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  • 1994 Grammy Award Winners

    1994 Grammy Award Winners

    1994 Grammy Award Winners

    • Winners Announced: March 1, 1994
    • Held at: Radio City Music Hall, New York, New York
    • Host: Garry Shandling
    • Eligibility Year: October 1, 1992 – September 30, 1993

    Trivia

    • Garry Shandling Returns: The comedian hosted again, entertaining the audience with his unique style of humor.
    • Houston’s Heavy Haul: Whitney Houston’s I Will Always Love You dominated, winning Record of the Year, Album of the Year for The Bodyguard Soundtrack, and Female Pop Vocal Performance.
    • Rap’s Recognition: Digable Planets won Best Rap Performance by a Duo or Group for Rebirth of Slick (Cool Like Dat).
    • New Age Nod: Best New Age Album was claimed by In My Time by Yanni.
    • Nirvana Noted: The song All Apologies by Nirvana won for Best Alternative Music Album.
    • Tony Triumphs: Tony Bennett’s Steppin’ Out was honored as Best Traditional Pop Vocal Performance.
    • Grammy’s Grunge: Pearl Jam’s Vs was nominated for Best Rock Album but didn’t win.
    • Blues Back in Business: Buddy Guy won Best Contemporary Blues Album for Feels Like Rain.
    • First Latin Pop Category: Luis Miguel’s Aries won the inaugural award for Best Latin Pop Album.

    1994 Grammy Winners

    Record of the Year:
    I Will Always Love You – Whitney Houston
    Album of the Year:
    The Bodyguard – Original Soundtrack Album, Whitney Houston (Arista)
    Song of the Year:
    A Whole New World (Theme From Aladdin), Alan Menken and Tim Rice, songwriters
    Best New Artist:
    Toni Braxton
    Best Pop Vocal Performance, Male:
    If I Ever Lose My Faith in You – Sting
    Best Pop Vocal Performance, Female:
    I Will Always Love You – Whitney Houston
    Best Pop Performance By a Duo or Group With Vocal:
    A Whole New World (Theme From Aladdin), Peabo Bryson and Regina Belle
    Best Traditional Pop Vocal Performance:
    Steppin’ Out, Tony Bennett
    Best Pop Instrumental Performance:
    Barcelona Mona – Bruce Hornsby and Branford Marsalis
    Best Rock Gospel Album:
    Free at Last, DC Talk (ForeFront)
    Best Rock Song:
    Runaway Train – David Pirner, songwriter
    Best Rock Vocal Performance, Solo:
    I’d Do Anything for Love (But I Won’t Do That), Meat Loaf
    Best Rock Performance By a Duo or Group With Vocal:
    Livin’ on the Edge – Aerosmith
    Best Rock Instrumental Performance:
    Sofa – Zappa’s Universe Rock Group Featuring Steve Vai
    Best Hard Rock Performance With Vocal:
    Plush – Stone Temple Pilots
    Best Metal Performance With Vocal:
    I Don’t Want to Change the World – Ozzy Osbourne
    Best Alternative Music Album:
    Zooropa, U2 (Island)
    Best Rhythm and Blues Song:
    That’s the Way Love Goes – Janet Jackson, James Harris III and Terry Lewis, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    A Song for You – Ray Charles
    Best Rhythm and Blues Vocal Performance, Female:
    Another Sad Love Song – Toni Braxton
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    No Ordinary Love – Sade
    Best Rap Solo Performance:
    Let Me Ride – Dr. Dre
    Best Rap Performance By a Duo or Group:
    Rebirth of Slick (Cool Like Dat), Digable Planets
    Best Jazz Vocal Performance:
    Take a Look, Natalie Cole
    Best Jazz Instrumental Solo:
    Miles Ahead – Joe Henderson
    Best Jazz Instrumental Performance, Individual or Group:
    So Near, So Far (Musings for Miles), Joe Henderson
    Best Contemporary Jazz Performance (Instrumental):
    The Road to You, Pat Metheny Group
    Best Large Jazz Ensemble Performance:
    Miles and Quincy Live at Montreux, Miles Davis and Quincy Jones
    Best Country Song:
    Passionate Kisses – Lucinda Williams, songwriter
    Best Country Vocal Performance, Male:
    Ain’t That Lonely Yet – Dwight Yoakam
    Best Country Vocal Performance, Female :
    Passionate Kisses – Mary Chapin Carpenter
    Best Country Performance By a Duo or Group With Vocal:
    Hard Workin’ Man – Brooks and Dunn
    Best Country Vocal Collaboration:
    Does He Love You – Reba McEntire and Linda Davis
    Best Country Instrumental Performance:
    Red Wing – Asleep at the Wheel featuring Eldon Shamblin, Johnny Gimble, Chet Atkins, Vince Gill, Marty Stuart and Reuben Lucky Orleans Gosfield
    Best Bluegrass Album:
    Waitin’ for the Hard Times to Go, Nashville Bluegrass Band (Sugar Hill)
    Best Traditional Soul Gospel Album:
    Stand Still, Shirley Caesar (Word Record and Music)
    Best Contemporary Soul Gospel Album:
    All Out, Winans (Qwest/Warner Alliance)
    Best Pop/Contemporary Gospel Album:
    The Live Adventure, Steven Curtis Chapman (Sparrow)
    Best Southern Gospel, Country Gospel or Bluegrass Gospel Album:
    Good News, Kathy Mattea (Mercury)
    Best Gospel Album By a Choir or Chorus:
    Live… We Come Rejoicing, Brooklyn Tabernacle Choir; Carol Cymbala, choir director (Warner Alliance)
    Best Latin Pop Album:
    Aries, Luis Miguel (WEA Latina)
    Best Tropical Latin Album:
    Mi Tierra, Gloria Estefan (Epic)
    Best Mexican/American Album:
    Live, Selena (Capitol/EMI Latin)
    Best Traditional Blues Album:
    Blues Summit, B.B. King (MCA)
    Best Contemporary Blues Album:
    Feels Like Rain, Buddy Guy (Silvertone)
    Best Traditional Folk Album:
    The Celtic Harp, Chieftains (RCA Victor)
    Best Contemporary Folk Album:
    Other Voices/Other Rooms, Nanci Griffith (Elektra)
    Best Reggae Album:
    Bad Boys, Inner Circle (Big Beat/Atlantic)
    Best New Age Album:
    Spanish Angel, Paul Winter Consort (Living Music)
    Best World Music Album:
    A Meeting by the River, Ry Cooder and V.M. Bhatt (Walter Lily Acoustics)
    Best Polka Album:
    Accordionally Yours, Walter Ostanek and His Band (WRS)
    Best Arrangement on an Instrumental:
    Mood Indigo – Dave Grusin, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    When I Fall in Love – Jeremy Lubbock and David Foster, arrangers
    Best Instrumental Composition:
    Forever in Love – Kenny G, composer
    Best Musical Show Album:
    The Who’s Tommy – Original Cast Recording, original cast (RCA Victor)
    Best Instrumental Composition Written for a Motion Picture or for Television:
    Aladdin, Alan Menken, composer
    Best Song Written for a Motion Picture or for Television:
    A Whole New World (Theme From Aladdin), Alan Menken and Tim Rice, songwriters
    Best Contemporary Composition:
    Violin Concerto, Elliott Carter, composer
    Best Classical Album:
    Bartók, The Wooden Prince and Cantata Profana, Pierre Boulez conducting Chicago Symphony Orchestra and Chorus; John Aler, tenor; John Tomlinson, baritone (Deutsche Grammophon)
    Best Chamber Music Performance:
    Ives, String Quartets nos. 1 and 2; Barber String Quartet Op. 11 (American Originals), Emerson String Quartet
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Berg, Violin Concerto; Rihm, Time Chant, Anne-Sophie Mutter, violinist; James Levine conducting Chicago Symphony Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Barber, The Complete Solo Piano Music, John Browning, pianist
    Best Orchestral Performance:
    Bartók, The Wooden Prince, Pierre Boulez conducting Chicago Symphony
    Best Opera Recording:
    Handel, Semele, John Nelson conducting English Chamber Orchestra and Ambrosian Opera Chorus; solos: Battle, Horne, Ramey, Aler, McNair, Chance, Mackie and Doss (Deutsche Grammophon)
    Best Performance of a Choral Work:
    Bartók, Cantata Profana, Pierre Boulez conducting Chicago Symphony Orchestra and Chorus; Margaret Hillis, choral director
    Best Classical Vocal Performance:
    The Art of Arleen Auger (Works of Larsen, Purcell, Schumann, Mozart), Arleen Auger, soprano; Joel Revzen, accompanist
    Best Spoken Comedy Album:
    Jammin’ in New York, George Carlin (Eardrum/Atlantic)
    Best Spoken Word or Non-Musical Album:
    On the Pulse of Morning, Maya Angelou (Random House Audio Books)
    Best Musical Album for Children:
    Aladdin (Original Motion Picture Soundtrack), various artists (Walt Disney Records)
    Best Spoken Word Album for Children:
    Audrey Hepburn’s Enchanted Tales, Audrey Hepburn (Dove Audio)
    Best Recording Package:
    The Complete Billie Holiday on Verve 1945 – 1959, David Lau, art director (Verve)
    Best Album Notes:
    The Complete Billie Holiday on Verve 1945 – 1959, Buck Clayton, Phil Schaap and Joel E. Siegel, annotators (Verve)
    Best Historical Album:
    The Complete Billie Holiday on Verve 1945 – 1959, Billie Holiday (Verve)
    Best Music Video, Short Form:
    Steam – Peter Gabriel
    Best Music Video, Long Form:
    Ten Summoner’s Tales – Sting
    Producer of the Year (Non-Classical):
    David Foster
    Classical Producer of the Year:
    Judith Sherman
  • 1993 Grammy Award Winners

    1993 Grammy Award Winners

    1993 Grammy Award Winners

    • Winners Announced: February 24, 1993
    • Held at: Shrine Auditorium, Los Angeles, California
    • Host: Garry Shandling
    • Eligibility Year: October 1, 1991 – September 30, 1992

    Trivia

    • Hosting Hijinks: Garry Shandling, known for his deadpan humor, hosted the ceremony for the second time.
    • Whitney’s Ballad: I Will Always Love You, performed by Whitney Houston, was the night’s big winner, snagging Record of the Year, Album of the Year, and Best Female Pop Vocal Performance.
    • Rap Recognition: Sir Mix-a-Lot’s Baby Got Back took home the award for Best Rap Solo Performance, marking a milestone for mainstream acceptance of rap.
    • Rocking the House: Unplugged by Eric Clapton got six awards, including Song of the Year for Tears in Heaven.
    • Blues Master: The legendary B.B. King won Best Traditional Blues Album for Blues Summit.
    • Jazz Notes: The Wynton Marsalis Septet’s album Citi Movement was awarded Best Jazz Instrumental Performance.
    • Crossover Appeal: The soundtrack to Beauty and the Beast received a Grammy for Best Song Written Specifically for a Motion Picture or for Television.
    • World Music Wonder: The Gipsy Kings snagged the Best World Music Album award for their album Estrellas.

    1993 Grammy Winners

    Record of the Year:
    Tears in Heaven – Eric Clapton
    Album of the Year :
    Unplugged, Eric Clapton (Reprise)
    Song of the Year:
    Tears in Heaven – Eric Clapton, songwriter
    Best New Artist:
    Arrested Development
    Best Pop Vocal Performance, Male:
    Tears in Heaven – Eric Clapton
    Best Pop Vocal Performance, Female:
    Constant Craving – k.d. lang
    Best Pop Performance By a Duo or Group With Vocal:
    Beauty and the Beast – Celine Dion and Peabo Bryson
    Best Traditional Pop Vocal Performance:
    Perfectly Frank, Tony Bennett
    Best Pop Instrumental Performance:
    Beauty and the Beast – Richard Kaufman conducting Nurenberg Symphony Orchestra
    Best Rock/Contemporary Gospel Album:
    Unseen Power, Petra (Dayspring)
    Best Rock Song:
    Layla – Eric Clapton and Jim Gordon, songwriters
    Best Rock Vocal Performance, Male:
    Unplugged, Eric Clapton
    Best Rock Vocal Performance, Female:
    Ain’t It Heavy – Melissa Etheridge
    Best Rock Performance By a Duo or Group With Vocal:
    Achtung Baby, U2
    Best Rock Instrumental Performance:
    Little Wing – Stevie Ray Vaughan and Double Trouble
    Best Hard Rock Performance With Vocal:
    Give It Away – Red Hot Chili Peppers
    Best Metal Performance With Vocal:
    Wish – Nine Inch Nails
    Best Alternative Music Album:
    Bone Machine, Tom Waits (Island)
    Best Rhythm and Blues Song:
    End of the Road – L.A. Reid, Babyface and Daryl Simmons, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Heaven and Earth, Al Jarreau
    Best Rhythm and Blues Vocal Performance, Female:
    The Woman I Am, Chaka Khan
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    End of the Road – Boys II Men
    Best Rhythm and Blues Instrumental Performance:
    Doo-Bop, Miles Davis
    Best Rap Solo Performance:
    Baby Got Back – Sir Mix-A-Lot
    Best Rap Performance By a Duo or Group:
    Tennessee – Arrested Development
    Best Jazz Vocal Performance:
    ‘Round Midnight – Bobby McFerrin
    Best Jazz Instrumental Performance, Solo:
    Lush Life – Joe Henderson
    Best Jazz Instrumental Performance, Individual or Group:
    I Heard You Twice the First Time, Branford Marsalis
    Best Large Jazz Ensemble Performance:
    The Turning Point, McCoy Tyner Big Band
    Best Contemporary Jazz Performance, Instrumental:
    Secret Story, Pat Metheny
    Best Country Song:
    I Still Believe in You – Vince Gill and John Barlow Jarvis, songwriters
    Best Country Vocal Performance, Male:
    I Still Believe in You, Vince Gill
    Best Country Vocal Performance, Female:”
    I Feel Lucky – Mary Chapin Carpenter
    Best Country Performance By a Duo or Group With Vocal:
    Emmylou Harris and the Nash Ramblers at the Ryman, Emmylou Harris and the Nash Ramblers at the Ryman
    Best Country Vocal Collaboration:
    The Whiskey Ain’t Workin’ – Travis Tritt and Marty Stuart
    Best Country Instrumental Performance:
    Sneakin’ Around, Chet Atkins and Jerry Reed
    Best Bluegrass Album:
    Every Time You Say Goodbye, Alison Krauss and Union Station (Rounder)
    Best Traditional Soul Gospel Album:
    He’s Working It Out for You, Shirley Caesar (Word)
    Best Contemporary Soul Gospel Album:
    Handel’s Messiah?A Soulful Celebration, various artists (Reprise)
    Best Pop Gospel Album:
    The Great Adventure, Steven Curtis Chapman (Sparrow)
    Best Southern Gospel Album:
    Sometimes Miracles Hide, Bruce Carroll (Word)
    Best Gospel Album By a Choir or Chorus:
    Edwin Hawkins Music and Arts Seminar Mass Choir?Recorded Live in Los Angeles, Music and Arts Seminar Mass Choir; Edwin Hawkins, choir director (Fixit)
    Best Latin Pop Album:
    Otro Dia Mas Sin Verte, Jon Secada (Capitol-EMI-Latin)
    Best Tropical Latin Album:
    Frenesi, Linda Ronstadt (Elektra Entertainment)
    Best Mexican/American Album:
    Mas Canciones, Linda Ronstadt (Elektra)
    Best Traditional Blues Album:
    Goin’ Back to New Orleans, Dr. John (Warner Bros.)
    Best Contemporary Folk Album:
    Another Country, Chieftains (RCA Victor)
    Best Contemporary Blues Album:
    The Sky Is Crying, Stevie Ray Vaughan and Double Trouble (Epic)
    Best Traditional Folk Album:
    An Irish Evening Live at the Grand Opera House, Belfast, Chieftains (RCA Victor)
    Best Reggae Album:
    X-Tra Naked, Shabba Ranks (Epic)
    Best New Age Album:
    Shepherd Moons, Enya (Reprise)
    Best World Music Album:
    Brasileiro, Sergio Mendes (Elektra Entertainment)
    Best Polka Album:
    35th Anniversary, Walter Ostanek (World Renowned Sounds)
    Best Arrangement on an Instrumental:
    Strike Up the Band – Rob McConnell, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    Here’s to Life – Johnny Mandel, arranger
    Best Instrumental Composition:
    Harlem Renaissance Suite – Benny Carter, composer
    Best Musical Show Album:
    Guys and Dolls – The New Broadway Cast Recording, New Broadway cast (RCA Victor)
    Best Instrumental Composition Written for a Motion Picture or for Television:
    Beauty and the Beast, Alan Menken, composer
    Best Song Written Specifically for a Motion Picture or for Television:
    Beauty and the Beast – Howard Ashman and Alan Menken, songwriters
    Best Contemporary Composition:
    The Lovers, Samuel Barber, composer
    Best Classical Album:
    Mahler, Symphony No. 9, Leonard Bernstein conducting Berlin Philharmonic Orchestra (Deutsche Grammophon)
    Best Orchestral Performance:
    Mahler, Symphony No. 9, Leonard Bernstein conducting Berlin Philharmonic Orchestra
    Best Chamber Music Performance:
    Brahms, Sonatas for Cello and Piano, Yo-Yo Ma, cello; Emanuel Ax, piano
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Prokofiev, Sinfonia Concertante; Tchaikovsky, Variations on a Rococo Theme, Yo-Yo Ma, cello; Lorin Maazel conducting Pittsburgh Symphony Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Horowitz – Discovered Treasures (Chopin, Clementi, Liszt, Scarlatti and Scriabin), Vladimir Horowitz, piano
    Best Opera Recording:
    Strauss, Die Frau Ohne Schatten, Sir Georg Solti conducting Vienna Philharmonic; solos: Domingo, Varady, Van Dam, Behrens, Runkel and Jo (London)
    Best Performance of a Choral Work:
    Orff, Carmina Burana, Herbert Blomstedt conducting San Francisco Girls and Boys Chorus, SFS Chorus and San Francisco Symphony Orchestra
    Best Classical Vocal Performance:
    Kathleen Battle at Carnegie Hall (Handel, Mozart, Liszt, Strauss, Charpentier, etc.), Kathleen Battle, soprano; Margo Garrett, accompanist
    Best Comedy Album:
    P.D.Q. Bach, Music for an Awful Lot of Winds and Percussion, Professor Peter Schickele (Telarc)
    Best Spoken Word or Non-Musical Album:
    What You Can Do to Avoid AIDS, Earvin Magic Johnson and Robert O’Keefe (Random House Audiobooks)
    Best Album for Children:
    Beauty and the Beast – Original Motion Picture Soundtrack, various artists (Walt Disney)
    Best Album Package:
    Spellbound – Compact (Special Package), Melanie Nissen, art director (Capitol/Virgin)
    Best Album Notes:
    Queen of Soul – The Atlantic Recordings, Dave Marsh, Jerry Wexler, David Ritz, Thulani Davis, Ahmet Ertegun, Tom Dowd and Arif Mardin, annotators (Rhino)
    Best Historical Album:
    The Complete Capitol Recordings of the Nat King Cole Trio, Nat King Cole Trio (Mosaic)
    Best Music Video, Short Form:
    Digging in the Dirt – Peter Gabriel
    Best Music Video, Long Form:
    Diva – Annie Lennox
    Producers of the Year (Non-Classical) (tie):
    Daniel Lanois and Brian Eno
    L.A. Reid and Babyface
    Classical Producer of the Year:
    Michael Fine
  • 1992 Grammy Award Winners

