIPTION:The City on Paper – Delaware Art Museum\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: March 28 – August 16\, 2026\nPrice: Free with museum admission\nLocation: Galleries 11 & 12\, Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, Delaware \nExplore urban life through the lens of printmaking in The City on Paper\, an exhibition at the Delaware Art Museum featuring 47 drawings and prints that capture city scenes from 1875 to 2007. The exhibition highlights how artists have documented the energy and architecture of cities such as New York\, Paris\, and Wilmington\, portraying grand boulevards\, quiet alleyways\, towering skyscrapers\, and the people who animate these spaces. \nPrintmaking plays a central role in the exhibition\, with works created through techniques including etching\, woodcut\, lithography\, monotype\, and screen printing. Drawn entirely from the museum’s own collection\, the exhibition includes new acquisitions alongside rarely displayed works\, offering visitors a chance to see pieces that are not often on view. \nThe exhibition features works by 45 artists\, including notable figures such as Peggy Bacon\, Stuart Davis\, John Marin\, Martin Lewis\, John Sloan\, Wayne Thiebaud\, and James McNeill Whistler. Together\, these artists present a rich visual narrative of city life across more than a century of artistic interpretation. \nExhibition Highlights \n\n\n47 works on paper exploring city life and architecture \n\n\nPrintmaking techniques including etching\, lithography\, and screen printing \n\n\nArtwork spanning more than 130 years of urban imagery \n\n\nWorks by 45 artists from the Delaware Art Museum collection \n\n\nVenue: The Delaware Art Museum in Wilmington presents American art\, illustration\, and contemporary exhibitions while offering educational programs and community events throughout the year.
URL:https://delawareads.com/event/the-city-on-paper/
LOCATION:Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, DE\, 19806\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Delaware-Art-M.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260401T093000
DTEND;TZID=America/New_York:20260531T163000
DTSTAMP:20260406T212650
CREATED:20260215T235846Z
LAST-MODIFIED:20260303T195117Z
UID:10006306-1775035800-1780245000@delawareads.com
SUMMARY:The American Landscape Tradition: Cropsey and Wyeth
DESCRIPTION:Cropsey\, Wyeth\, and the American Landscape Tradition\n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nOctober 4\, 2025 – May 31\, 2026\nBrandywine Museum of Art — Chadds Ford\, PA \nThe Brandywine Museum of Art presents Cropsey\, Wyeth\, and the American Landscape Tradition\, a landmark exhibition centered on the first-ever museum display of a monumental rediscovered masterwork by Hudson River School painter Jasper Francis Cropsey (1823–1900). \nAt the heart of the exhibition is Autumn in the Ramapo Valley\, Erie Railway (1873)\, an extraordinary canvas measuring nearly seven feet in length. Commissioned in 1873 by Irish-American railroad magnate James McHenry\, the painting celebrates both the grandeur of the American landscape and the rise of American industry. The train cutting through the valley references the Erie Railroad\, in which McHenry had recently secured a controlling stake — a subtle but powerful statement about progress\, expansion\, and national identity. \nShortly after its completion\, the painting was shipped to England and remained in private British collections for more than 150 years. In 2025\, it was acquired by The J. Jeffrey and Ann Marie Fox Foundation for American Art\, marking its long-awaited return to public view. This exhibition offers the first opportunity for audiences to see the work since 1873. \nThe Hudson River School and Industry\nBeyond Cropsey’s masterwork\, the exhibition surveys the 19th-century explosion of American landscape painting and its relationship to industrial expansion. Featured artists include: \n\nAlfred Thompson Bricher\nAlbert Bierstadt\nWilliam Trost Richards\nJohn Frederick Kensett\nMary Blood Mellen\nMartin Johnson Heade\n\nThese painters helped define a distinctly American vision of nature — dramatic\, expansive\, and often infused with national optimism. Yet their works also reveal the tension between untouched wilderness and advancing railroads\, commerce\, and settlement. \nFrom Cropsey to the Wyeths\nThe exhibition continues beyond the Hudson River School\, tracing a line of artistic inheritance into the 20th century. Through key works in the Brandywine Museum and Wyeth