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DTSTART;TZID=America/New_York:20251004T080000
DTEND;TZID=America/New_York:20260531T170000
DTSTAMP:20260606T233343
CREATED:20260215T235357Z
LAST-MODIFIED:20260303T195328Z
UID:10006100-1759564800-1780246800@delawareads.com
SUMMARY:Cropsey\, Wyeth\, and the American Landscape Tradition
DESCRIPTION:Cropsey\, Wyeth\, and the American Landscape Tradition\n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nOctober 4\, 2025 – May 31\, 2026\nBrandywine Museum of Art — Chadds Ford\, PA \nThe Brandywine Museum of Art presents Cropsey\, Wyeth\, and the American Landscape Tradition\, a landmark exhibition centered on the first-ever museum display of a monumental rediscovered masterwork by Hudson River School painter Jasper Francis Cropsey (1823–1900). \nAt the heart of the exhibition is Autumn in the Ramapo Valley\, Erie Railway (1873)\, an extraordinary canvas measuring nearly 7 feet long. Commissioned in 1873 by Irish-American railroad magnate James McHenry\, the painting celebrates both the grandeur of the American landscape and the rise of American industry. The train cutting through the valley references the Erie Railroad\, in which McHenry had recently secured a controlling stake — a subtle but powerful statement about progress\, expansion\, and national identity. \nShortly after its completion\, the painting was shipped to England and remained in private British collections for more than 150 years. In 2025\, it was acquired by The J. Jeffrey and Ann Marie Fox Foundation for American Art\, marking its long-awaited return to public view. This exhibition offers the first opportunity for audiences to see the work since 1873. \nThe Hudson River School and Industry\nBeyond Cropsey’s masterwork\, the exhibition surveys the 19th-century explosion of American landscape painting and its relationship to industrial expansion. Featured artists include: \n\nAlfred Thompson Bricher\nAlbert Bierstadt\nWilliam Trost Richards\nJohn Frederick Kensett\nMary Blood Mellen\nMartin Johnson Heade\n\nThese painters helped define a distinctly American vision of nature — dramatic\, expansive\, and often infused with national optimism. Yet their works also reveal the tension between untouched wilderness and advancing railroads\, commerce\, and settlement. \nFrom Cropsey to the Wyeths\nThe exhibition continues beyond the Hudson River School\, tracing a line of artistic inheritance into the 20th century. Through key works in the Brandywine Museum and Wyeth Foundation collections\, the show explores how American landscape painting evolved through: \n\nWinslow Homer\nGeorge Bellows\nN.C. Wyeth\nand ultimately Andrew Wyeth (1917–2009)\n\nArchival material from the Wyeth family library reveals a deeper engagement with Hudson River School artists than previously recognized. Andrew Wyeth studied their composition\, allegorical themes\, and even their treatment of industry within landscape. Selected watercolors and tempera works — including some never before exhibited — demonstrate how that legacy carried forward in subtle but meaningful ways. \nThe result is not just a historical survey\, but a reconsideration of how American landscape painting evolved across generations. \nExhibition Dates\nOctober 4\, 2025 – May 31\, 2026 \nFor deeper context on the rediscovered Cropsey painting\, visitors can explore the exhibition microsite:\nhttps://brandywineathome.org/cropsey/
URL:https://delawareads.com/event/cropsey-wyeth-and-the-american-landscape-tradition/
LOCATION:Brandywine Museum of Art\, 1 Hoffmans Mill Rd\, Chadds Ford\, PA\, 19317\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Brandywine-Museum-Art.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260228T100000
DTEND;TZID=America/New_York:20260823T160000
DTSTAMP:20260606T233343
CREATED:20260303T214623Z
LAST-MODIFIED:20260303T214820Z
UID:10007747-1772272800-1787500800@delawareads.com
SUMMARY:Living Indigenous
DESCRIPTION:Living Indigenous – Delaware Art Museum (Wilmington\, DE)\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: February 28 – August 23\, 2026\nPrice: Free with museum admission\nLocation: Delaware Art Museum\, Gallery 9\, 2301 Kentmere Parkway\, Wilmington\, Delaware \nExplore contemporary Indigenous creativity at Living Indigenous\, an exhibition at the Delaware Art Museum that celebrates the work of Indigenous artists living in or connected to the Delaware community. Developed in partnership with the Nanticoke Indian Museum\, the exhibition highlights artistic voices that reflect cultural heritage\, identity\, and community connections. \nThe exhibition brings together intergenerational artists\, offering perspectives that link history\, cultural traditions\, and modern Indigenous