    1992 Grammy Award Winners

    1992 Grammy Award Winners

    • Winners Announced: February 25, 1992
    • Held at: Radio City Music Hall, New York, New York
    • Host: Whoopi Goldberg
    • Eligibility Year: October 1, 1990 – September 30, 1991

    Trivia

    • Host with the Most: Whoopi Goldberg, an actress and comedian, took a break from her film career to host the music-centric event.
    • Unforgettable Night: Natalie Cole dominated the ceremony by winning three awards for her album Unforgettable… with Love, which featured a virtual duet with her late father, Nat King Cole.
    • Seal’s Spotlight: Seal won three Grammys, including Record of the Year and Song of the Year, both for his hit “Kiss from a Rose.”
    • Rap Recognition: DJ Jazzy Jeff & The Fresh Prince won the first-ever Grammy for Best Rap Performance by a Duo or Group for their song “Summertime.”
    • Country Collaboration: The Grammy for Best Country Collaboration with Vocals was awarded to “Restless” by Vince Gill, Ricky Skaggs, and Steve Wariner.
    • Crossover Success: Mark O’Connor’s The New Nashville Cats won Best Country Instrumental Performance, a rare win for a primarily instrumental album in a genre often focused on vocals.
    • Jazz in Focus: The Grammy for Best Jazz Vocal Performance was awarded to Blue Light ’til Dawn by Cassandra Wilson, who blended jazz with elements of folk and pop.
    • Latin Flair: Tito Puente grabbed the Grammy for Best Tropical Latin Album, affirming his position as a giant in Latin music.

    1992 Grammy Winners

    Record of the Year:
    Unforgettable – Natalie Cole with Nat King Cole
    Album of the Year:
    Unforgettable, Natalie Cole with Nat King Cole (Elektra)
    Song of the Year:
    Unforgettable – Irving Gordon, songwriter
    Best New Artist:
    Marc Cohn
    Best Pop Vocal Performance, Male:
    When a Man Loves a Woman – Michael Bolton
    Best Pop Vocal Performance, Female:
    Something to Talk About – Bonnie Raitt
    Best Pop Performance By a Duo or Group With Vocal:
    Losing My Religion – R.E.M.
    Best Traditional Pop Performance:
    Unforgettable – Natalie Cole with Nat King Cole
    Best Pop Instrumental Performance:
    Robin Hood: Prince of Thieves, Michael Kamen conducting Greater Los Angeles Orchestra
    Best Rock/Contemporary Gospel Album:
    Under Their Influence, Russ Taff (Myrrh)
    Best Rock Song:
    Soul Cages – Sting, songwriter
    Best Rock Vocal Performance, Solo:
    Luck of the Draw, Bonnie Raitt
    Best Rock Performance By a Duo or Group With Vocal:
    Good Man, Good Woman – Bonnie Raitt and Delbert McClinton
    Best Rock Instrumental Performance:
    Cliffs of Dover – Eric Johnson
    Best Hard Rock Performance With Vocal:
    For Unlawful Carnal Knowledge, Van Halen
    Best Metal Performance With Vocal:
    Metallica, Metallica
    Best Alternative Music:
    Album Out of Time, R.E.M. (Warner Bros.)
    Best Rhythm and Blues Song:
    Power of Love/Love Power – Luther Vandross, Marcus Miller and Teddy Vann, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Power of Love, Luther Vandross
    Best Rhythm and Blues Vocal Performance, Female (tie):
    Burnin’, Patti LaBelle
    How Can I Ease the Pain – Lisa Fischer
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    Cooleyhigh Harmony, Boyz II Men
    Best Rap Solo Performance:
    Mama Said Knock You Out – L.L. Cool J
    Best Rap Performance By a Duo or Group:
    Summertime – D.J. Jazzy Jeff and the Fresh Prince
    Best Jazz Vocal Performance:
    He Is Christmas, Take 6
    Best Jazz Instrumental, Solo:
    I Remember You – Stan Getz
    Best Jazz Instrumental Performance, Group:
    Saturday Night at the Blue Note, Oscar Peterson Trio
    Best Large Jazz Ensemble Performance:
    Live at the Royal Festival Hall, Dizzy Gillespie and the United Nations Orchestra
    Best Contemporary Jazz Performance:
    Sassy – Manhattan Transfer
    Best Country Song:
    Love Can Build a Bridge – Naomi Judd, John Jarvis and Paul Overstreet, songwriters
    Best Country Vocal Performance, Male:
    Ropin’ the Wind, Garth Brooks
    Best Country Vocal Performance, Female:
    Down at the Twist and Shout – Mary Chapin Carpenter
    Best Country Performance By a Duo or Group With Vocal:
    Love Can Build a Bridge – Judds
    Best Country Vocal Collaboration:
    Restless – Steve Wariner, Ricky Skaggs and Vince Gill
    Best Country Instrumental Performance:
    The New Nashville Cats, Mark O’Conner
    Best Bluegrass Album:
    Spring Training, Carl Jackson and John Starling (and the Nash Ramblers) (Sugar Hill)
    Best Pop Gospel Album:
    For the Sake of the Call, Steven Curtis Chapman (Sparrow)
    Best Traditional Soul Gospel Album:
    Pray for Me, Mighty Clouds of Joy (Word)
    Best Contemporary Soul Gospel Album:
    Different Lifestyles, BeBe and CeCe Winans (Capitol/Sparrow)
    Best Southern Gospel Album:
    Homecoming, Gaither Vocal Band (Star Song)
    Best Gospel Album By a Choir or Chorus:
    The Evolution of Gospel, Sounds of Blackness; Gary Hines, choir director (Perspective/A&M)
    Best Latin Pop Album:
    Cosas del Amor, Vikki Carr (Sony Discos International)
    Best Tropical Latin Album:
    Bachata Rosa, Juan Luis Guerra 4.40 (Karen)
    Best Mexican/American Album:
    16 de Septiembre, Little Joe (Sony Discos International)
    Best Traditional Blues Album:
    Live at the Apollo, B.B. King (GRP)
    Best Contemporary Blues Album:
    Damn Right, I’ve Got the Blues, Buddy Guy (Silvertone)
    Best Traditional Folk Album:
    The Civil War (Original Soundtrack), various artists (Elektra/Nonesuch)
    Best Contemporary Folk Album:
    The Missing Years, John Prine (Oh Boy)
    Best Reggae Album:
    As Raw as Ever, Shabba Ranks (Epic)
    Best New Age Album:
    Fresh Aire 7, Mannheim Steamroller (American Gramaphone)
    Best World Music Album:
    Planet Drum, Mickey Hart (Rykodisc)
    Best Polka Album:
    Live! At Gilley’s, Jimmy Sturr and His Orchestra (Starr)
    Best Arrangement on an Instrumental:
    Medley: Bess You Is My Woman/I Love You Porgy – Dave Grusin, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    Unforgettable – Johnny Mandel, arranger
    Best Instrumental Composition:
    Basque – Elton John, composer
    Best Musical Show Album:
    The Will Rogers Follies (Original Broadway Cast Album), Keith Carradine and cast (Columbia)
    Best Instrumental Composition Written Specifically for a Motion Picture or for Television:
    Dances With Wolves, John Barry, composer
    Best Song Written Specifically for a Motion Picture or for Television:
    (Everything I Do) I Do It for You (From Robin Hood: Prince of Thieves), Bryan Adams, Robert John Mutt Lange and Michael Kamen, songwriters (A&M/Morgan Creek)
    Best Contemporary Composition:
    Symphony No. 1, John Corigliano, composer
    Best Classical Album:
    Bernstein, Candide, Leonard Bernstein conducting London Symphony Orchestra; solos: Hadley, Anderson, Ludwig, Green, Gedda and Jones (Deutsche Grammophon)
    Best Orchestral Performance:
    Corigliano, Symphony No. 1, Daniel Barenboim conducting Chicago Symphony Orchestra
    Best Chamber Music Performance:
    Brahms, Piano Quartets, Isaac Stern and Jamime Laredo, violinists; Yo-Yo Ma, cellist; Emanuel Ax, pianist
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Barber, Piano Concertos, John Browning, pianist; Leonard Slatkin conducting St. Louis Symphony Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Granados, Goyescas, Allegro de Concierto, Danza Lenta, Alicia de Larrocha, pianist
    Best Opera Recording:
    Wagner, Götterdämmerung, James Levine conducting The Metropolitan Opera Orchestra and Choir; solos: Behrens, Studer, Schwartz, Goldberg, Weikl, Wlaschiha and Salminen (Deutsche Grammophon)
    Best Performance of a Choral Work:
    Bach, Mass in B Minor, Sir Georg Solti conducting Chicago Symphony Chorus and Orchestra; Margaret Hills, choral director
    Best Classical Vocal Performance:
    The Girl With Orange Lips, De Falla, Ravel, Kim, Stravinsky and Delage; Dawn Upshaw, soprano
    Best Comedy Album:
    P.D.Q. Bach, WTWP Classical Talkity-Talk Radio, Professor Peter Shickele (Telarc)
    Best Spoken Word or Non-Musical Album:
    The Civil War (Geoffrey Ward With Rick Burns and Ken Burns), Ken Burns (Sound Editions)
    Best Album for Children:
    A Cappella Kids, Marantha! Kids (Marantha)
    Best Album Package:
    Billie Holiday, The Complete Decca Recordings, Vartan, art director (GRP)
    Best Album Notes:
    Star Time, James Brown, Cliff White, Harry Weinger, Nelson George and Alan M. Leeds, annotators (Polydor)
    Best Historical Album:
    Billie Holiday, The Complete Decca Recordings, Billie Holiday (GRP)
    Best Music Video, Short Form:
    Losing My Religion – R.E.M.
    Best Music Video, Long Form:
    Madonna: Blonde Ambition World Tour Live, Madonna
    Producer of the Year (Non-Classical):
    David Foster
    Classical Producer of the Year:
    James Mallinson
  • 1991 Grammy Award Winners

    1991 Grammy Award Winners

    1991 Grammy Award Winners

    • Winners Announced: February 20, 1991
    • Held at: Radio City Music Hall, New York, New York
    • Host: Garry Shandling
    • Eligibility Year: October 1, 1989 – September 30, 1990

    Trivia

    • Garry Returns: This was the second consecutive year that Garry Shandling hosted the Grammy Awards.
    • Rap’s Big Moment: MC Hammer’s Please Hammer, Don’t Hurt ‘Em was a commercial success and received nominations, signaling the mainstream acceptance of rap.
    • Vocal Chops: Mariah Carey won Best New Artist and Best Female Pop Vocal Performance, making a huge splash in her debut year.
    • Classic Acts: The legendary rock band The Byrds received a Lifetime Achievement Award, acknowledging their impact on the music industry.
    • Jazzy Night: Miles Davis posthumously received a Grammy for Best Jazz Instrumental Performance for his album Aura.
    • British Invasion: Phil Collins took home the award for Record of the Year for Another Day in Paradise, highlighting the ongoing British influence on American music charts.
    • Crossing Genres: Unforgettable… with Love by Natalie Cole was a significant winner, blending R&B, jazz, and pop to create a multi-generational appeal.