Foundation collections\, the show explores how American landscape painting evolved through: \n\nWinslow Homer\nGeorge Bellows\nN.C. Wyeth\nand ultimately Andrew Wyeth (1917–2009)\n\nArchival material from the Wyeth family library reveals a deeper engagement with Hudson River School artists than previously recognized. Andrew Wyeth studied their composition\, allegorical themes\, and even their treatment of industry within landscape. Selected watercolors and tempera works — including some never before exhibited — demonstrate how that legacy carried forward in subtle but meaningful ways. \nThe result is not just a historical survey\, but a reconsideration of how American landscape painting evolved across generations. \nExhibition Dates\nOctober 4\, 2025 – May 31\, 2026 \nFor deeper context on the rediscovered Cropsey painting\, visitors can explore the exhibition microsite:\nhttps://brandywineathome.org/cropsey/
URL:https://delawareads.com/event/the-american-landscape-tradition-cropsey-and-wyeth/
LOCATION:DE
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Brandywine-Museum-Art.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260411T100000
DTEND;TZID=America/New_York:20260719T160000
DTSTAMP:20260406T212650
CREATED:20260303T215146Z
LAST-MODIFIED:20260303T215146Z
UID:10007749-1775901600-1784476800@delawareads.com
SUMMARY:Citizen Artist
DESCRIPTION:Citizen Artist – Delaware Art Museum (Wilmington\, DE)\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: April 11 – July 19\, 2026\nPrice: Free with museum admission\nLocation: Fusco Gallery\, Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, Delaware \nExplore the role of artists as community builders in Citizen Artist\, an exhibition at the Delaware Art Museum that reflects on the relationship between art\, public service\, and civic identity. Timed with the United States Semiquincentennial in 2026\, the exhibition highlights artists who worked through major federal arts programs designed to support creative workers and strengthen communities. \nBeginning with the New Deal arts initiatives of the 1930s\, the exhibition examines programs such as the Public Works of Art Project\, the Works Progress Administration\, the Farm Security Administration\, and the Treasury Section on Fine Arts. These programs employed artists who created murals\, photographs\, performances\, and educational programs that connected art to everyday American life. \nThe exhibition also explores the Comprehensive Employment and Training Act (CETA) of the 1970s\, which funded job programs that many communities adapted to employ professional artists. In Delaware\, these efforts helped expand community arts programs and contributed to the development of institutions such as the Delaware Art Museum and The Delaware Contemporary. \nThrough historical works and contemporary commissions\, Citizen Artist highlights how artists have served their communities while shaping cultural life across generations. The exhibition also connects with the statewide Citizen Photographer initiative\, inviting Delaware residents to contribute photographs that reflect identity\, place\, and civic life during the nation’s 250th anniversary. \nExhibition Highlights \n\n\nArtwork connected to New Deal and CETA artist employment programs \n\n\nContemporary commissions exploring the role of artists in civic life \n\n\nCommunity participation through the Citizen Photographer initiative \n\n\nPart of Delaware’s cultural programming for the U.S. Semiquincentennial in 2026 \n\n\n\n\n\n\n \n\n \n\n\n\n\n\n 
URL:https://delawareads.com/event/citizen-artist/
LOCATION:DE
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Delaware-Art-M.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260516T100000
DTEND;TZID=America/New_York:20260517T160000
DTSTAMP:20260406T212651
CREATED:20260312T213624Z
LAST-MODIFIED:20260312T220454Z
UID:10007872-1778925600-1779033600@delawareads.com
SUMMARY:Brandywine Spring Festival of the Arts