experiences. By centering these voices during the United States’ 250th anniversary era\, the exhibition emphasizes broader stories of the inhabitants of Turtle Island\, connecting past knowledge with present-day artistic expression. \nVisitors will encounter a diverse range of artwork—from painting and mixed media to contemporary interpretations of Indigenous identity. Additional works and ephemera by Indigenous artists are installed throughout the museum’s permanent galleries\, expanding the narrative beyond a single exhibition space. \nExhibition Highlights \n\nArtwork by Indigenous artists connected to the Delaware region\nCollaboration with the Nanticoke Indian Museum\nIntergenerational perspectives linking tradition and contemporary life\nAdditional Indigenous works are displayed across the museum galleries\n\nVenue: The Delaware Art Museum in Wilmington connects visitors with American art\, illustration\, and contemporary exhibitions through rotating shows\, educational programs\, and cultural events.
URL:https://delawareads.com/event/living-indigenous/
LOCATION:Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, DE\, 19806\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Delaware-Art-M.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260315T110000
DTEND;TZID=America/New_York:20260723T160000
DTSTAMP:20260606T233343
CREATED:20260216T000555Z
LAST-MODIFIED:20260303T145322Z
UID:10006988-1773572400-1784822400@delawareads.com
SUMMARY:Abundance/Excess: A Contemporary Eye on Still Life
DESCRIPTION:Abundance/Excess: A Contemporary Eye on Still Life\nMarch 15\, 2026 – June 7\, 2026 \n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nCurator: Kerry Bickford \nAbundance/Excess: A Contemporary Eye on Still Life brings together ten contemporary artists who engage with the long tradition of still life while reframing it for the twenty-first century. Historically a genre associated with technical skill and symbolic meaning\, still life has also served as a space for experimentation — a place where artists explore texture\, composition\, and coded messages about wealth\, mortality\, and desire. \nThe exhibition is organized into two thematic sections: \nAbundance\nThis section examines how still life imagery has historically symbolized prosperity and status. The featured contemporary works interrogate systems of wealth\, commerce\, and exchange — asking how objects signal value and how consumer culture shapes perception. Fruit\, fish\, flowers\, and meat become markers not only of bounty\, but of economic power. \nExcess\nThe second section focuses on the environmental and social consequences of overconsumption. Many works incorporate discarded or repurposed materials — bath towels\, reclaimed toys\, grocery flyers\, and other found objects — reflecting on industrial production and waste. These reinterpretations of still life question what remains after abundance tips into excess. \nThe Brandywine Museum of Art presents John Sloan’s Street Theater\, an exhibition exploring the graphic work of John Sloan (1871–1951)\, a central figure of the Ashcan School. Emerging in the early twentieth century\, Sloan and his contemporaries rejected idealized subjects in favor of the realities of modern urban life\, particularly in New York City. \nBest known for his paintings and etchings of everyday city scenes\, Sloan captured sidewalks\, rooftops\, tenements\, shop windows\, and neighborhood theaters with both humor and social awareness. While his oil paintings employed loose\, modern brushwork\, his prints reveal a more intricate approach\, using etching to record fleeting gestures\, crowd interactions\, and private moments glimpsed through open windows. \nThis exhibition draws from a collection of more than 500 prints donated to the museum by the late Paul Preston Davis\, presenting over 50 works that highlight Sloan’s mastery of the medium. The selection underscores his deep interest in human behavior — from children playing in the streets to the rhythms of working-class neighborhoods. \nSloan’s art offers insight into a transformative period in American life. During his lifetime\, the city shifted from horse-drawn transportation to automobiles; women’s public roles expanded dramatically; and social norms were reshaped through movements such as suffrage and Prohibition. Through his prints\, urban life becomes both stage and subject — a “street theater” unfolding in real time. \nTogether\, the exhibition expands still life beyond decorative tradition\, connecting it to urgent contemporary concerns about sustainability\, consumption\, and economic imbalance. The familiar language of fruit and flowers becomes a lens for examining extraction\, production\, and responsibility in modern society.