    1991 Grammy Winners

    Record of the Year:
    Another Day in Paradise – Phil Collins
    Album of the Year:
    Back on the Block, Quincy Jones (Qwest/Warner Bros.)
    Song of the Year:
    From a Distance – Julie Gold, songwriter
    Best New Artist:
    Mariah Carey
    Best Pop Vocal Performance, Male:
    Oh Pretty Woman – Roy Orbison
    Best Pop Vocal Performance, Female:
    Vision of Love – Mariah Carey
    Best Pop Performance By a Duo or Group With Vocal:
    All My Life – Linda Ronstadt with Aaron Neville
    Best Pop Instrumental Performance:
    Twin Peaks Theme – Angelo Badalamenti
    Best Rock/Contemporary Gospel Album:
    Beyond Belief, Petra (Dayspring/Word)
    Best Rock Vocal Performance, Male:
    Bad Love – Eric Clapton
    Best Rock Vocal Performance, Female:
    Black Velvet – Alannah Myles
    Best Pop Performance By a Duo or Group With Vocal:
    Janie’s Got a Gun – Aerosmith
    Best Rock Instrumental Performance:
    D/FW – Vaughan Brothers
    Best Hard Rock Performance:
    Time’s Up, Living Colour
    Best Metal Performance:
    Stone Cold Crazy – Metallica
    Best Alternative Music Performance:
    I Do Not Want What I Haven’t Got, Sinead O’Connor
    Best Rhythm and Blues Song:
    U Can’t Touch This – Rick James, Alonzo Miller and M.C. Hammer, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Here and Now – Luther Vandross
    Best Rhythm and Blues Vocal Performance, Female:
    Compositions, Anita Baker
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    I’ll Be Good to You – Ray Charles and Chaka Khan
    Best Rap Solo Performance:
    U Can’t Touch This – M.C. Hammer
    Best Rap Performance By a Duo or Group:
    Back on the Block – Ice T, Melle Mel, Big Daddy Kane, Kool Moe Dee, Quincy D. III and Quincy Jones
    Best Jazz Vocal Performance, Male:
    We Are in Love, Harry Connick, Jr.
    Best Jazz Vocal Performance, Female:
    All That Jazz, Ella Fitzgerald
    Best Jazz Instrumental Performance, Soloist:
    The Legendary Oscar Peterson Trio Live at the Blue Note, Oscar Peterson
    Best Jazz Instrumental Performance, Group:
    The Legendary Oscar Peterson Trio Live at the Blue Note, Oscar Peterson Trio
    Best Jazz Instrumental Performance, Big Band:
    Basie’s Bag – George Benson featuring the Count Basie Orchestra
    Best Jazz Fusion Performance:
    Birdland – Quincy Jones
    Best Country Song:
    Where’ve You Been – Jon Vezner and Don Henry, songwriters
    Best Country Vocal Performance, Male:
    When I Call Your Name – Vince Gill
    Best Country Vocal Performance, Female:
    Where’ve You Been – Kathy Mattea
    Best Country Performance By a Duo or Group With Vocal:
    Pickin’ on Nashville, Kentucky Headhunters
    Best Country Vocal Collaboration:
    Poor Boy Blues – Chet Atkins and Mark Knopfler
    Best Country Instrumental Performance:
    So Soft, Your Goodbye – Chet Atkins and Mark Knopfler
    Best Bluegrass Recording:
    I’ve Got That Old Feeling, Alison Krauss (Rounder)
    Best Traditional Soul Gospel Album:
    Tramaine Hawkins Live, Tramaine Hawkins (Sparrow Corp.)
    Best Contemporary Soul Gospel Album:
    So Much 2 Say, Take 6 (Reprise/Warner/Alliance)
    Best Pop Gospel Album:
    Another Time… Another Place, Sandi Patti (A&M/Word)
    Best Southern Gospel Album:
    The Great Exchange, Bruce Carroll (Word)
    Best Gospel Album By a Choir or Chorus:
    Having Church, Rev. James Cleveland (Savoy)
    Best Latin Pop Performance:
    Por Que Te Tengo Que Olvidar? – José Feliciano
    Best Tropical Latin Performance:
    Lambada Timbales – Tito Puento
    Best Mexican/American Performance:
    Soy de San Luis – Texas Tornados
    Best Traditional Blues Recording:
    Live at San Quentin, B.B. King (MCA)
    Best Contemporary Blues Recording:
    Family Style, Vaughan Brothers (Epic Associated)
    Best Traditional Folk Recording:
    On Praying Ground, Doc Watson (Sugar Hill)
    Best Contemporary Folk Recording:
    Steady On, Shawn Colvin (Columbia/CBS)
    Best Reggae Recording Time:
    Will Tell?A Tribute to Bob Marley, Bunny Wailer (Shanachie)
    Best New Age Performance:
    Mark Isham, Mark Isham
    Best Polka Recording:
    When It’s Polka Time at Your House, Jimmy Sturr and His Orchestra (Starr)
    Best Arrangement on an Instrumental:
    Birdland – Quincy Jones, Ian Prince, Rod Temperton and Jerry Hey, arrangers
    Best Instrumental Arrangement Accompanying Vocal(s):
    The Places You Find Love – Jerry Hey, Glen Ballard, Clif Magness and Quincy Jones, arrangers
    Best Instrumental Composition:
    Change of Heart Pat Metheny, composer
    Best Musical Cast Show Album:
    Les Misèrables, The Complete Symphonic Recording (Relativity)
    Best Instrumental Composition Written for a Motion Picture or for Television:
    Glory, James Horner, composer (Virgin)
    Best Song Written Specifically for a Motion Picture or for Television:
    Under the Sea (From The Little Mermaid), Alan Menken and Howard Ashman, composers
    Best Contemporary Composition:
    Arias and Barcarolles, Leonard Bernstein, composer
    Best Classical Album:
    Ives, Symphony No. 2 and Three Short Works, Leonard Bernstein conducting New York Philharmonic (Deutsche Grammophon)
    Best Chamber Music or Other Small Ensemble Performance:
    Brahms, The Three Violin Sonatas, Itzhak Perlman, violinist; Daniel Barenboim, pianist
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Shostakovich, Violin Concerto No. 1; Glazunov, Violin Concerto, Itzhak Perlman, violinist; Zubin Mehta conducting Israel Philharmonic
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    The Last Recording (Chopin, Haydn, Liszt and Wagner), Vladimir Horowitz
    Best Opera Recording:
    Wagner, Das Rheingold, James Levine conducting The Metropolitan Opera Orchestra; solos: Morris, Ludwig, Jerusalem, Wlaschiha, Moll, Zednik and Rootering (Deutsche Grammophon)
    Best Choral Performance (Other Than Opera):
    Walton, Belshazzar’s Feast; Bernstein, Chichester Psalms, Missa Brevis, Robert Shaw conducting Atlanta Symphony Orchestra and Chorus
    Best Classical Vocal Performance:
    Carreras, Domingo and Pavarotti in Concert, José Carreras, Placido Domingo and Luciano Pavarotti, tenors; Zubin Mehta conducting Orchestra del Maggio Musicale Fiorentino and Orchestra del teatro dell’Opera di Roma
    Best Comedy Recording:
    P.D.Q. Bach, Oedipus Tex and Other Choral Calamities, Professor Peter Shickele (Telarc)
    Best Spoken Word or Non-Musical Recording:
    Gracie: A Love Story, George Burns (Simon and Schuster Audio)
    Best Recording for Children:
    The Little Mermaid?Original Motion Picture Soundtrack, Howard Ashman and Alan Menken, composers (Disneyland Records)
    Best Album Package:
    Days of Open Hand (Special Edition Hologram Digapack), Len Peltier, Jeffrey Gold and Suzanne Vega, art directors (A&M)
    Best Album Notes:
    Brownie: The Complete Emarcy Recordings of Clifford Brown, Dan Morgenstern, annotator (Emarcy)
    Best Historical Album:
    Robert Johnson: The Complete Recordings, Robert Johnson (Columbia/CBS)
    Best Music Video, Short Form:
    Opposites Attract – Paula Abdul
    Best Music Video, Long Form:
    Please Hammer Don’t Hurt ‘Em the Movie – M.C. Hammer
    Producer of the Year (Non-Classical):
    Quincy Jones
    Classical Producer of the Year:
    Adam Stern
  • 1990 Grammy Award Winners

    1990 Grammy Award Winners

    1990 Grammy Award Winners

    • Winners Announced: February 21, 1990
    • Held at: Shrine Auditorium, Los Angeles, California
    • Host: Garry Shandling
    • Eligibility Year: October 1, 1988 – September 30, 1989

    Trivia

    • Bette’s Big Win: Bette Midler’s “Wind Beneath My Wings” won both Record of the Year and Song of the Year, becoming one of the most iconic songs of her career.
    • Rap Debut: This was the first year that the Grammys introduced the Best Rap Performance category, won by DJ Jazzy Jeff & The Fresh Prince for “Parents Just Don’t Understand.”
    • Elevating Jazz: Miles Davis won a Lifetime Achievement Award, further cementing his status as a jazz legend.
    • Operatic Excellence: The Best Classical Album went to an operatic recording, Wagner: Die Walküre, conducted by James Levine with the Metropolitan Opera Orchestra.
    • International Flavor: The Gipsy Kings, a Franco-Spanish flamenco group, won Best World Music Album, a nod to the increasing diversity of the Grammys.
    • Bonnie’s Blues: Bonnie Raitt had a stellar night, taking home four awards including Best Female Pop Vocal Performance for her song “Nick of Time.”
    • Posthumous Honor: Composer Leonard Bernstein, who passed away in 1990, was honored with a posthumous Grammy for Best Classical Contemporary Composition.

    1990 Grammy Winners

    Record of the Year:
    Wind Beneath My Wings – Bette Midler
    Album of the Year:
    Nick of Time, Bonnie Raitt (Capitol)
    Song of the Year:
    Wind Beneath My Wings – Larry Henley and Jeff Silbar, songwriters
    Best Pop Vocal Performance, Male:
    How Am I Supposed to Live Without You – Michael Bolton
    Best Pop Vocal Performance, Female:
    Nick of Time – Bonnie Raitt
    Best Pop Performance By a Duo or Group With Vocal:
    Don’t Know Much – Linda Ronstadt and Aaron Neville
    Best Pop Instrumental Performance:
    Healing Chant – Neville Brothers
    Best Rock Vocal Performance, Male:
    The End of the Innocence, Don Henley
    Best Rock Vocal Performance, Female:
    Nick of Time, Bonnie Raitt
    Best Rock Performance By a Duo or Group With Vocal:
    Traveling Wilburys Volume One, Traveling Wilburys
    Best Rock Instrumental Performance:
    Jeff Beck’s Guitar Shop With Terry Bozzio and Tony Hymas, Jeff Beck, Terry Bozzio and Tony Hymas
    Best Hard Rock Performance:
    Cult of Personality – Living Colour
    Best Metal Performance:
    One – Metallica
    Best Rhythm and Blues Song:
    If You Don’t Know Me by Now – Kenny Gamble and Leon Huff, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Every Little Step – Bobby Brown
    Best Rhythm and Blues Vocal Performance, Female:
    Giving You the Best That I Got, Anita Baker
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    Back to Life – Soul II Soul featuring Caron Wheeler
    Best Rhythm and Blues Instrumental Performance:
    African Dance – Soul II Soul
    Best Rap Performance:
    Bust a Move – Young MC
    Best Jazz Vocal Performance, Male:
    When Harry Met Sally, Harry Connick, Jr.
    Best Jazz Vocal Performance, Female:
    Blues on Broadway, Ruth Brown
    Best Jazz Vocal Performance, Duo or Group:
    Makin’ Whoopee – Dr. John and Rickie Lee Jones
    Best Jazz Instrumental Performance, Soloist:
    on a Jazz Recording Aura, Miles Davis (Columbia/CBS)
    Best Jazz Instrumental Performance, Group:
    Chick Corea Akoustic Band, Chick Corea Akoustic Band
    Best Jazz Instrumental Performance, Big Band:
    Aura, Miles Davis
    Best Jazz Fusion Performance:
    Letter From Home, Pat Metheny Group
    Best Country Song:
    After All This Time – Rodney Crowell, songwriter
    Best Country Vocal Performance, Male:
    Lyle Lovett and His Large Band, Lyle Lovett
    Best Country Vocal Performance, Female:
    Absolute Torch and Twang, k.d. lang
    Best Country Performance By a Duo or Group With Vocal:
    Will the Circle Be Unbroken Volume Two, Nitty Gritty Dirt Band
    Best Country Vocal Collaboration:
    There’s a Tear in My Beer – Hank Williams, Jr. and Hank Williams, Sr.
    Best Country Instrumental Performance:
    Amazing Grace – Randy Scruggs
    Best Bluegrass Recording:
    The Valley Road – Bruce Hornsby and the Nitty Gritty Dirt Band (Universal)
    Best Gospel Vocal Performance, Male:
    Meantime – BeBe Winans
    Best Gospel Vocal Performance, Female:
    Don’t Cry – CeCe Winans
    Best Gospel Vocal Performance By a Duo or Group, Choir or Chorus:
    The Savior Is Waiting – Take 6
    Best Soul Gospel Vocal Performance, Male or Female:
    As Long as We’re Together – Al Green
    Best Soul Gospel Vocal Performance By a Duo or Group, Choir or Chorus:
    Let Brotherly Love Continue – Daniel Winans and Choir
    Best Latin Pop Performance:
    Cielito Lindo – José Feliciano
    Best Tropical Latin Performance:
    Ritmo en el Corazon, Celia Cruz and Ray Barretto
    Best Mexican/American Performance:
    La Pistola y el Corazon, Los Lobos
    Best Traditional Blues Recording:
    I’m in the Mood – John Lee Hooker and Bonnie Raitt (Chameleon Music Group)
    Best Contemporary Blues Recording:
    In Step, Stevie Ray Vaughan and Double Trouble (Epic)
    Best Traditional Folk Recording:
    Le Mystère des Voix Bulgares, Vol. II, Bulgarian State Female Vocal Choir (Elektra/Nonesuch)
    Best Contemporary Folk Recording:
    Indigo Girls, Indigo Girls (Epic)
    Best Reggae Recording:
    One Bright Day, Ziggy Marley and the Melody Makers (Virgin)
    Best New Age Performance:
    Passion (Music from The Last Temptation of Christ), Peter Gabriel
    Best Polka Recording:
    All in My Love for You, Jimmy Sturr and His Orchestra (Starr)
    Best Arrangement on an Instrumental:
    Suite From The Milagro Beanfield War – Dave Grusin, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    My Funny Valentine – Dave Grusin, arranger
    Best Instrumental Composition:
    The Batman Theme – Danny Elfman, composer
    Best Musical Cast Show Album:
    Jerome Robbins’ Broadway, Jason Alexander, Debbie Shapiro and Robert La Fasse (RCA Victor)
    Best Album of Original Instrumental Background Score Written for a Motion Picture or Television:
    The Fabulous Baker Boys, Dave Grusin, composer (GRP)
    Best Song Written Specifically for a Motion Picture or Television:
    Let the River Run (From the motion picture Working Girl), Carly Simon, composer (Arista)
    Best Contemporary Composition:
    Different Trains, Steve Reich, composer
    Best Classical Album:
    Bartók, 6 String Quartets, Emerson String Quartet (Deutsche Grammophon)
    Best Orchestral Performance:
    Mahler, Symphony No. 3 in D Minor, Leonard Bernstein and the New York Philharmonic
    Best Chamber Music Performance:
    Bartók, 6 String Quartets, Emerson String Quartet
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Barber, Cello Concerto, Op. 22; Britten, Symphony for Cello and Orchestra, Op. 68, Yo-Yo Ma, cellist; David Zinman conducting Baltimore Symphony Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Bach, English Suites, BMV 806-11, Andras Schiff, pianist
    Best Opera Recording:
    Wagner, Die Walkuere, James Levine conducting Metropolitan Opera Orchestra; solos: Lakes, Moll, Morris, Norman, Behrens and Ludwig (Deutsche Grammophon)
    Best Choral Performance (Other Than Opera):
    Britten, War Requiem, Robert Shaw conducting Atlanta Symphony Orchestra and Chorus and Atlanta Boys Choir
    Best Classical Vocal Soloist Performance:
    Knoxville, Summer of 1915 (Music of Barber, Menott, Harbison and Stravinsky), Dawn Upshaw, soprano; David Zinman conducting Orchestra of St. Luke’s
    Best Comedy Recording:
    P.D.Q. Bach, 1712 Overture and Other Musical Assaults, Professor Peter Schickele (Telarc)
    Best Spoken Word or Non-Musical Recording:
    It’s Always Something, Gilda Radner (Simon and Schuster Audio)
    Best Recording for Children:
    The Rock-a-Bye Collection Vol. I, Tanya Goodman (Jaba)
    Best Album Package:
    Sound + Vision, Roger Gorman, art director (Rykodisc)
    Best Album Notes:
    Bird: The Complete Charlie Parker on Verve, Phil Schaap, annotator (Verve)
    Best Historical Album:
    Chuck Berry – The Chess Box, Chuck Berry (Chess/MCA)
    Best Music Video, Short Form:
    Leave Me Alone – Michael Jackson
    Best Music Video, Long Form:
    Rhythm Nation 1814 – Janet Jackson
    Producer of the Year (Non-Classical):
    Peter Asher
    Classical Producer of the Year:
    Robert Woods
  • 1989 Grammy Award Winners

    1989 Grammy Award Winners

    1989 Grammy Award Winners

    1989 Grammy Award Winners

     

    1989 Grammy Winners

    • Winners Announced: February 22, 1989
    • Held at: Radio City Music Hall, New York
    • Host: Billy Crystal
    • Eligibility Year: October 1, 1987 – September 30, 1988