DESCRIPTION:Brandywine Spring Festival of the Arts\nDates: May 16 (10am-6pm) and 17 (10am-4pm) \, 2026\nLocation: Siegel JCC Outdoor Campus\, 101 Garden of Eden Rd\, Wilmington\, Delaware\nAdmission: Details available on the festival website\nWebsite: www.brandywinespring.com \nA New Spring Arts Festival Comes to Wilmington\nThe Brandywine Spring Festival of the Arts debuts May 16–17\, 2026\, at the Siegel JCC (the J) in Wilmington\, Delaware. Set across the JCC’s spacious Outdoor Campus\, this new event brings together artists\, families\, and community members for a vibrant weekend celebrating creativity\, culture\, and the arrival of spring. \nInspired by the long-running Brandywine Festival of the Arts\, originally founded in 1961\, this spring edition introduces a fresh seasonal take on one of Wilmington’s most recognized arts traditions. \nFestival producer Barry Schlecker of Barry’s Events and his team are launching the new festival as part of an expanding arts series that connects artists and audiences across the region. \n\n“We are so passionate about creating opportunities for artists to share their works. This new Spring Edition of our Festival of the Arts Series is the perfect way to kick off the season\, bringing artists and patrons together at a new\, fresh\, and exciting location.”\n— Barry Schlecker\, Festival Producer \n\nLocal and Regional Artists\nVisitors can explore original works from a wide variety of artists showcasing pieces in: \n\nPainting\nCeramics\nPhotography\nJewelry\nMixed media\nSculpture and handcrafted art\n\nThe festival highlights both local and regional artists\, offering guests the opportunity to meet creators and discover unique works available for purchase. \nInteractive Art Experiences\nThe Brandywine Spring Festival of the Arts is a family-friendly celebration featuring creative activities for all ages. \nGuests can enjoy: \n\nInteractive art projects\nFamily craft activities\nHands-on creative experiences\nLive demonstrations from participating artists\n\nThese activities encourage visitors to engage directly with the artistic process while exploring the festival grounds. \nFood\, Entertainment\, and Community\nThe festival will also feature a selection of curated local restaurants and food trucks\, offering a variety of dining options to enjoy while strolling through the Outdoor Campus. \nThe relaxed\, welcoming environment makes the event ideal for: \n\nFamilies and children\nArt collectors\nLocal residents\nVisitors exploring Wilmington’s arts scene\n\nThe festival grounds will also be pet-friendly\, allowing guests to bring well-behaved dogs while enjoying the outdoor setting. \n\n“We’re thrilled to bring the Brandywine Spring Festival of the Arts to the J\,” said Ivy Harlev\, CEO of the Siegel JCC. “This event reflects our commitment to nurturing community connections through the arts and offering a joyful\, inclusive experience where creativity can flourish.” \n\nCelebrate Spring Through Art\nWith a mix of fine art\, hands-on activities\, food vendors\, and live entertainment\, the Brandywine Spring Festival of the Arts offers a lively way to celebrate the season while supporting artists and local culture. \nAdditional information about festival hours\, admission\, and artist participation is available at: \nwww.brandywinespring.com
URL:https://delawareads.com/event/brandywine-spring-festival-of-the-arts/
LOCATION:Siegel JCC (The Wilmington JCC)\, 101 Garden of Eden Rd\, Wilmington\, DE\, 19803\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/png:https://delawareads.com/wp-content/uploads/2026/03/SpingLogo.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260807T100000
DTEND;TZID=America/New_York:20260906T160000
DTSTAMP:20260406T212651
CREATED:20260303T220151Z
LAST-MODIFIED:20260303T220151Z
UID:10007751-1786096800-1788710400@delawareads.com
SUMMARY:The People’s Gallery
DESCRIPTION:The People’s Gallery – Delaware Art Museum (Wilmington\, DE)\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: August 7 – September 6\, 2026\nPrice: Free with museum admission\nLocation: Gallery 10\, Delaware Art Museum\, 2301 Kentmere Parkway\, Wilmington\, Delaware \nCelebrate Delaware’s creative community in The People’s Gallery\, a special exhibition at the Delaware Art Museum that invites residents across the state to share their artwork with the public. Created as part of the Delaware250 celebration\, the exhibition welcomes up to 600 Delaware residents and DelArt members to submit one piece of art for display in the museum. \nUnlike traditional juried exhibitions\, The People’s Gallery offers an open opportunity for artists of all experience levels to showcase their work. Every submitted piece will be exhibited in the museum’s gallery space\, highlighting the wide range of artistic voices found throughout Delaware communities. \nArtwork featured in the exhibition will also be available for purchase through Market at DelArt during the show’s run\, giving visitors the chance to support local artists directly. Registration for participating artists opens online on July 5\, 2026\, with submissions accepted on a first-come\, first-served basis. \nExhibition Highlights \n\nCommunity exhibition featuring up to 600 Delaware artists\nOpen submission format with no jury selection\nArtwork available for purchase through Market at DelArt\nPart of the statewide Delaware250 celebration of the nation’s 250th anniversary