URL:https://delawareads.com/event/abundane-excess-eye-still-life/
LOCATION:DE
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Brandywine-Museum-Art.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260328T100000
DTEND;TZID=America/New_York:20260816T160000
DTSTAMP:20260606T233343
CREATED:20260303T215002Z
LAST-MODIFIED:20260303T215002Z
UID:10007748-1774692000-1786896000@delawareads.com
SUMMARY:The City on Paper
DESCRIPTION:The City on Paper – Delaware Art Museum\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: March 28 – August 16\, 2026\nPrice: Free with museum admission\nLocation: Galleries 11 & 12\, Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, Delaware \nExplore urban life through the lens of printmaking in The City on Paper\, an exhibition at the Delaware Art Museum featuring 47 drawings and prints that capture city scenes from 1875 to 2007. The exhibition highlights how artists have documented the energy and architecture of cities such as New York\, Paris\, and Wilmington\, portraying grand boulevards\, quiet alleyways\, towering skyscrapers\, and the people who animate these spaces. \nPrintmaking plays a central role in the exhibition\, with works created through techniques including etching\, woodcut\, lithography\, monotype\, and screen printing. Drawn entirely from the museum’s own collection\, the exhibition includes new acquisitions alongside rarely displayed works\, offering visitors a chance to see pieces that are not often on view. \nThe exhibition features works by 45 artists\, including notable figures such as Peggy Bacon\, Stuart Davis\, John Marin\, Martin Lewis\, John Sloan\, Wayne Thiebaud\, and James McNeill Whistler. Together\, these artists present a rich visual narrative of city life across more than a century of artistic interpretation. \nExhibition Highlights \n\n\n47 works on paper exploring city life and architecture \n\n\nPrintmaking techniques including etching\, lithography\, and screen printing \n\n\nArtwork spanning more than 130 years of urban imagery \n\n\nWorks by 45 artists from the Delaware Art Museum collection \n\n\nVenue: The Delaware Art Museum in Wilmington presents American art\, illustration\, and contemporary exhibitions while offering educational programs and community events throughout the year.
URL:https://delawareads.com/event/the-city-on-paper/
LOCATION:Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, DE\, 19806\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Delaware-Art-M.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260401T093000
DTEND;TZID=America/New_York:20260531T163000
DTSTAMP:20260606T233343
CREATED:20260215T235846Z
LAST-MODIFIED:20260303T195117Z
UID:10006306-1775035800-1780245000@delawareads.com
SUMMARY:The American Landscape Tradition: Cropsey and Wyeth
DESCRIPTION:Cropsey\, Wyeth\, and the American Landscape Tradition\n\nOpen Wednesday–Monday. Closed Tuesdays except for special events. \n\nOctober 4\, 2025 – May 31\, 2026\nBrandywine Museum of Art — Chadds Ford\, PA \nThe Brandywine Museum of Art presents Cropsey\, Wyeth\, and the American Landscape Tradition\, a landmark exhibition centered on the first-ever museum display of a monumental rediscovered masterwork by Hudson River School painter Jasper Francis Cropsey (1823–1900). \nAt the heart of the exhibition is Autumn in the Ramapo Valley\, Erie Railway (1873)\, an extraordinary canvas measuring nearly seven feet in length. Commissioned in 1873 by Irish-American railroad magnate James McHenry\, the painting celebrates both the grandeur of the American landscape and the rise of American industry. The train cutting through the valley references the Erie Railroad\, in which McHenry had recently secured a controlling stake — a subtle but powerful statement about progress\, expansion\, and national identity. \nShortly after its completion\, the painting was shipped to England and remained in private British collections for more than 150 years. In 2025\, it was acquired by The J. Jeffrey and Ann Marie Fox Foundation for American Art\, marking its long-awaited return to public view. This exhibition offers the first opportunity for audiences to see the work since 1873. \nThe Hudson River School and Industry\nBeyond Cropsey’s masterwork\, the exhibition surveys the 19th-century explosion of American landscape painting and its relationship to industrial expansion. Featured artists include: \n\nAlfred Thompson Bricher\nAlbert Bierstadt\nWilliam Trost Richards\nJohn Frederick Kensett\nMary Blood Mellen\nMartin Johnson Heade\n\nThese painters helped define a distinctly American vision of nature — dramatic\, expansive\, and often infused with national optimism. Yet their works also reveal the tension between untouched wilderness and advancing railroads\, commerce\, and settlement. \nFrom Cropsey to the Wyeths\nThe exhibition continues beyond the Hudson River School\, tracing a line of artistic inheritance into the 20th century. Through key works in the Brandywine Museum and Wyeth Foundation collections\, the show explores how American landscape painting evolved through: \n\nWinslow Homer\nGeorge Bellows\nN.C. Wyeth\nand ultimately Andrew Wyeth (1917–2009)\n\nArchival material from the Wyeth family library reveals a deeper engagement with Hudson River School artists than previously recognized. Andrew Wyeth studied their composition\, allegorical themes\, and even their treatment of industry within landscape. Selected watercolors and tempera works — including some never before exhibited — demonstrate how that legacy carried forward in subtle but meaningful ways. \nThe result is not just a historical survey\, but a reconsideration of how American landscape painting evolved across generations. \nExhibition Dates\nOctober 4\, 2025 – May 31\, 2026 \nFor deeper context on the rediscovered Cropsey painting\, visitors can explore the exhibition microsite:\nhttps://brandywineathome.org/cropsey/
URL:https://delawareads.com/event/the-american-landscape-tradition-cropsey-and-wyeth/
LOCATION:DE
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Brandywine-Museum-Art.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260411T100000
DTEND;TZID=America/New_York:20260719T160000
DTSTAMP:20260606T233343
CREATED:20260303T215146Z
LAST-MODIFIED:20260303T215146Z
UID:10007749-1775901600-1784476800@delawareads.com
SUMMARY:Citizen Artist
DESCRIPTION:Citizen Artist – Delaware Art Museum (Wilmington\, DE)\n\nThe Delaware Art Museum is closed on Monday and Tuesday \n\nDates: April 11 – July 19\, 2026\nPrice: Free with museum admission\nLocation: Fusco Gallery\, Delaware Art Museum\, 2301 Kentmere Pkwy\, Wilmington\, Delaware \nExplore the role of artists as community builders in Citizen Artist\, an exhibition at the Delaware Art Museum that reflects on the relationship between art\, public service\, and civic identity. Timed with the United States Semiquincentennial in 2026\, the exhibition highlights artists who worked through major federal arts programs designed to support creative workers and strengthen communities. \nBeginning with the New Deal arts initiatives of the 1930s\, the exhibition examines programs such as the Public Works of Art Project\, the Works Progress Administration\, the Farm Security Administration\, and the Treasury Section on Fine Arts. These programs employed artists who created murals\, photographs\, performances\, and educational programs that connected art to everyday American life. \nThe exhibition also explores the Comprehensive Employment and Training Act (CETA) of the 1970s\, which funded job programs that many communities adapted to employ professional artists. In Delaware\, these efforts helped expand community arts programs and contributed to the development of institutions such as the Delaware Art Museum and The Delaware Contemporary. \nThrough historical works and contemporary commissions\, Citizen Artist highlights how artists have served their communities while shaping cultural life across generations. The exhibition also connects with the statewide Citizen Photographer initiative\, inviting Delaware residents to contribute photographs that reflect identity\, place\, and civic life during the nation’s 250th anniversary. \nExhibition Highlights \n\n\nArtwork connected to New Deal and CETA artist employment programs \n\n\nContemporary commissions exploring the role of artists in civic life \n\n\nCommunity participation through the Citizen Photographer initiative \n\n\nPart of Delaware’s cultural programming for the U.S. Semiquincentennial in 2026 \n\n\n\n\n\n\n \n\n \n\n\n\n\n\n 
URL:https://delawareads.com/event/citizen-artist/
LOCATION:DE
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://delawareads.com/wp-content/uploads/2025/05/Delaware-Art-M.jpg
END:VEVENT
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