    Trivia

    • Billy’s Back: Billy Crystal returned as host, adding his comedic flavor to the music industry’s biggest night.
    • Jazzy Jodie: Jodie Watley was awarded Best New Artist, marking a successful transition from her dance career to the music world.
    • George Michael Dominates: Faith by George Michael won Album of the Year and solidified George Michael as a solo artist apart from his Wham! days.
    • Tracy Chapman’s Fast Car: The hit Fast Car helped Tracy Chapman earn three Grammys, including Best Female Pop Vocal Performance.
    • Eclectic Mix: The night featured a variety of musical genres, from U2’s rock album The Joshua Tree winning Best Rock Performance to Bobby McFerrin’s Don’t Worry, Be Happy snagging Song of the Year.
    • Metallica’s Recognition: In a surprising turn, Metallica’s And Justice For All was nominated for Best Hard Rock/Metal Performance, although it didn’t win. It did mark a mainstream acceptance of heavy metal.
    • Classical Highlights: Leonard Bernstein won for Best Classical Album, proving that classical music still had a significant presence at the Grammys.
    • Unforgettable Performances: The night was studded with performances from artists like Anita Baker, who won Best Female R&B Vocal Performance, and Michael Jackson, who took home the award for Best Engineered Album, Non-Classical for Bad.
    Record of the Year:
    Don’t Worry Be Happy – Bobby McFerrin
    Album of the Year:
    Faith, George Michael (Columbia/CBS)
    Song of the Year:
    Don’t Worry Be Happy – Bobby McFerrin, songwriter
    Best New Artist:
    Tracy Chapman
    Best Pop Vocal Performance, Male:
    Don’t Worry Be Happy – Bobby McFerrin
    Best Pop Vocal Performance, Female:
    Fast Car – Tracy Chapman
    Best Pop Vocal Performance By a Duo or Group With Vocal:
    Brasil, Manhattan Transfer
    Best Pop Instrumental Performance (Orchestra, Group or Soloist):
    Close-up, David Sanborn
    Best Rock Vocal Performance, Male:
    Simply Irresistible – Robert Palmer
    Best Rock Vocal Performance, Female:
    Tina Live in Europe, Tina Turner
    Best Rock Instrumental Performance By a Duo or Group With Vocal:
    Desire – U2
    Best Rock Instrumental Performance (Orchestra, Group or Soloist):
    Blues for Salvador, Carlos Santana
    Best Hard Rock/Metal Performance, Vocal or Instrumental:
    Crest of a Knave, Jethro Tull
    Best Rhythm and Blues Song:
    Giving You the Best That I Got – Anita Baker, Skip Scarborough and Randy Holland, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Introducing the Hardline According to Terence Trent D’Arby, Terence Trent D’Arby
    Best Rhythm and Blues Vocal Performance, Female:
    Giving You the Best That I Got – Anita Baker
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    Love Overboard – Gladys Knight and the Pips
    Best Rhythm and Blues Instrumental Performance (Orchestra, Group or Soloist):
    Light Years – Chick Corea
    Best Rap Performance:
    Parents Just Don’t Understand – D.J. Jazzy Jeff and the Fresh Prince
    Best Jazz Vocal Performance, Male:
    Brothers, Bobby McFerrin
    Best Jazz Vocal Performance, Female:
    Look What I Got!, Betty Carter
    Best Jazz Vocal Performance, Duo or Group:
    Spread Love – Take 6
    Best Jazz Instrumental Performance, Soloist on a Jazz Recording:
    Don’t Try This at Home, Michael Brecker
    Best Jazz Instrumental Performance, Group:
    Blues for Coltrane, A Tribute to John Coltrane, McCoy Tyner, Pharoah Sanders, David Murray, Cecil McBee and Roy Haynes
    Best Jazz Instrumental Performance, Big Band:
    Bud and Bird, Gil Evans and the Monday Night Orchestra
    Best Jazz Fusion Performance:
    Politics, Yellowjackets
    Best Country Song:
    Hold Me – K.T. Oslin, songwriter
    Best Country Vocal Performance, Male:
    Old 8 × 10, Randy Travis
    Best Country Vocal Performance, Female:
    Hold Me – K.T. Oslin
    Best Country Performance By a Duo or Group With Vocal:
    Give a Little Love – Judds
    Best Country Vocal Collaboration:
    Crying – Roy Orbison and k.d. lang
    Best Country Instrumental Performance (Orchestra, Group or Soloists):
    Sugarfoot Rag – Asleep at the Wheel
    Best Bluegrass Recording (Vocal or Instrumental):
    Southern Flavor, Bill Monroe (MCA)
    Best Gospel Performance, Male:
    Christmas, Larnelle Harris
    Best Gospel Performance, Female:
    Lead Me On, Amy Grant
    Best Gospel Performance By a Duo or Group, Choir or Chorus:
    The Winans Live at Carnegie Hall, Winans
    Best Soul Gospel Performance, Male:
    Abundant Life – BeBe Winans
    Best Soul Gospel Performance, Female:
    One Lord, One Faith, One Baptism, Aretha Franklin
    Best Soul Gospel Performance By a Duo or Group, Choir or Chorus:
    Take Six, Take 6
    Best Latin Pop Performance:
    Roberto Carlos, Roberto Carlos
    Best Tropical Latin Performance:
    Antecedente, Rubén Blades
    Best Mexican/American Performance:
    Canciones de Mi Padre, Linda Ronstadt
    Best Traditional Blues Recording:
    Hidden Charms, Willie Dixon (Bug/Capitol)
    Best Contemporary Blues Recording:
    Don’t Be Afraid of the Dark – Robert Cray Band (Mercury)
    Best Traditional Folk Recording:
    Folkways: A Vision Shared?A Tribute to Woody Guthrie and Leadbelly, various artists (Columbia/CBS)
    Best Contemporary Folk Recording:
    Tracy Chapman, Tracy Chapman (Elektra)
    Best Reggae Recording:
    Conscious Party, Ziggy Marley and the Melody Makers (Virgin)
    Best New Age Performance:
    Folksongs for a Nuclear Village, Shadowfax
    Best Polka Recording:
    Born to Polka, Jimmy Sturr and His Orchestra (Starr)
    Best Arrangement on an Instrumental:
    Memos From Paradise – Roger Kellaway, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    No One Is Alone – Jonathan Tunick, arranger
    Best Instrumental Composition:
    The Theme From L.A. Law – Mike Post, composer
    Best Musical Cast Show Album:
    Into the Woods, Stephen Sondheim, composer and lyricist (RCA)
    Best Album of Original Instrumental Background Score Written for a Motion Picture or Television:
    The Last Emperor, Ryuichi Sakamoto, David Byrne and Cong Su, composers (Virgin)
    Best Song Written Specifically for a Motion Picture or Television:
    Two Hearts (From the motion picture Buster), Phil Collins and Lamont Dozier, songwriters (Atlantic)
    Best Contemporary Composition:
    Nixon in China, John Adams, composer
    Best Classical Album:
    Verdi, Requiem and Operatic Choruses, Robert Shaw conducting Atlanta Symphony Orchestra and Chorus (Telarc)
    Best Orchestral Recording:
    Rorem, String Symphony; Sunday Morning, Eagles; Robert Shaw conducting Atlanta Symphony Orchestra: String Symphony, Louis Lane conducting Atlanta Symphony Orchestra: Sunday Morning and Eagles (New World)
    Best Chamber Music Performance (Instrumental or Vocal):
    Bartók, Sonata for Two Pianos and Percussion; Brahms, Variation on a Theme by Joseph Haydn for Two Pianos, Murray Perahia and Sir Georg Solti, pianos; David Corkhill and Evelyn Glennie, percussion
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Mozart, Piano Concerto No. 23 in A, Vladimir Horowitz, piano; Giulini conducting LaScala Opera Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Albéniz, Iberia; Navarra; Suite Espagnola, Alicia de Larrocha
    Best Opera Recording:
    Wagner, Lohengrin, Sir Georg Solti conducting Vienna State Opera Choir and Vienna Philharmonic; solos: Domingo, Norman, Randova, Nimsgern, Sotin and Fischer-Dieskau (London)
    Best Choral Performance (Other Than Opera):
    Verdi, Requiem and Operatic Choruses, Robert Shaw conducting Atlanta Symphony Chorus and Orchestra
    Best Classical Vocal Soloist Performance:
    Luciano Pavarotti in Concert, Luciano Pavarotti
    Best Comedy Recording:
    Good Morning Vietnam, Robin Williams (A&M)
    Best Spoken Word or Non-Musical Recording:
    Speech by Rev. Jesse Jackson (July 27) – Rev. Jesse Jackson (Arista)
    Best Recording for Children:
    Pecos Bill, Robin Williams, narrator; Ry Cooder, music (Windham Hill)
    Best Album Package:
    Tired of Runnin’, Bill Johnson, art director (Columbia/CBS)
    Best Album Notes:
    Crossroads, Anthony DeCurtis, annotator (Polydor)
    Best Historical Album:
    Crossroads, Eric Clapton (Polydor)
    Best Performance Music Video:
    Where the Streets Have No Name – U2
    Best Concept Music Video:
    Fat – Weird Al Yankovic
    Producer of the Year (Non-Classical):
    Neil Dorfsman
    Classical Producer of the Year:
    Robert Woods
  • 1988 Grammy Award Winners

    1988 Grammy Award Winners

    1988 Grammy Award Winners

    1988 Grammy Award Winners

    • Winners Announced: March 2, 1988
    • Held at: Radio City Music Hall, New York
    • Host: Billy Crystal
    • Eligibility Year: October 1, 1987 – September 30, 1988

    In-Depth Details and Trivia

    • East Coast Venue: After being mostly hosted in Los Angeles, the Grammys took a bite of the Big Apple by hosting the event at New York’s iconic Radio City Music Hall.
    • Crystal Clear Hosting: Comedian Billy Crystal was back as the host, bringing his unique style of humor to the stage.
    • U2’s Big Night: The Irish rock band U2 stole the show with their album The Joshua Tree, winning Album of the Year and Best Rock Performance by a Duo or Group with Vocal.
    • Michael Jackson Thrills Again: The King of Pop won Best Engineered Album, Non-Classical for Bad.
    • Jazzy Lady: Jazz pianist and singer Diana Krall made her Grammy debut, though she wouldn’t win until later years.
    • Country Crossovers: Trio by Dolly Parton, Linda Ronstadt, and Emmylou Harris won Best Country Performance by a Duo or Group with Vocal, highlighting the genre’s versatile appeal.
    • New Age Arrival: This was the first year that the New Age category was introduced, with Andreas Vollenweider winning for Down to the Moon.
    • A Cappella Excellence: Manhattan Transfer bagged the Best Jazz Fusion Performance Vocal or Instrumental for their album Brasil.

    1988 Grammy Winners

    Record of the Year:
    Graceland – Paul Simon
    Album of the Year:
    Joshua Tree, U2 (Island)
    Song of the Year:
    Somewhere Out There – James Horner, Barry Mann and Cynthia Weil, songwriters
    Best New Artist:
    Jody Watley
    Best Pop Vocal Performance, Male:
    Bring on the Night, Sting
    Best Pop Vocal Performance, Female:
    I Wanna Dance With Somebody (Who Loves Me) – Whitney Houston
    Best Pop Performance By a Duo or Group With Vocal:
    (I’ve Had) The Time of My Life – Bill Medley and Jennifer Warnes
    Best Pop Instrumental Performance (Orchestra, Group or Soloist):
    Minute by Minute – Larry Carlton
    Best Rock Vocal Performance, Solo:
    Tunnel of Love, Bruce Springsteen
    Best Rock Performance By a Duo or Group With Vocal:
    The Joshua Tree, U2
    Best Rock Instrumental Performance (Orchestra, Group or Soloist):
    Jazz From Hell, Frank Zappa
    Best Rhythm and Blues Song:
    Lean on Me – Bill Withers, songwriter
    Best Rhythm and Blues Vocal Performance, Male:
    Just to See Her – Smokey Robinson
    Best Rhythm and Blues Vocal Performance, Female:
    Aretha, Aretha Franklin
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    I Knew You Were Waiting (For Me) – Aretha Franklin and George Michael
    Best Rhythm and Blues Instrumental Performance (Orchestra, Group or Soloist):
    Chicago Song – David Sanborn
    Best Jazz Vocal Performance, Male:
    What Is This Thing Called Love – Bobby McFerrin
    Best Jazz Vocal Performance, Female:
    Diane Schuur and the Count Basie Orchestra, Diane Schuur
    Best Jazz Instrumental Performance, Soloist:
    The Other Side of Round Midnight, Dexter Gordon
    Best Jazz Instrumental Performance, Group:
    Marsalis Standard Time, Volume 1, Wynton Marsalis
    Best Jazz Instrumental Performance, Big Band:
    Digital Duke, Duke Ellington Orchestra conducted by Mercer Ellington
    Best Jazz Fusion Performance, Vocal or Instrumental:
    Still Life (Talking), Pat Metheny Group
    Best Country Song:
    Forever and Ever, Amen – Paul Overstreet and Don Schlitz, songwriters
    Best Country Vocal Performance, Male:
    Always and Forever, Randy Travis
    Best Country Vocal Performance, Female:
    ’80’s Ladies – K.T. Oslin
    Best Country Performance By a Duo or Group With Vocal:
    Trio, Dolly Parton, Linda Ronstadt and Emmylou Harris
    Best Country Vocal Performance, Duet:
    Make No Mistake, She’s Mine – Ronnie Milsap and Kenny Rogers
    Best Country Instrumental Performance (Orchestra, Group or Soloist):
    String of Pars – Asleep at the Wheel
    Best Gospel Performance, Male:
    The Father Hath Provided, Larnelle Harris
    Best Gospel Performance, Female:
    I Believe in You – Deniece Williams
    Best Gospel Performance By a Duo, Group, Choir or Chorus:
    Crack the Sky, Mylon LeFevre and Broken Heart
    Best Soul Gospel Performance, Male:
    Everything’s Gonna Be Alright – Al Green
    Best Soul Gospel Performance, Female:
    For Always – CeCe Winans
    Best Soul Gospel Performance By a Duo, Group, Choir or Chorus:
    Ain’t No Need to Worry – Winans and Anita Baker
    Best Latin Pop Performance:
    Un Hombre Solo, Julio Iglesias
    Best Tropical Latin Performance:
    La Verdad?The Truth, Eddie Palmieri
    Best Mexican/American Performance:
    Gracias! America sin Fronteras, Los Tigres Del Norte
    Best Traditional Blues Recording:
    Houseparty New Orleans Style, Professor Longhair (Rounder)
    Best Contemporary Blues Recording:
    Strong Persuader, Robert Cray Band (Mercury/Hightone)
    Best Traditional Folk Recording:
    Shaka Zulu, Ladysmith Black Mambazo (Warner Bros.)
    Best Contemporary Folk Recording:
    Unfinished Business, Steve Goodman (Red Pajamas)
    Best Reggae Recording:
    No Nuclear War, Peter Tosh (EMI-America)
    Best New Age Performance:
    Yusef Lateef’s Little Symphony, Yusef Lateef
    Best Polka Recording:
    A Polka Just for Me, Jimmy Sturr and His Orchestra (Starr)
    Best Arrangement on an Instrumental:
    Take the A Train – Bill Holman, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    Deedle’s Blues – Frank Foster, arranger
    Best Instrumental Composition:
    Call Sheet Blues – Dexter Gordon, Wayne Shorter, Herbie Hancock, Ron Carter and Billy Higgins, composers
    Best Musical Cast Show Album:
    Les Miserables (Geffen)
    Best Album of Original Instrumental Background Score Written for a Motion Picture or Television:
    The Untouchables (Original Motion Picture Soundtrack), Ennio Morricone, composer (A&M)
    Best Song Written Specifically for a Motion Picture or Television:
    Somewhere Out There (From the animated movie An American Tale), James Horner, Barry Mann and Cynthia Weil, songwriters
    Best Contemporary Composition:
    Cello Concerto No. 2, Krzysztof Penderecki, composer
    Best Classical Album:
    Horowitz in Moscow, Vladimir Horowitz (Deutsche Grammophon)
    Best Orchestral Recording:
    Beethoven, Symphony No. 9 in D Minor (Choral), Sir Georg Solti conducting Chicago Symphony Orchestra (London)
    Best Chamber Music Performance, Instrumental or Vocal:
    Beethoven, The Complete Piano Trios, Itzhak Perlman, Lynn Harrell and Vladimir Ashkenazy
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Mozart, Violin Concertos nos. 2 and 4 in D, Itzhak Perlman; James Levine conducting Vienna Philarmonic
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Horowitz in Moscow, Vladimir Horowitz, piano
    Best Opera Recording:
    Strauss, Ariadne auf Naxos, James Levine conducting Vienna Philharmonic; solos: Tomowa-Sintow, Battle, Baltsa, Lakes and Prey (Deutsche Grammophon)
    Best Choral Performance (Other Than Opera):
    Hindemith, When Lilacs Last in the Dooryard Bloom’d (A Requiem for Those We Love); Robert Shaw conducting Atlanta Symphony Chorus and Orchestra
    Best Classical Vocal Soloist Performance:
    Kathleen Battle, Salzburg Recital, Kathleen Battle; James Levine, accompanist
    Best Comedy Recording:
    A Night at The Met, Robin Williams (Columbia/CBS)
    Best Spoken Word or Non-Musical Recording:
    Lake Wobegon Days, Garrison Keillor (PHC)
    Best Recording for Children:
    The Elephant’s Child, Jack Nicholson, narrator; Bobby McFerrin, music (Windham Hill)
    Best Album Package:
    King’s Record Shop, Bill Johnson, art director (Columbia/CBS)
    Best Album Notes:
    Thelonious Monk, the Complete Riverside Recordings, Orrin Keepnews, annotator (Riverside)
    Best Historical Album:
    Thelonious Monk, the Complete Riverside Recordings, Thelonious Monk (Riverside)
    Best Performance Music Video:
    The Prince’s Trust All-Star Rock Concert, Elton John, Tina Turner, Sting and others
    Best Concept Music Video:
    Land of Confusion – Genesis
    Producer of the Year (Non-Classical):
    Narada Michael Walden
    Classical Producer of the Year:
    Robert Woods
  • 1987 Grammy Award Winners

    1987 Grammy Award Winners

    1987 Grammy Award Winners

    • Winners Announced: February 24, 1987
    • Held at: Shrine Auditorium, Los Angeles
    • Host: Billy Crystal
    • Eligibility Year: October 1, 1985 – September 30, 1986

    Trivia

    • Billy Crystal’s Debut: Known for his comedic brilliance, Billy Crystal hosted the Grammys, adding humor and wit to the evening.
    • Paul Simon’s Triumph: Paul Simon’s album Graceland won Album of the Year and was hailed for its eclectic mix of genres, including South African music.
    • Whitney Houston’s Arrival: Whitney Houston won her first Grammy for Best Female Pop Vocal Performance for “Greatest Love of All.”
    • Duets and Collaborations: That’s What Friends Are For, performed by Dionne Warwick, Stevie Wonder, Elton John, and Gladys Knight, won Song of the Year.
    • Jazz Legends Honored: Miles Davis won Best Jazz Instrumental Performance for his album Tutu, continuing his tradition of Grammy wins.
    • Classical Shines: The Best Classical Album was awarded to Horowitz: The Studio Recordings, New York 1985, featuring pianist Vladimir Horowitz.
    • Top Newcomers: Bruce Hornsby and the Range took home the Grammy for Best New Artist.
    • Metal Makes Its Mark: Metallica’s Master of Puppets was released during this eligibility year and though it didn’t win, it was a milestone in bringing metal music into mainstream awareness.