URL:https://delawareads.com/event/the-peoples-gallery/
LOCATION:Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, DE\, 19806\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Delaware-Art-M.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260906T100000
DTEND;TZID=America/New_York:20260906T160000
DTSTAMP:20260406T212651
CREATED:20260303T215709Z
LAST-MODIFIED:20260303T222209Z
UID:10007750-1788688800-1788710400@delawareads.com
SUMMARY:Photovoice
DESCRIPTION:Photovoice – Delaware Art Museum (Wilmington\, DE)\nDates: April 11 – September 6\, 2026\nPrice: Free with museum admission\nLocation: Orientation Hallway\, Delaware Art Museum\, 2301 Kentmere Parkway\, Wilmington\, Delaware \n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nExperience powerful community storytelling in Photovoice\, an exhibition at the Delaware Art Museum that presents personal narratives through photography and the historic cyanotype printing process. The exhibition highlights the lived experiences of participants who responded to the prompt “What does culture mean to you?” through images and written reflections. \nParticipants—including refugees\, immigrants\, asylum seekers\, and people closely connected to these communities—were provided with digital cameras to document meaningful moments from their daily lives. These photographs were later transformed into distinctive cyanotype prints during hands-on workshops and paired with captions written by the photographers themselves. \nThe project was guided by Jon Cox\, Associate Professor of Art and Design at the University of Delaware\, and Andy Bale\, Visiting Professor at Dickinson College. Together with community partners\, the exhibition creates a space where personal stories highlight themes of identity\, resilience\, loss\, belonging\, and shared human experience. \nDisplayed as a collective visual narrative\, the works invite visitors to reflect on how diverse experiences shape community connections while revealing the common threads that unite people across cultures. \nExhibition Highlights \n\nCyanotype photography created through participatory workshops\nImages and captions produced by community members\nStories reflecting identity\, culture\, and belonging\nCollaboration with educators\, artists\, and community partners
URL:https://delawareads.com/event/photovoice/
LOCATION:Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, DE\, 19806\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Delaware-Art-M.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261010T100000
DTEND;TZID=America/New_York:20270110T160000
DTSTAMP:20260406T212651
CREATED:20260303T220348Z
LAST-MODIFIED:20260303T222347Z
UID:10007752-1791626400-1799596800@delawareads.com
SUMMARY:Transcendent: Landscapes of the Hudson River School
DESCRIPTION:Transcendent: Landscapes of the Hudson River School – Delaware Art Museum (Wilmington\, DE)\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: October 10\, 2026 – January 10\, 2027\nPrice: Free with museum admission\nLocation: Gallery 10\, Delaware Art Museum\, 2301 Kentmere Parkway\, Wilmington\, Delaware \nDiscover the power of nature through American landscape painting in Transcendent: Landscapes of the Hudson River School\, an exhibition at the Delaware Art Museum that explores the artistic and spiritual ideas behind one of the most influential movements in 19th-century American art. Drawn primarily from the collections of The New York Historical\, the exhibition presents iconic works that reflect the philosophy of Transcendentalism\, which emphasized a deep spiritual connection between humans and the natural world. \nEmerging in the 1850s and reaching its height in the 1870s\, the Hudson River School represented a defining moment in American landscape painting. Artists associated with the movement viewed nature as a reflection of the divine\, creating dramatic scenes of mountains\, forests\, rivers\, and skies that conveyed both beauty and spiritual meaning. \nThe exhibition brings together significant paintings and studies from public and private collections\, introducing visitors to the artistic tradition that flourished across the United States during the mid-19th century. Through these works\, visitors gain insight into how artists\, writers\, and theologians of the period understood the natural world as a place where the divine could be experienced. \nExhibition Highlights \n\nLandscape paintings from the influential Hudson River School movement\nWorks exploring the philosophy of Transcendentalism and spirituality in nature\nArtwork primarily drawn from The New York Historical collections\nAdditional loans from public and private collections\n\n\n\n\n\n \n\n \n\n\n\n\n\n 