    1987 Grammy Winners

    Record of the Year:
    Higher Love – Steve Winwood
    Album of the Year:
    Graceland, Paul Simon (Warner Bros.)
    Song of the Year:
    That’s What Friends Are For – Burt Bacharach and Carole Bayer Sager, songwriters
    Best New Artist:
    Bruce Hornsby and the Range
    Best Pop Vocal Performance, Male:
    Higher Love – Steve Winwood
    Best Pop Vocal Performance, Female:
    The Broadway Album, Barbra Streisand
    Best Pop Performance By a Duo or Group With Vocal:
    That’s What Friends Are For – Dionne Warwick and Friends Featuring Elton John, Gladys Knight and Stevie Wonder
    Best Pop Instrumental Performance (Orchestra, Group or Soloist):
    Top Gun Anthem – Harold Faltermeyer and Steve Stevens
    Best Rock Vocal Performance, Male:
    Addicted to Love – Robert Palmer
    Best Rock Vocal Performance, Female:
    Back Where You Started – Tina Turner
    Best Rock Performance By a Duo or Group With Vocal:
    Missionary Man – Eurythmics
    Best Rock Instrumental Performance (Orchestra, Group or Soloist):
    Peter Gunn – Art of Noise featuring Duane Eddy
    Best Rhythm and Blues Song:
    Sweet Love – Anita Baker, Louis A. Johnson and Gary Bias, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Living in America – James Brown
    Best Rhythm and Blues Vocal Performance, Female:
    Rapture, Anita Baker
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    Kiss – Prince and the Revolution
    Best Rhythm and Blues Instrumental Performance (Orchestra, Group or Soloist):
    And You Know That – Yellowjackets
    Best Jazz Vocal Performance, Male:
    Round Midnight – Bobby McFerrin
    Best Jazz Vocal Performance, Female:
    Timeless, Diane Schuur
    Best Jazz Vocal Performance, Duo or Group:
    Free Fall, 2 + 2 Plus (Clare Fischer and His Latin Jazz Sextet)
    Best Jazz Instrumental Performance, Soloist:
    Tutu, Miles Davis
    Best Jazz Instrumental Performance, Group:
    J Mood, Wynton Marsalis
    Best Jazz Instrumental Performance, Big Band:
    The Tonight Show Band With Doc Severinsen, The Tonight Show Band With Doc Severinsen
    Best Jazz Fusion Performance, Vocal or Instrumental:
    Double Vision, Bob James and David Sanborn
    Best Country Song:
    Grandpa (Tell Me ‘Bout the Good Old Days) – Jamie O’Hara, songwriter
    Best Country Vocal Performance, Male:
    Lost in the Fifties Tonight, Ronnie Milsap
    Best Country Vocal Performance, Female:
    Whoever’s in New England – Reba McEntire
    Best Country Performance By a Duo or Group With Vocal:
    Grandpa (Tell Me ‘Bout the Good Old Days) – Judds
    Best Country Instrumental Performance (Orchestra, Group or Soloist):
    Raisin’ the Dickens – Ricky Skaggs
    Best Gospel Performance, Male:
    Triumph, Philip Bailey
    Best Gospel Performance, Female:
    Morning Like This, Sandi Patti
    Best Gospel Performance By a Duo or Group, Choir or Chorus:
    They Say – Sandi Patti and Deniece Williams
    Best Soul Gospel Performance, Male:
    Going Away – Al Green
    Best Soul Gospel Performance, Female:
    I Surrender All – Deniece Williams
    Best Soul Gospel Performance By a Duo or Group, Choir or Chorus:
    Let My People Go, Winans
    Best Latin Pop Performance:
    Lelolai – José Feliciano
    Best Tropical Latin Performance:
    Escenas, Ruben Blades
    Best Mexican/American Performance:
    Ay Te Dejo en San Antonio, Flaco Jimenez
    Best Traditional Blues Recording:
    Showdown!, Albert Collins, Robert Cray and Johnny Copeland (Alligator)
    Best Traditional Folk Recording:
    Riding the Midnight Train, Doc Watson (Sugar Hill)
    Best Contemporary Folk Recording:
    Tribute to Steve Goodman, Arlo Guthrie, John Hartford, Richie Havens, Bonnie Koloc, Nitty Gritty Dirt Band, John Prine and others (Red Pajamas)
    Best Reggae Recording:
    Babylon the Bandit, Steel Pulse (Elektra)
    Best New Age Recording:
    Down to the Moon, Andreas Vollenweider (FM/CBS)
    Best Polka Recording (tie):
    Another Polka Celebration, Eddie Blazonczyk’s Versatones (Bel Aire)
    I Remember Warsaw, Jimmy Sturr and His Orchestra (Starr)
    Best Arrangement on an Instrumental:
    Suite Memories – Patrick Williams, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    Somewhere – David Foster, arranger
    Best Instrumental Composition:
    Out of Africa (Original Motion Picture Soundtrack), John Barry, composer
    Best Musical Cast Show:
    Album Follies in Concert (RCA)
    Best Classical Album:
    Horowitz: The Studio Recordings, New York 1985, Vladimir Horowitz (Deutsche Grammophon)
    Best Contemporary Composition:
    Symphony No. 3, Witold Lutoslawski, composer
    Best Classical Orchestral Recording:
    Liszt, A Faust Symphony, Sir Georg Solti conducting the Chicago Symphony Orchestra (London)
    Best Chamber Music Performance, Instrumental or Vocal:
    Beethoven, Cello and Piano Sonata No. 4 in C Major and Variations, Yo-Yo Ma and Emanuel Ax
    Best Classical Performance, Instrumental Soloist(s) (With or Without Orchestra):
    Horowitz, The Studio Recordings, New York 1985, Vladimir Horowitz
    Best Opera Recording:
    Bernstein, Candide, John Mauceri conducting New York City Opera Chorus and Orchestra; solos: Mills, Eisler, Lankston, Castle, Reeve, Harrold, Billings and Clement (New World)
    Best Choral Performance (Other Than Opera):
    Orff, Carmina Burana, James Levine conducting Chicago Symphony Orchestra and Chorus
    Best Classical Vocal Soloist Performance:
    Mozart, Kathleen Battle Sings Mozart, Kathleen Battle
    Best Comedy Recording:
    Those of You With or Without Children, You’ll Understand, Bill Cosby (Geffen)
    Best Spoken Word or Non-Musical Recording:
    Interviews From the Class of ’55 Recording Sessions, Carl Perkins, Jerry Lee Lewis, Roy Orbison, Johnny Cash, Sam Phillips, Rick Nelson and Chips Moman (America Record Corp.)
    Best Recording for Children:
    The Alphabet, Sesame Street Muppets; Jim Henson (Golden Books)
    Best Album Package:
    Tutu, Eiko Ishioka, art director (Warner Bros.)
    Best Album Notes:
    The Voice, the Columbia Years 1943 – 1952, Gary Giddins, Wilfrid Sheed, Jonathan Schwartz, Murray Kempton, Andrew Sarris, Stephen Holden and Frank Conroy, annotators (Columbia/CBS)
    Best Historical Album:
    Atlantic Rhythm and Blues 1947 – 1974 vols. 1 – 7, various artists (Atlantic)
    Best Music Video, Short Form (VHS):
    Dire Straits Brothers in Arms – Dire Straits
    Best Music Video, Short Form (Vhs) (beta) (disk):
    Bring on the Night – Sting
    Producers of the Year (Non-Classical):
    Jimmy Jam and Terry Lewis
    Classical Producer of the Year:
    Thomas Frost
  • 1986 Grammy Award Winners

    1986 Grammy Award Winners

    1986 Grammy Award Winners

    • Winners Announced: February 25, 1986
    • Held at: Shrine Auditorium, Los Angeles
    • Host: Kenny Rogers
    • Eligibility Year: October 1, 1984 – September 30, 1985

    Trivia

    • We Are the World Spotlight: The charity single We Are the World became the evening’s star, winning Song of the Year, Record of the Year, and Best Pop Performance by a Duo or Group with Vocals.
    • Michael Jackson’s Thrilling Night: The King of Pop, Michael Jackson, received Best Male Pop Vocal Performance accolades for his contribution to We Are the World.
    • Country Milestones: Young Dwight Yoakam caught the limelight, getting nominated for Best Country & Western Vocal Performance for his album Guitars, Cadillacs, Etc., Etc.
    • Clapton’s Musical Magic: Eric Clapton won Best Rock Instrumental Performance for the track Escape, a part of the Lethal Weapon movie soundtrack.
    • Sade’s Smooth Arrival: British-Nigerian band Sade, led by Sade Adu, notched the Best New Artist win.
    • Jazz Ingenuity: New York Scene by Art Blakey and the Jazz Messengers secured the Best Jazz Instrumental Performance Group.
    • Genre Diversity: The awards recognized a wide array of genres, from Classical and Comedy to R&B and Latin, emphasizing the diversity of the music industry at the time.
    • Host Charisma: Kenny Rogers, with his smooth, seasoned voice and engaging persona, added a unique charm as the ceremony host.

    1986 Grammy Winners

    Record of the Year:
    We Are the World – USA for Africa
    Album of the Year:
    No Jacket Required, Phil Collins (Atlantic)
    Song of the Year:
    We Are the World – Michael Jackson and Lionel Richie, songwriters
    Best New Artist:
    Sade
    Best Pop Vocal Performance, Male:
    No Jacket Required, Phil Collins
    Best Pop Vocal Performance, Female:
    Saving All My Love for You – Whitney Houston
    Best Pop Performance By a Duo or Group With Vocal:
    We Are the World – USA for Africa
    Best Pop Instrumental Performance:
    Miami Vice Theme – Jan Hammer
    Best Rock Vocal Performance, Male:
    The Boys of Summer – Don Henley
    Best Rock Vocal Performance, Female:
    One of the Living – Tina Turner
    Best Rock Performance By a Duo or Group With Vocal:
    Money for Nothing – Dire Straits
    Best Rock Instrumental Performance:
    Escape – Jeff Beck
    Best Rhythm and Blues Song:
    Freeway of Love – Narada Michael Walden and Jeffrey Cohen, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    In Square Circle, Stevie Wonder
    Best Rhythm and Blues Vocal Performance, Female:
    Freeway of Love – Aretha Franklin
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    Nightshift – Commodores
    Best Rhythm and Blues Instrumental Performance:
    Musician, Ernie Watts
    Best Jazz Vocal Performance, Male:
    Another Night in Tunisia – Jon Hendricks and Bobby McFerrin
    Best Jazz Vocal Performance, Female:
    Cleo at Carnegie (The 10th Anniversary Concert), Cleo Laine
    Best Jazz Vocal Performance, Duo or Group:
    Vocalese, Manhattan Transfer
    Best Jazz Instrumental Performance, Soloist:
    Black Codes From the Underground, Wynton Marsalis
    Best Jazz Instrumental Performance, Group:
    Black Codes From the Underground, Wynton Marsalis Group
    Best Jazz Instrumental Performance, Big Band:
    The Cotton Club?Original Motion Picture Soundtrack, John Barry and Bob Wilber
    Best Jazz Fusion Performance, Vocal or Instrumental:
    Straight to the Heart, David Sanborn
    Best Country Song:
    Highwayman – Jimmy L. Webb, songwriter
    Best Country Vocal Performance, Male:
    Lost in the Fifties Tonight (In the Still of the Night), Ronnie Milsap
    Best Country Vocal Performance, Female:
    I Don’t Know Why You Don’t Want Me – Rosanne Cash
    Best Country Performance By a Duo or Group With Vocal:
    Why Not Me, Judds
    Best Country Instrumental Performance:
    Cosmic Square Dance – Chet Atkins and Mark Knopfler
    Best Gospel Performance, Male:
    How Excellent Is Thy Name – Larnelle Harris
    Best Gospel Performance, Female:
    Unguarded, Amy Grant
    Best Soul Gospel Performance, Male:
    Bring Back the Days of Yea and Nay – Marvin Winans
    Best Soul Gospel Performance, Female:
    Martin – Shirley Caesar
    Best Soul Gospel Performance By a Duo or Group:
    Tomorrow, Winans
    Best Latin Pop Performance:
    Ec Facil Amar, Lani Hall
    Best Tropical Latin Performance (tie):
    Mambo Diablo, Tito Puente and His Latin Ensemble
    Solito, Eddie Palmieri
    Best Mexican/American Performance:
    Simplemente Mujer, Vikki Carr
    Best Inspirational Performance:
    Come Sunday – Jennifer Holliday
    Best Traditional Blues Recording:
    My Guitar Sings the Blues – B.B. King (MCA)
    Best Ethnic or Traditional Folk Recording:
    My Toot Toot – Rockin’ Sidney (Maison De Soul)
    Best Reggae Recording:
    Cliff Hanger, Jimmy Cliff (Columbia/CBS)
    Best Polka Recording:
    70 Years of Hits, Frank Yankovic (Cleveland International/CBS)
    Best Arrangement on an Instrumental:
    Early a.m. Attitude – Dave Grusin and Lee Ritenour, arrangers
    Best Instrumental Arrangement Accompanying Vocal(s):
    Lush Life – Nelson Riddle, arranger
    Best Vocal Arrangement for Two or More Voices:
    Another Night in Tunisia – Cheryl Bentyne and Bobby McFerrin, arrangers
    Best Instrumental Composition:
    Miami Vice Theme – Jan Hammer, composer
    Best Cast Show Album:
    West Side Story, Stephen Sondheim, lyricist; Leonard Bernstein, composer (Deutsche Grammophone)
    Best Album of Original Score Written for a Motion Picture or Television Special:
    Beverly Hills Cop, Sharon Robinson, Jon Gilutin, Bunny Hull, Hawk, Howard Hewett, Micki Free, Sue Sheridan, Howie Rice, Keith Forsey, Harold Faltermeyer, Allee Willis, Dan Sembello, Marc Benno and Richard Theisen, composers and songwriters (MCA)
    Best Contemporary Composition:
    Requiem, Andrew Lloyd Webber, composer (Angel)
    Best Classical Album:
    Berlioz, Requiem, Robert Shaw conducting Atlanta Symphony Orchestra and Chorus; solo: Aler (Telarc)
    Best New Classical Artist:
    Chicago Pro Musica
    Best Classical Orchestral Recording:
    Fauré, Pelléas et Mélisande, Robert Shaw conducting Atlanta Symphony Orchestra
    Best Chamber Music Performance:
    Brahms, Cello and Piano Sonatas in E Minor and F Major, Emanuel Ax and Yo-Yo Ma
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Elgar, Cello Concerto, Op. 85; Walton, Concerto for Cello and Orchestra, Yo-Yo Ma; André Previn conducting London Symphony Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Ravel, Gaspard de la Nuit, Pavane Pour Une Infant Defunte, Valses Nobles et Sentimentales, Vladimir Ashkenazy
    Best Opera Recording:
    Schoenberg, Moses und Aron, Sir Georg Solti conducting Chicago Symphony Orchestra and Chorus; solos: Mazura and Langridge (London)
    Best Choral Performance (Other Than Opera):
    Berlioz, Requiem, Robert Shaw conducting Atlanta Symphony Chorus and Orchestra
    Best Classical Vocal Soloist Performance:
    Berlioz, Requiem, John Aler; Robert Shaw conducting Atlanta Symphony Orchestra and Chorus
    Best Comedy Recording:
    Whoopi Goldberg (Original Broadway Show Recording), Whoopi Goldberg (Geffen)
    Best Spoken Word or Non-Musical Recording:
    Ma Rainey’s Black Bottom, Original Broadway cast (Manhattan)
    Best Recording for Children:
    Follow That Bird (Original Motion Picture Soundtrack), Jim Henson’s Muppets and the Sesame Street cast (RCA)
    Best Album Package:
    Lush Life, Kosh and Ron Larson, art directors (Asylum)
    Best Album Notes:
    Sam Cooke Live at the Harlem Square Club, 1963, Peter Guralnick, annotator (RCA)
    Best Historical Album:
    RCA/MET 100 Singers-100 Years, Melba, Schumann-Heink, Caruso, Price, Verrett, Domingo and 94 others (RCA Red Seal)
    Best Music Video, Short Form:
    We Are the World, the Video Event – USA for Africa
    Best Music Video, Long Form:
    Huey Lewis and the News: The Heart of Rock ‘n Roll – Huey Lewis and the News
    Producers of the Year (Non-Classical):
    Phil Collins and Hugh Padgham
    Classical Producer of the Year:
    Robert Woods
  • 1985 Grammy Award Winners

    1985 Grammy Award Winners

    1985 Grammy Award Winners

    • Winners Announced: February 26, 1985
    • Held at: Shrine Auditorium, Los Angeles
    • Host: John Denver
    • Eligibility Year: October 1, 1983 – September 30, 1984

    Trivia

    • Thriller Triumphs: Michael Jackson’s album Thriller won multiple awards, including Best Engineered Recording, Non-Classical.
    • Sade’s Smooth Introduction: The British band Sade won Best New Artist, riding high on the success of their debut album Diamond Life.
    • Tina’s Comeback: Tina Turner’s What’s Love Got to Do With It snagged three Grammys, including Record of the Year and Song of the Year.
    • Cyndi Lauper’s Debut: Cyndi Lauper took home the Best New Artist award, further cementing the staying power of her debut album She’s So Unusual.
    • Rock Meets Classical: Purple Rain, Prince’s soundtrack album for the film of the same name, won Best Score Soundtrack for Visual Media.
    • A Jazzy Note: Wynton Marsalis gained the Best Jazz Instrumental Performance for his work Hot House Flowers.
    • Country Gets Its Due: The Judds’ Why Not Me won Best Country Performance by a Duo or Group with Vocal.