URL:https://delawareads.com/event/transcendent-landscapes-of-the-hudson-river-school/
LOCATION:DE
CATEGORIES:Art
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DTSTART;TZID=America/New_York:20261109T093000
DTEND;TZID=America/New_York:20280103T170000
DTSTAMP:20260406T212651
CREATED:20260216T002316Z
LAST-MODIFIED:20260303T194454Z
UID:10007575-1794216600-1830531600@delawareads.com
SUMMARY:The Worlds of Betsy James Wyeth By Design
DESCRIPTION:By Design: The Worlds of Betsy James Wyeth\n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nJune 27\, 2026 – January 3\, 2027\nCurated by William L. Coleman\, Ph.D.\nWyeth Foundation Curator and Director\, Andrew & Betsy Wyeth Study Center \nBy Design: The Worlds of Betsy James Wyeth offers the first in-depth exploration of Betsy James Wyeth (1921–2020) as a designer of complex environments whose influence extended far beyond her well-known role as Andrew Wyeth’s wife and manager. \nRather than focusing solely on painting\, this exhibition examines Betsy Wyeth’s work in architectural restoration\, environmental design\, collecting\, and interior composition. Over decades\, she shaped immersive environments across hundreds of acres in Pennsylvania and Maine — spaces that became both living works of art and creative catalysts. \nDesigning Environments Across Two States\nBetsy Wyeth’s projects included: \n\nSouthern Island\, Maine\nBroad Cove Farm\nAllen and Benner Islands\nBrinton’s Mill in Chadds Ford\n\nThrough restoration and adaptive reuse\, she transformed historic buildings while preserving their structural integrity and layered histories. Her work blended eighteenth-century architectural associations with modern sensibilities\, particularly at Brinton’s Mill — a site that became central to Andrew Wyeth’s artistic production. \nHer approach was neither purely preservationist nor purely decorative. She constructed environments that were cohesive\, curated\, and deeply intentional — spaces where architecture\, objects\, and landscape worked together as unified compositions. \nInterior Worlds and Artistic Partnership\nBetsy Wyeth was also an avid collector whose choices shaped highly original interiors. Objects were not arranged casually; they were composed. Many of Andrew Wyeth’s paintings were created within or in response to these carefully constructed spaces. \nDrawing from largely unexhibited holdings of the Wyeth Foundation for American Art\, the exhibition includes: \n\nWorks by Andrew Wyeth influenced by Betsy’s environments\nRare archival materials\nPhotographs and design documentation\nOriginal furnishings and objects from these interiors\n\nThrough these materials\, the exhibition reframes Betsy Wyeth as a creative partner whose environmental designs informed Andrew Wyeth’s artistic vision. \nA Multi-Institution Collaboration\nBy Design is co-organized by: \n\nBrandywine Museum of Art (Chadds Ford\, PA)\nColby College Museum of Art (Waterville\, ME)\nFarnsworth Art Museum (Rockland\, ME)\n\nEach institution presents a distinct component of the broader narrative. \nOn view concurrently: \n\nBrandywine Museum of Art: June 27\, 2026 – January 3\, 2027\nColby College Museum of Art: June 12 – November 2\, 2026\nFarnsworth Art Museum: May 2 – December 31\, 2026\n\nThe exhibition is accompanied by a hardcover catalogue published by Rizzoli Electa\, featuring essays from curators and scholars examining Betsy Wyeth’s design legacy. \nFor decades\, Betsy James Wyeth was recognized primarily as a steward of the Wyeth family legacy. By Design expands that understanding\, presenting her as a designer whose architectural and environmental projects shaped both physical landscapes and artistic output. \nIn the Brandywine Valley — where landscape and art are deeply intertwined — this exhibition reframes a familiar name within a broader creative context.
URL:https://delawareads.com/event/the-worlds-of-betsy-james-wyeth-by-design/
LOCATION:Brandywine Museum of Art\, 1 Hoffmans Mill Rd\, Chadds Ford\, PA\, 19317\, United States
CATEGORIES:Art
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