    1985 Grammy Winners

    Record of the Year:
    What’s Love Got to Do With It – Tina Turner
    Album of the Year:
    Can’t Slow Down, Lionel Richie (Motown)
    Song of the Year:
    What’s Love Got to Do With It – Graham Lyle and Terry Britten, songwriters
    Best New Artist:
    Cyndi Lauper
    Best Pop Vocal Performance, Male:
    Against All Odds (Take a Look at Me Now) – Phil Collins
    Best Pop Vocal Performance, Female:
    What’s Love Got to Do With It – Tina Turner
    Best Pop Performance By a Duo or Group With Vocal:
    Jump (For My Love) – Pointer Sisters
    Best Pop Instrumental Performance:
    Ghostbusters (instrumental version), Ray Parker, Jr.
    Best Rock Vocal Performance, Male:
    Dancing in the Dark – Bruce Springsteen
    Best Rock Vocal Performance, Female:
    Better Be Good to Me – Tina Turner
    Best Rock Performance By a Duo or Group With Vocal:
    Purple Rain?Music From the Motion Picture, Prince and the Revolution
    Best Rock Instrumental Performance:
    Cinema – Yes
    Best New Rhythm and Blues Song:
    I Feel for You – Prince, songwriter
    Best Rhythm and Blues Vocal Performance, Male:
    Caribbean Queen (No More Love on the Run) – Billy Ocean
    Best Rhythm and Blues Vocal Performance, Female:
    I Feel for You – Chaka Khan
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    Yah Mo B There – James Ingram and Michael McDonald
    Best Rhythm and Blues Instrumental Performance:
    Sound-System, Herbie Hancock
    Best Jazz Vocal Performance:
    Nothin’ but the Blues, Joe Williams
    Best Jazz Instrumental Performance, Soloist:
    Hot House Flowers, Wynton Marsalis
    Best Jazz Instrumental Performance, Group:
    New York Scene – Art Blakey
    Best Jazz Instrumental Performance, Big Band:
    88 Basie Street, Count Basie and His Orchestra
    Best Jazz Fusion Performance, Vocal or Instrumental:
    First Circle, Pat Metheny Group
    Best Country Song:
    City of New Orleans – Steve Goodman, songwriter
    Best Country Vocal Performance, Male:
    That’s the Way Love Goes – Merle Haggard
    Best Country Vocal Performance, Female:
    In My Dreams – Emmylou Harris
    Best Country Performance By a Duo or Group With Vocal:
    Mama He’s Crazy – Judds
    Best Country Instrumental Performance:
    Wheel Hoss – Ricky Skaggs
    Best Gospel Performance, Male:
    Michael W. Smith, Michael W. Smith
    Best Gospel Performance, Female:
    Angels – Amy Grant
    Best Gospel Performance By a Duo or Group:
    Keep the Flame Burning – Debby Boone and Phil Driscoll
    Best Soul Gospel Performance, Male:
    Always Remember – Andrae Crouch
    Best Soul Gospel Performance, Female:
    Sailin’, Shirley Caesar
    Best Soul Gospel Performance By a Duo or Group:
    Sailin’ on the Sea of Your Love – Shirley Caeser and Al Green
    Best Latin Pop Performance:
    Always in My Heart (Siempre en mi Corazón), Placido Domingo
    Best Tropical Latin Performance:
    Palo Pa Rumba, Eddie Palmieri
    Best Mexican/American Performance:
    Me Gustas Tal Como Eres – Sheena Easton and Luis Miguel
    Best Inspirational Performance:
    Forgive Me – Donna Summer
    Best Traditional Blues Recording:
    Blues Explosion, John Hammond, Stevie Ray Vaughan and Double Trouble, Sugar Blue, Koko Taylor and the Blues Machine, Luther Guitar Junior Johnson and J.B. Hutto and the New Hawks (Atlantic)
    Best Ethnic or Traditional Folk Recording:
    Elizabeth Cotten Live!, Elizabeth Cotten (Arhoolie)
    Best Reggae Recording:
    Anthem, Black Uhuru (Island)
    Best Arrangement on an Instrumental:
    Grace (Gymnastics Theme), Quincy Jones and Jeremy Lubbock, arrangers
    Best Instrumental Arrangement Accompanying Vocal(s):
    Hard Habit to Break – David Foster and Jeremy Lubbock, arrangers
    Best Vocal Arrangement for Two or More Voices:
    Automatic – Pointer Sisters, arrangers
    Best Instrumental Composition (tie):
    The Natural – Randy Newman, composer
    Olympic Fanfare and Theme – John Williams, composer
    Best Cast Show Album:
    Sunday in the Park With George, Stephen Sondheim, composer and lyricist (RCA)
    Best Album of Original Score Written for a Motion Picture or a Television Special:
    Purple Rain, Prince, John L. Nelson, Lisa and Wendy, songwriters (Warner Bros.)
    Best New Classical Composition:
    Antony and Cleopatra, Samuel Barber, composer
    Best Classical Album:
    Amadeus (Original Soundrack), Neville Marriner conducting the Academy of St. Martin-in-the-Fields; Ambrosian Opera Chorus; Choristers of Westminster Abbey (Fantasy)
    Best Classical Orchestral Recording:
    Prokofiev, Symphony No. 5 in B-Flat, Op. 100, Leonard Slatkin conducting Saint Louis Symphony (RCA)
    Best Chamber Music Performance:
    Beethoven, The Late String Quartets, Juilliard String Quartet
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Wynton Marsalis, Edita Gruberova: Handel, Purcell, Torelli, Fasch, Molter, Wynton Marsalis and Edita Gruberova; Raymond Leppard conducting English Chamber Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Bach, The Unaccompanied Cello Suites, Yo-Yo Ma
    Best Opera Recording:
    Bizet, Carmen (Original Soundtrack), Lorin Maazel conducting Orchestre National de France; Choeurs et Maitrise de Radio France; solos: Johnson, Esham, Domingo and Raimondi (Erato)
    Best Choral Performance (Other Than Opera):
    Brahms, A German Requiem, James Levine conducting Chicago Symphony Orchestra; Margaret Hillis, choral director, Chicago Symphony Chorus
    Best Classical Vocal Soloist Performance:
    Ravel, Songs of Maurice Ravel, Jessye Norman, Jose Van Dam and Heather Harper; Pierre Boulez conducting the Members of Ensemble Intercontemporain and BBC Symphony Orchestra
    Best Comedy Recording:
    Eat It, Weird Al Yankovic (Rock and Roll)
    Best Spoken Word or Non-Musical Recording:
    The Words of Gandhi, Ben Kingsley (Caedmon)
    Best Recording for Children:
    Where the Sidewalk Ends, Shel Silverstein (Columbia)
    Best Album Package:
    She’s So Unusual, Janet Perr, art director (Portrait/CBS)
    Best Album Notes Big Band:
    Jazz, Gunther Schuller and Martin Williams, songwriters (Smithsonian)
    Best Historical Album Big Band:
    Jazz, Paul Whiteman, Fletcher Henderson, Chick Webb, Tommy Dorsey, Count Basie, Benny Goodman and others (Smithsonian)
    Best Video, Short Form:
    David Bowie – David Bowie
    Best Video Album:
    Making Michael Jackson’s Thriller, Michael Jackson (Vestron Music Video)
    Producers of the Year:
    (Non-Classical) (tie) David Foster
    Lionel Richie and James Anthony Carmichael
    Classical Producer of the Year:
    Steven Epstein
  • 1984 Grammy Award Winners

    1984 Grammy Award Winners

    1984 Grammy Award Winners

    Winners Announced: February 28, 1984
    Held at: Shrine Auditorium, Los Angeles
    Host: John Denver
    Eligibility Year: October 1, 1982 – September 30, 1983

    A Closer Look at the 1984 Grammy Awards

    • John Denver’s Hosting: John Denver returned as the host for the 1984 Grammy Awards, continuing his association with the Grammys.
    • Thriller Dominates: Michael Jackson’s album Thriller was the show’s star, winning eight Grammys, including Album of the Year, setting a record for one of the most awarded albums in Grammy history.
    • Country Legend: Willie Nelson won Best Country Vocal Performance for his Always On My Mind rendition.
    • The Police Shine: The song Every Breath You Take by The Police took home the Song of the Year award, while their album Synchronicity bagged Best Rock Performance by a Duo or Group with Vocal.
    • Emerging Talent: Culture Club snagged the Best New Artist award, confirming Boy George’s eclectic mix of style and music had hit the mainstream.
    • Comedy Grammys: Eddie Murphy: Comedian secured the award for Best Comedy Album.
    • Eclectic Wins: Love Is a Battlefield by Pat Benatar earned her the Grammy for Best Female Rock Vocal Performance, showcasing the diverse musical genres celebrated that year.
    • Instrumental Accolades: Yoda’s Theme, composed by John Williams for Star Wars: The Empire Strikes Back, won the Grammy for Best Instrumental Composition.
    • Gospel Glory: Sailin’ on the Sea of Your Love by Shirley Caesar earned her the award for Best Soul Gospel Performance, Female.

    1984 Grammy Winners

    Record of the Year:
    Beat It – Michael Jackson
    Album of the Year:
    Thriller, Michael Jackson (Epic/CBS)
    Song of the Year:
    Every Breath You Take – Sting, songwriter
    Best New Artist:
    Culture Club
    Best Pop Vocal Performance, Male:
    Thriller, Michael Jackson
    Best Pop Vocal Performance, Female:
    Flashdance: What a Feeling – Irene Cara
    Best Pop Performance By a Duo or Group With Vocal:
    Every Breath You Take – Police
    Best Pop Instrumental Performance:
    Being With You – George Benson
    Best Rock Vocal Performance, Male:
    Beat It – Michael Jackson
    Best Rock Vocal Performance, Female:
    Love Is a Battlefield – Pat Benatar
    Best Rock Performance By a Duo or Group With Vocal:
    Synchronicity, Police
    Best New Rhythm and Blues Song:
    Billie Jean – Michael Jackson, songwriter
    Best Rhythm and Blues Vocal Performance, Male:
    Billie Jean – Michael Jackson
    Best Rhythm and Blues Vocal Performance, Female:
    Chaka Khan, Chaka Khan
    Best Rhythm and Blues Vocal Performance By a Duo or Group With Vocal:
    Ain’t Nobody – Rufus and Chaka Khan
    Best Rhythm and Blues Instrumental Performance:
    Rockit – Herbie Hancock
    Best Jazz Vocal Performance, Male:
    Top Drawer, Mel Tormé
    Best Jazz Vocal Performance, Female:
    The Best Is Yet to Come, Ella Fitzgerald
    Best Jazz Vocal Performance, Duo or Group:
    Why Not! – Manhattan Transfer
    Best Jazz Instrumental Performance, Soloist:
    Think of One, Wynton Marsalis
    Best Jazz Instrumental Performance, Group:
    At the Vanguard, Phil Woods Quartet
    Best Jazz Instrumental Performance, Big Band:
    All in Good Time, Rob McConnell and the Boss Brass
    Best Jazz Fusion Performance, Vocal or Instrumental:
    Travels, Pat Metheny Group
    Best New Country Song:
    Stranger in My House – Mike Reid, songwriter
    Best Country Vocal Performance, Male:
    I.O.U. – Lee Greenwood
    Best Country Vocal Performance, Female:
    A Little Good News – Anne Murray
    Best Country Performance By a Duo or Group With Vocal:
    The Closer You Get, Alabama
    Best Country Instrumental Performance:
    Fireball – New South (Ricky Skaggs, Jerry Douglas, Tony Rice, J.D. Crowe and Todd Phillips)
    Best Gospel Performance, Male:
    Walls of Glass, Russ Taff
    Best Gospel Performance, Female:
    Ageless Medley – Amy Grant
    Best Gospel Performance By a Duo or Group:
    More Than Wonderful – Sandi Patti and Larnelle Harris
    Best Soul Gospel Performance, Male:
    I’ll Rise Again, Al Green
    Best Soul Gospel Performance, Female:
    We Sing Praises, Sandra Crouch
    Best Soul Gospel Performance By a Duo or Group:
    I’m So Glad I’m Standing Here Today – Bobby Jones with Barbara Mandrell
    Best Latin Pop Performance:
    Me Enamore, José Feliciano
    Best Tropical Latin Performance:
    On Broadway, Tito Puente and His Latin Ensemble
    Best Inspirational Performance:
    He’s a Rebel – Donna Summer
    Best Traditional Blues Recording:
    Blues ‘n Jazz, B.B. King (MCA)
    Best Mexican-American Performance:
    Anselma – Los Lobos
    Best Ethnic or Traditional Folk Recording:
    I’m Here, Clifton Chenier and His Red Hot Louisiana Band (Alligator)
    Best Arrangement on an Instrumental:
    Summer Sketches ’82 – Dave Grusin, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    What’s New – Nelson Riddle, arranger
    Best Vocal Arrangement for Two or More Voices:
    Be Bop Medley – Arif Mardin and Chaka Khan, arrangers
    Best Instrumental Composition:
    Love Theme From Flashdance – Giorgio Moroder, composer
    Best Cast Show Album:
    Cats (Complete Original Broadway Cast Recording), Andrew Lloyd Webber, producer (Geffen/Warner Bros.)
    Best Album of Original Score Written for a Motion Picture or a Television Special:
    Flashdance, Giorgio Moroder, Keith Forsey, Irene Cara, Shandi Sinnamon, Ronald Magness, Douglas Cotler, Richard Gilbert, Michael Boddicker, Jerry Hey, Phil Ramone, Michael Sembello, Kim Carnes, Duane Hitchings, Craig Krampf and Dennis Matkosky, songwriters (Casablanca/Polygram)
    Best Classical Album:
    Mahler, Symphony No. 9 in D Major, Sir Georg Solti conducting Chicago Symphony Orchestra and Chorus (London)
    Best Classical Orchestral Recording:
    Mahler, Symphony No. 9 in D Major, Sir Georg Solti conducting Chicago Symphony Orchestra (London)
    Best Chamber Music Performance:
    Brahms, Sonata for Cello and Piano in E Minor, Op. 38 and Sonata in F Major, Op. 99, Mstislav Rostropovich and Rudolf Serkin
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Haydn, Concerto for Trumpet and Orchestra in E-Flat Major; L. Mozart, Concerto for Trumpet and Orchestra in D Major; Hummel, Concerto for Trumpet and Orchestra in E-Flat Major, Wynton Marsalis; Raymond Leppard conducting National Philharmonic Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Beethoven, Sonata for Piano No. 12 in A-Flat Major, Op. 26 and No. 13 in E-Flat Major, Op. 27, No. 1, Glenn Gould
    Best Opera Recording (tie):
    Mozart, Le Nozzi de Figaro, Sir Georg Solti conducting London Philharmonic; solos: Kanawa, Popp, Ramey, Allen, Moll and von Stade (London)
    Verdi, La Traviata (Original Soundtrack), James Levine conducting The Metropolitan Opera Orchestra and Chorus; solos: Stratas, Domingo and MacNeil (Elektra)
    Best Choral Performance (Other Than Opera):
    Haydn, The Creation, Sir Georg Solti conducting Chicago Symphony Orchestra; Margaret Hillis, choral director, Chicago Symphony Chorus
    Best Classical Vocal Soloist Performance:
    Leontyne Price and Marilyn Horne in Concert at The Met, Leontyne Price and Marilyn Horne; James Levine conducting The Metropolitan Opera Orchestra
    Best Comedy Recording:
    Eddie Murphy, Comedian, Eddie Murphy (The Entertainment Co./Columbia)
    Best Spoken Word or Non-Musical Recording:
    Copland, A Lincoln Portrait, William Warfield (Mercury/Philips)
    Best Recording for Children:
    E.T. the Extra-Terrestrial, Michael Jackson, narration and vocals (MCA)
    Best Album Package:
    Speaking in Tongues, Robert Rauschenberg, art director (Sire/Warner Bros.)
    Best Album Notes:
    The Interplay Sessions, Orrin Keepnews, annotator (Milestone)
    Best Historical Album:
    The Greatest Recordings of Arturo Toscanini Symphonies Vol. I, Arturo Toscanini (Franklin Mint)
    Best Video, Short Form:
    Girls on Film/Hungry Like the Wolf – Duran Duran
    Producers of the Year (Non-Classical):
    Quincy Jones and Michael Jackson
    Classical Producers of the Year:
    Marc J. Aubort and Joanna Nickrenz
  • 1983 Grammy Award Winners

    1983 Grammy Award Winners

    1983 Grammy Award Winners

    • Winners Announced: February 23, 1983
    • Held at: Shrine Auditorium, Los Angeles
    • Host: John Denver
    • Eligibility Year: October 1, 1981 – September 30, 1982

    1983 Grammys Trivia and Noteworthy Moments

    1. King of Pop’s Reign: Michael Jackson’s Thriller snagged eight awards, setting a record for most wins by an artist in a single year.
    2. Toto’s Triumph: The band Toto nabbed several awards, including Record of the Year for “Rosanna.”
    3. Classical Crossover: “Nadia’s Theme,” primarily known as a piece of classical music, won for Best Instrumental Arrangement.
    4. Early Hip-Hop: The Sugarhill Gang’s Rapper’s Delight was one of the first rap songs to be nominated, although it didn’t win.
    5. Female Power: Pat Benatar won Best Female Rock Vocal Performance for “Shadows of the Night,” paving the way for more women in rock.
    6. Double Country Win: Willie Nelson won both Best Country Vocal Performance, Male and Best Country Song for “Always On My Mind.”
    7. Latin Influence: El Gran Combo de Puerto Rico was nominated for Best Tropical Latin Performance, a testament to the growing recognition of Latin genres in mainstream music.

    1983 Grammy Winners

    Record of the Year:
    Rosanna – Toto
    Album of the Year:
    Toto IV, Toto (Columbia)
    Song of the Year:
    Always on My Mind – Johnny Christopher, Mark James and Wayne Carson, songwriters
    Best New Artist:
    Men at Work
    Best Pop Vocal Performance, Male:
    Truly – Lionel Richie
    Best Pop Vocal Performance, Female:
    You Should Hear How She Talks About You – Melissa Manchester
    Best Pop Performance By a Duo or Group With Vocal:
    Up Where We Belong – Joe Cocker and Jennifer Warnes
    Best Pop Instrumental Performance:
    Chariots of Fire Theme (dance version), Ernie Watts
    Best Rock Vocal Performance, Male:
    Hurts So Good – John Cougar
    Best Rock Vocal Performance, Female:
    Shadows of the Night – Pat Benatar
    Best Rock Performance By a Duo or Group With Vocal:
    Eye of the Tiger – Survivor
    Best Rock Instrumental Performance:
    D.N.A. – A Flock of Seagulls
    Best Rhythm and Blues Song:
    Turn Your Love Around – Jay Graydon, Steve Lukather and Bill Champlin, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Sexual Healing – Marvin Gaye
    Best Rhythm and Blues Performance, Female:
    And I Am Telling You I’m Not Going – Jennifer Holliday
    Best Rhythm and Blues Performance By a Duo or Group With Vocal (tie):
    Let It Whip – Dazz Band
    Wanna Be With You – Earth, Wind and Fire
    Best Rhythm and Blues Instrumental Performance:
    Sexual Healing – Marvin Gaye
    Best Jazz Vocal Performance, Male:
    An Evening With George Shearing and Mel Tormé, Mel Tormé
    Best Vocal Jazz Performance, Female:
    Gershwin Livel, Sarah Vaughan
    Best Jazz Vocal Performance, Duo or Group:
    Route 66 – Manhattan Transfer
    Best Jazz Instrumental Performance, Soloist:
    We Want Miles, Miles Davis
    Best Jazz Instrumental Performance, Group:
    More Live, Phil Woods Quartet
    Best Jazz Instrumental Performance, Big Band:
    Warm Breeze, Count Basie and His Orchestra
    Best Jazz Fusion Performance, Vocal or Instrumental:
    Offramp, Pat Metheny Group
    Best Country Song:
    Always on My Mind – Johnny Christopher, Mark James and Wayne Carson, songwriters
    Best Country Vocal Performance, Male:
    Always on My Mind – Willie Nelson
    Best Country Vocal Performance, Female:
    Break It to Me Gently – Juice Newton
    Best Country Performance By a Duo or Group With Vocal:
    Mountain Music, Alabama
    Best Country Instrumental Performance:
    Alabama Jubilee – Roy Clark
    Best Gospel Performance, Contemporary:
    Age to Age, Amy Grant
    Best Gospel Performance, Traditional:
    I’m Following You, Blackwood Brothers
    Best Soul Gospel Performance, Contemporary:
    Higher Plane, Al Green
    Best Soul Gospel Performance, Traditional:
    Precious Lord, Al Green
    Best Latin Recording:
    Machito and His Salsa Big Band ’82, Machito (Timeless)
    Best Inspirational Performance:
    He Set My Life to Music, Barbara Mandrell
    Best Traditional Blues Recording:
    Alright Again, Clarence Gatemouth Brown (Rounder)
    Best Ethnic or Traditional Folk Recording:
    Queen Ida and the Bon Temps Zydeco Band on Tour, Queen Ida (GNR/Crescendo)
    Best Arrangement on an Instrumental Recording:
    Flying – John Williams, arranger
    Best Instrumental Arrangement Accompanying Vocal(s):
    Rosanna – Jerry Hey, David Paich and Jeff Porcaro, arrangers
    Best Vocal Arrangement for Two or More Voices:
    Rosanna – David Paich, arranger
    Best Instrumental Composition:
    Flying (Theme From E.T. the Extra-Terrestrial), John Williams, composer
    Best Cast Show Album:
    Dreamgirls, Henry Krieger, composer; Tom Eyen, lyricist (Geffen/Warner Bros.)
    Best Album of Original Score Written for a Motion Picture or a Television Special:
    E.T. the Extra-Terrestrial, John Williams, composer (MCA)
    Best Classical Album:
    Bach, The Goldberg Variations, Glenn Gould (CBS)
    Best Classical Orchestral Recording:
    Mahler, Symphony No. 7 in E Minor, James Levine conducting Chicago Symphony Orchestra (RCA)
    Best Chamber Music Performance:
    Brahms, The Sonatas for Clarinet and Piano, Op. 120, Richard Stoltzman and Richard Goode
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Elgar, Concerto for Violin in B Minor, Itzhak Perlman; Daniel Barenboim conducting Chicago Symphony
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Bach, The Goldberg Variations, Glenn Gould
    Best Opera Recording:
    Wagner, Der Ring des Nibelungen, Pierre Boulez conducting Bayreuth Festival Orchestra; solos: Jones, Altmeyer, Wenkel, Hofmann, Jung, Jerusalem, Zednik, Mclntrye, Salminen and Becht (Philips)
    Best Choral Performance (Other Than Opera):
    Berlioz, La Damnation de Faust, Sir Georg Solti conducting Chicago Symphony Orchestra; Margaret Hillis, chorus director, Chicago Symphony Chorus
    Best Classical Vocal Soloist Performance:
    Leontyne Price Sings Verdi, Leontyne Price; Zubin Mehta conducting Israel Philharmonic Orchestra
    Best Comedy Recording:
    Live on the Sunset Strip, Richard Pryor (Warner Bros.)
    Best Spoken Word, Documentary or Drama Recording:
    Raiders of the Lost Ark: The Movie on Record (Columbia)
    Best Recording for Children:
    In Harmony 2, Billy Joel, Bruce Springsteen, James Taylor, Kenny Loggins, Carly and Lucy Simon, Teddy Pendergrass, Crystal Gayle, Lou Rawls, Deniece Williams, Janis Ian and Dr. John (CBS)
    Best Album Package:
    Get Closer, Kosh and Ron Larson, art directors (Elektra/Asylum)
    Best Album Notes:
    Bunny Berigan (Giants of Jazz), John Chilton and Richard Sudhalter, art directors (Time-Life)
    Best Historical Album:
    The Tommy Dorsey/Frank Sinatra Sessions vols. 1, 2 and 3 (RCA)
    Video of the Year:
    Olivia Physical – Olivia Newton-John
    Producer of the Year (Non-Classical):
    Toto
    Classical Producer of the Year:
    Robert Woods
  • 1982 Grammy Award Winners

    1982 Grammy Award Winners

    1982 Grammy Award Winners

    • Winners Announced: February 24, 1982
    • Held at: Shrine Auditorium, Los Angeles, California
    • Host: John Denver
    • Eligibility Year: October 1, 1980 – September 30, 1981

    1982 Grammy Trivia and Noteworthy Moments

    1. Denver’s Return: John Denver reprised his hosting role, having been a popular choice from previous ceremonies.
    2. Posthumous Recognition: John Lennon and Yoko Ono won Album of the Year for Double Fantasy, months after Lennon’s tragic assassination.
    3. Kim Carnes Dominance: Carnes’ Bette Davis Eyes not only won Record of the Year but also Song of the Year. The song was inescapable in 1981 and its success spilled into the Grammys.
    4. A Night for Jazz: Jazz great Quincy Jones snagged Producer of the Year, fortifying his reputation as a versatile and accomplished artist.
    5. Sheena’s Surprise: Sheena Easton won Best New Artist, an unusual feat for a British artist at that time.
    6. The Genius of Jarreau: Al Jarreau was unique in winning in the jazz and pop categories in the same year, proving his versatility.
    7. New Categories: This was the first year the Best Rap Performance category was introduced, although it wouldn’t have its first winner until 1989. It was a sign of rap’s growing influence, even if the Grammys were a bit slow to recognize it.

    1982 Grammy Winners

    Album of the Year:
    Double Fantasy, John Lennon and Yoko Ono (Warner Bros/Geffen)
    Song of the Year:
    Bette Davis Eyes – Donna Weiss and Jackie DeShannon, songwriters
    Best New Artist:
    Sheena Easton
    Best Pop Vocal Performance, Male:
    Breakin Away, Al Jarreau
    Best Pop Vocal Performance, Female:
    Lena Horne: The Lady and Her Music Live On Broadway, Lena Horne
    Best Pop Vocal Performance By a Duo or Group With Vocal:
    Boy From New York City – Manhattan Transfer
    Best Pop Instrumental Performance:
    The Theme From Hill Street Blues – Mike Post featuring Larry Carlton
    Best Rock Vocal Performance, Male:
    Jessie’s Girl – Rick Springfield
    Best Rock Vocal Performance, Female:
    Fire and Ice – Pat Benatar
    Best Rock Performance By a Duo or Group With Vocal:
    Don’t Stand So Close to Me – Police
    Best Rock Instrumental Performance:
    Behind My Camel – Police
    Best Rhythm and Blues Song:
    Just the Two of Us – Bill Withers, William Salter and Ralph MacDonald, songwriters
    Best Rhythm and Blues Performance, Male:
    One Hundred Ways – James Ingram
    Best Rhythm and Blues Vocal Performance, Female:
    Hold On I’m Comin’ – Aretha Franklin
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    The Dude, Quincy Jones
    Best Rhythm and Blues Instrumental Performance:
    All I Need Is You – David Sanborn
    Best Jazz Vocal Performance, Male:
    Blue Rondo a la Turk – Al Jarreau
    Best Jazz Vocal Performance, Female:
    Digital III at Montreux, Ella Fitzgerald
    Best Jazz Vocal Performance, Duo or Group:
    Until I Met You (Corner Pocket), Manhattan Transfer
    Best Jazz Instrumental Performance, Soloist:
    Bye Bye Blackbird, John Coltrane
    Best Jazz Instrumental Performance, Group:
    Chick Corea and Gary Burton in Concert, Zurich, October 28, 1979, Chick Corea and Gary Burton
    Best Jazz Instrumental Performance, Big Band:
    Walk on the Water, Gerry Mulligan and His Orchestra
    Best Jazz Fusion Performance, Vocal or Instrumental:
    Winelight, Grover Washington, Jr.
    Best Country Song:
    9 to 5 – Dolly Parton, songwriter
    Best Country Vocal Performance, Male:
    (There’s) No Gettin’ Over Me – Ronnie Milsap
    Best Country Vocal Performance, Female:
    9 to 5 – Dolly Parton
    Best Country Performance By a Duo or Group With Vocal:
    Elvira – Oak Ridge Boys
    Best Country Instrumental Performance, Country:
    After All These Years, Chet Atkins
    Best Gospel Performance, Contemporary or Inspirational:
    Priority, Imperials
    Best Gospel Performance, Traditional:
    The Masters V, J.D. Sumner, James Blackwood, Hovie Lister, Rosie Rozell and Jake Hess
    Best Soul Gospel Performance, Contemporary:
    Don’t Give Up, Andrae Crouch
    Best Soul Gospel Performance, Traditional:
    The Lord Will Make a Way, Al Green
    Best Latin Recording:
    Guajira Pa la Jeva – Clare Fischer (Pausa)
    Best Inspirational Performance:
    Amazing Grace, B.J. Thomas
    Best Ethnic or Traditional Recording:
    There Must Be a Better World Somewhere, B.B. King (MCA)
    Best Arrangement of an Instrumental Recording:
    Velas – Quincy Jones and Johnny Mandel, arrangers
    Best Instrumental Arrangement Accompanying Vocal(s):
    Ai No Corrida – Quincy Jones and Jerry Hey, arrangers
    Best Vocal Arrangement for Two or More Voices:
    A Nightingale Sang in Berkeley Square – Gene Puerling, arranger
    Best Instrumental Composition:
    The Theme From Hill Street Blues – Mike Post, composer
    Best Cast Show Album:
    Lena Horne: The Lady and Her Music Live on Broadway, various composers and lyricists (Qwest/Warner Bros.)
    Best Album of Original Score Written for a Motion Picture or a Television Special:
    Raiders of the Lost Ark, John Williams, composer (Columbia/CBS)
    Best Classical Album:
    Mahler, Symphony No. 2 in C Minor, Sir Georg Solti conducting Chicago Symphony Orchestra and Chorus (London)
    Best Classical Orchestral Recording:
    Mahler, Symphony No. 2 in C Minor, Sir Georg Solti conducting Chicago Symphony Orchestra and Chorus (London)
    Best Chamber Music Performance:
    Tchaikovsky, Piano Trio in A Minor, Itzhak Perlman, Lynn Harrell and Vladimir Ashkenazy
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Isaac Stern 60th Anniversary Celebration, Isaac Stern, Itzhak Perlman and Pinchas Zukerman; Zubin Mehta conducting New York Philharmonic Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    The Horowitz Concerts 1979/80, Vladimir Horowitz
    Best Opera Recording:
    Janácek, From the House of the Dead, Sir Charles Mackerras conducting Vienna Philharmonic; solos: Zahradnicek, Zitek and Zidek (London)
    Best Choral Performance (Other Than Opera):
    Haydn, The Creation, Neville Marriner conducting Chorus of Academy of St. Martin-in-the-Fields
    Best Classical Vocal Soloist Performance:
    Live From Lincoln Center, Sutherland-Horne-Pavarotti, Joan Sutherland, Marilyn Horne and Luciano Pavarotti
    Best Comedy Recording:
    Rev. Du Rite, Richard Pryor (Laff)
    Best Spoken Word, Documentary or Drama Recording:
    Donovan’s Brain, Orson Welles (Radiola)
    Best Recording for Children:
    Sesame Country, Muppets, Glen Campbell, Crystal Gayle, Loretta Lynn, Tanya Tucker; Jim Henson (Sesame Street)
    Best Album Package:
    Tatoo You, Peter Corriston, art director (Rolling Stones/Atlantic)
    Best Album Notes:
    Erroll Garner, Master of the Keyboard, Dan Morgenstern, annotator (Book-of-the-Month Records)
    Best Historical Album:
    Hoagy Carmichael: From Star Dust to Ole Buttermilk Sky (Book-of-the-Month Records)
    Video of the Year:
    Michael Nesmith in Elephant Parts – Michael Nesmith
    Producer of the Year (Non-Classical):
    Quincy Jones
    Classical Producer of the Year:
    James Mallinson
  • 1981 Grammy Award Winners

    1981 Grammy Award Winners

    1981 Grammy Award Winners

    Winners Announced: February 25, 1981
    Held at: Radio City Music Hall, New York
    Host: Paul Simon
    Eligibility Year: October 1, 1979 – September 30, 1980

    Notable Trivia

    • ‘Sailing’ Smooth: Christopher Cross made history this year. He swept all four major categories: Record of the Year, Album of the Year, Song of the Year, and Best New Artist. His hit Sailing was a big reason for his success.
    • Iconic Host: Hosting duties were taken up by Paul Simon, no stranger to Grammy gold himself. He had already won multiple awards, both as a solo artist and as half of Simon & Garfunkel.
    • Operatic Heights: Luciano Pavarotti, the operatic tenor, won his first Grammy this year. He was awarded Best Classical Vocal Soloist Performance, broadening the awards’ musical diversity.
    • Rap Debut: Kurtis Blow’s The Breaks was nominated in the Best R&B Vocal Performance, marking the first time rap was recognized in Grammy history.
    • Country Classic: George Jones sang his way into hearts with He Stopped Loving Her Today. The song earned him the Grammy for Best Male Country Vocal Performance and is often cited as one of the greatest country songs.
    • Genre Expansion: The B-52’s got a nod for Rock Lobster in the Best Rock Performance by a Duo or Group category. This nomination indicated the Grammys’ willingness to embrace alternative and new wave music.
    • Jazzed Up: Pat Metheny, the jazz guitarist, won his first Grammy for Best Jazz Fusion Performance. His album Offramp got him this prestigious accolade, proving that jazz was far from forgotten in the awards circuit.

    1981 Grammy Winners

    Record of the Year:
    Sailing – Christopher Cross
    Album of the Year:
    Christopher Cross, Christopher Cross (Warner Bros.)
    Song of the Year:
    Sailing – Christopher Cross, songwriter
    Best New Artist:
    Christopher Cross
    Best Pop Vocal Performance, Male:
    This Is It – Kenny Loggins
    Best Pop Vocal Performance, Female:
    The Rose – Bette Midler
    Best Pop Performance By a Duo or Group With Vocal:
    Guilty – Barbra Streisand and Barry Gibb
    Best Pop Instrumental Performance:
    One on One, Bob James and Earl Klugh
    Best Rock Vocal Performance, Male:
    Glass Houses, Billy Joel
    Best Rock Vocal Performance, Female:
    Crimes of Passion, Pat Benatar
    Best Rock Performance By a Duo or Group With Vocal:
    Against the Wind, Bob Seger and the Silver Bullet Band
    Best Rock Instrumental Performance:
    Reggatta de Blanc – Police
    Best Rhythm and Blues Song:
    Never Knew Love Like This Before – Reggie Lucas and James Mtume, songwriters
    Best Rhythm and Blues Performance, Male:
    Give Me the Night, George Benson
    Best Rhythm and Blues Vocal Performance, Female:
    Never Knew Love Like This Before – Stephanie Mills
    Best Rhythm and Blues Performance By a Duo or Group With Vocal:
    Shining Star – Manhattans
    Best Rhythm and Blues Instrumental Performance:
    Off Broadway – George Benson
    Best Jazz Vocal Performance, Male:
    Moody’s Mood – George Benson
    Best Jazz Vocal Performance, Female:
    A Perfect Match/Ella and Basie, Ella Fitzgerald
    Best Jazz Instrumental Performance, Soloist:
    I Will Say Goodbye, Bill Evans
    Best Jazz Instrumental Performance, Group:
    We Will Meet Again, Bill Evans
    Best Jazz Instrumental Performance, Big Band:
    On the Road, Count Basie and Orchestra
    Best Jazz Fusion Performance, Vocal or Instrumental:
    Birdland – Manhattan Transfer
    Best Country Song:
    On the Road Again – Willie Nelson, songwriter
    Best Country Vocal Performance, Male:
    He Stopped Loving Her Today – George Jones
    Best Country Vocal Performance, Female:
    Could I Have This Dance – Anne Murray
    Best Country Performance By a Duo or Group With Vocal:
    That Lovin’ You Feelin’ Again – Roy Orbison and Emmylou Harris
    Best Country Instrumental Performance:
    Orange Blossom Special/Hoedown – Gilley’s Urban Cowboy Band
    Best Gospel Performance, Contemporary or Inspirational:
    The Lord’s Prayer, Reba Rambo, Dony McGuire, B.J. Thomas, Andrae Crouch, the Archers, Walter and Tramiane Hawkins and Cynthia Clawson
    Best Gospel Performance, Traditional:
    We Come to Worship, Blackwood Brothers
    Best Soul Gospel Performance, Contemporary:
    Rejoice, Shirley Caesar
    Best Soul Gospel Performance, Traditional:
    Lord, Let Me Be an Instrument, James Cleveland and the Charles Fold Singers
    Best Latin Recording:
    La Onda Va Bien, Cal Tjader (Concord Jazz)
    Best Inspirational Performance:
    With My Song I Will Praise Him, Debby Boone
    Best Ethnic or Traditional Recording:
    Rare Blues, Dr. Isaiah Ross, Maxwell Street Jimmy, Big Joe Williams, Son House, Rev. Robin Wilkins, Little Brother Montgomery and Sunnyland Slim (Takoma)
    Best Instrumental Arrangement:
    Dinorah, Dinorah – Quincy Jones and Jerry Hey, arrangers
    Best Arrangement Accompanying Vocalist(s):
    Sailing – Michael Omatian and Christopher Cross, arrangers
    Best Arrangement for Voices:
    Birdland – Janis Siegel, arranger
    Best Instrumental Composition:
    The Empire Strikes Back, John Williams, composer
    Best Cast Show Album:
    Evita?Premier American Recording, Andrew Lloyd Webber, composer; Tim Rice, Iyricist (MCA)
    Best Album of Original Score Written for a Motion Picture or a Television Special:
    The Empire Strikes Back, John Williams, composer (RSO)
    Best Classical Album:
    Berg, Lulu (Complete Version), Pierre Boulez conducting Orchestre de l’Opera de Paris; solos: Stratas, Minton, Mazura and Blankenheim (Deutsche Grammophon)
    Best Classical Orchestral Recording:
    Bruckner, Symphony No. 6 in A Major, Sir Georg Solti conducting Chicago Symphony Orchestra (London)
    Best Chamber Music Performance:
    Music for Two Violins (Moszkowski, Suite for Two Violins; Shostakovich, Duets; Prokofiev, Sonata for Two Violins), Itzhak Perlman and Pinchas Zukerman
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra) (tie):
    Berg, Concerto for Violin and Orchestra; Stravinsky, Concerto in D Major for Violin and Orchestra, Itzhak Perlman; Seiji Ozawa conducting Boston Symphony Orchestra
    Brahms, Concerto in A Minor for Violin and Cello (Double Concerto), Itzhak Perlman and Mstislav Rostropovich; Bernard Haitink conducting Concertgebouw Orchestra
    Best Classical Performance Instrumental Soloist(s) (Without Orchestra):
    The Spanish Album, Itzhak Perlman
    Best Opera Recording:
    Berg, Lulu (Complete Version), Pierre Boulez conducting Orchestre de l’Opera de Paris; solos: Stratas, Minton, Mazura and Blankenheim
    Best Choral Performance, Classical (Other Than Opera):
    Mozart, Requiem, Carlo Maria Giulini, conductor and Norbert Balatsch, chorus master, Philharmonia Chorus and Orchestra (Deutsche Grammophon)
    Best Classical Vocal Soloist Performance:
    Prima Donna, Volume 5 Great Soprano Arias From Handel to Britten, Leontyne Price; Henry Lewis conducting Philharmonia Orchestra
    Best Comedy Recording:
    No Respect, Rodney Dangerfield (Casablanca)
    Best Spoken Word, Documentary or Drama Recording:
    Gertrude Stein, Gertrude Stein, Gertrude Stein, Pat Carroll (Caedmon)
    Best Recording for Children:
    In Harmony/A Sesame Street Record, Doobie Brothers, James Taylor, Carly Simon, Bette Midler, Muppets, Al Jarreau, Linda Ronstadt, Wendy Waldman, Libby Titus and Dr. John, Livingston Taylor, George Benson and Pauline Wilson, Lucy Simon, Kate Taylor and the Simon/Taylor Family (Sesame Street/Warner Bros.)
    Best Album Package:
    Against the Wind, Roy Kohara, art director (Capitol)
    Best Album Notes:
    Trilogy: Past, Present and Future, David McClintick, annotator (Reprise/Warner Bros.)
    Best Historical Reissue Album:
    Segovia?The EMI Recordings 1927 – 39 (Angel)
    Producer of the Year (Non-Classical):
    Phil Ramone
    Classical Producer of the Year:
    Robert Woods
  • 1980 Grammy Award Winners

    1980 Grammy Award Winners

    1980 Grammy Awards Winners

    Winners Announced: February 27, 1980
    Held at: Shrine Auditorium, Los Angeles, California
    Host: Kenny Rogers
    Eligibility Year: October 1, 1978 – September 30, 1979

    Tune Into the Trivia

    1. Kenny’s Kingdom: Host Kenny Rogers was already a huge name in country music by this time, and his hosting role elevated the genre’s profile at the Grammys.
    2. Disco Inferno: The year 1980 was a crucial year for disco. The Bee Gees were still riding the wave of their late-’70s success and snagged multiple nominations.
    3. Sibling Harmony: The Doobie Brothers won Record of the Year for “What a Fool Believes,” which Michael McDonald and Kenny Loggins co-written.
    4. Thrills and ‘Trills’: Billy Joel’s 52nd Street won Album of the Year, making him one of the notable artists to leap from pop to a more rock-oriented sound.
    5. The Diva’s Start: This year marked one of the earliest Grammy wins for Donna Summer, setting the stage for her reign as the “Queen of Disco.”
    6. From Films to Grammys: “Afternoon Delight” by the Starland Vocal Band, famously featured in the movie Anchorman, won Best Arrangement for Voices.
    7. Wings Take Flight: Paul McCartney’s band, Wings, was honored for their rock performance, showcasing that The Beatles’ members could find success even after the iconic group disbanded.

    1980 Grammy Winners

    Record of the Year:
    What a Fool Believes – Doobie Brothers
    Album of the Year:
    52nd Street, Billy Joel (Columbia)
    Song of the Year:
    What a Fool Believes – Kenny Loggins and Michael McDonald, songwriters
    Best New Artist:
    Rickie Lee Jones
    Best Pop Vocal Performance, Male:
    52nd Street, Billy Joel
    Best Pop Vocal Performance, Female:
    I’ll Never Love This Way Again – Dionne Warwick
    Best Pop Vocal Performance By a Duo, Group or Chorus:
    Minute by Minute, Doobie Brothers
    Best Pop Instrumental Performance:
    Rise – Herb Alpert
    Best Rock Vocal Performance, Male:
    Gotta Serve Somebody – Bob Dylan
    Best Rock Vocal Performance, Female:
    Hot Stuff – Donna Summer
    Best Rock Vocal Performance By a Duo or Group:
    Heartache Tonight – Eagles
    Best Rock Instrumental Performance:
    Rockestra Theme – Wings
    Best Rhythm and Blues Song:
    After the Love Has Gone – David Foster, Jay Graydon and Bill Champlin, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Don’t Stop ‘Til You Get Enough – Michael Jackson
    Best Rhythm and Blues Vocal Performance, Female:
    Deja Vu – Dionne Warwick
    Best Rhythm and Blues Vocal Performance By a Duo, Group or Chorus:
    After the Love Has Gone – Earth, Wind and Fire
    Best Rhythm and Blues Instrumental Performance:
    Boogie Wonderland – Earth, Wind and Fire
    Best Disco Recording:
    I Will Survive – Gloria Gaynor (Polydor)
    Best Jazz Vocal Performance:
    Fine and Mellow, Ella Fitzgerald
    Best Jazz Instrumental Performance, Soloist:
    Jousts, Oscar Peterson
    Best Jazz Instrumental Performance, Group:
    Duet, Gary Burton and Chick Corea
    Best Jazz Instrumental Performance, Big Band:
    At Fargo, 1940 Live, Duke Ellington
    Best Jazz Fusion Performance, Vocal or Instrumental:
    8:30, Weather Report
    Best Country Song:
    You Decorated My Life – Debbie Hupp and Bob Morrison, songwriters
    Best Country Vocal Performance, Male:
    The Gambler – Kenny Rogers
    Best Country Vocal Performance, Female:
    Blue Kentucky Girl, Emmylou Harris
    Best Country Vocal Performance By a Duo or Group:
    The Devil Went Down to Georgia – Charlie Daniels Band
    Best Country Instrumental Performance:
    Big Sandy/Leather Britches – Doc and Merle Watson
    Best Gospel Performance, Contemporary or Inspirational:
    Heed the Call, Imperials
    Best Gospel Performance, Traditional:
    Lift Up the Name of Jesus, Blackwood Brothers
    Best Soul Gospel Performance, Contemporary:
    I’ll Be Thinking of You, Andrae Crouch
    Best Soul Gospel Performance, Traditional:
    Changing Times, Mighty Clouds of Joy
    Best Latin Recording:
    Irakere, Irakere (Columbia)
    Best Inspirational Performance:
    You Gave Me Love (When Nobody Gave Me a Prayer), B.J. Thomas
    Best Ethnic or Traditional Recording:
    Muddy Mississippi Waters Live, Muddy Waters (Sky/CBS)
    Best Instrumental Arrangement:
    Soulful Strut – Claus Ogerman, arranger
    Best Arrangement Accompanying Vocalist(s):
    What a Fool Believes – Michael McDonald, arranger
    Best Instrumental Composition:
    Main Title Theme From Superman – John Williams, composer
    Best Cast Show Album:
    Sweeney Todd, Stephen Sondheim, composer and Iyricist (RCA)
    Best Album of Original Score Written for a Motion Picture or a Television Special:
    Superman, John Williams, composer (Warner Bros.)
    Best Classical Album:
    Brahms, Symphonies Complete, Sir Georg Solti conducting Chicago Symphony Orchestra (London)
    Best Classical Orchestral Recording:
    Brahms, Symphonies Complete, Sir Georg Solti conducting Chicago Symphony Orchestra (London)
    Best Chamber Music Performance:
    Copland, Appalachian Spring, Dennis Russell Davies conducting St. Paul Chamber Orchestra
    Best Classical Performance, Instrumental:
    Soloist(s) (With Orchestra) Bartók, Concertos for Piano nos. 1 and 2, Maurizio Pollini; Abbado conducting Chicago Symphony Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    The Horowitz Concerts 1978/79, Vladimir Horowitz
    Best Opera Recording:
    Britten, Peter Grimes, Colin Davis conducting Orchestra and Chorus of the Royal Opera House, Covent Garden; solos: Vickers, Harper and Summers (Philips)
    Best Choral Performance, Classical (Other Than Opera):
    Brahms, A German Requiem, Sir Georg Solti, conductor and Margaret Hillis, choral director, Chicago Symphony Chorus and Orchestra
    Best Classical Vocal Soloist Performance:
    O Sole Mio, Luciano Pavarotti
    Best Comedy Recording:
    Reality… What a Concept, Robin Williams (Casablanca)
    Best Spoken Word, Documentary or Drama Recording:
    Ages of Man (Readings From Shakespeare), Sir John Gielgud (Caedmon)
    Best Recording for Children:
    The Muppet Movie, Jim Henson, creator (Atlantic)
    Best Album Package:
    Breakfast in America, Mike Doud and Mick Haggerty, art directors (A&M)
    Best Album Notes:
    Charlie Parker: The Complete Savoy Sessions, Bob Porter and James Patrick, annotators (Savoy)
    Best Historical Reissue:
    Billie Holiday (Giants of Jazz) (Time Life)
    Producer of the Year (Non-Classical):
    Larry Butler
    Classical Producer of the Year:
    James Mallinson
  • 1979 Grammy Award Winners

    1979 Grammy Award Winners

     

    1979 Grammy Award Winners

    Winners Announced: February 15, 1979
    Held at: Shrine Auditorium, Los Angeles, California
    Host: John Denver
    Eligibility Year: October 1, 1977 – September 30, 1978

    Intriguing Trivia and Nuggets of Knowledge

    1. End of the Disco Era: This year’s Grammy Awards coincided with the tail end of the disco craze, and the Bee Gees were the darlings of the night.
    2. Denver’s Final Act: This was the last time John Denver would host the Grammys, ending his five-year stint.
    3. Rising Talent: This was the year Billy Joel won both Song of the Year and Record of the Year for “Just the Way You Are,” signifying his ascent as a major artist.
    4. Saturday Night Live: The Bee Gees’ album Saturday Night Fever was a significant winner, echoing the cultural impact of disco.
    5. Epic Collaborations: “Stayin’ Alive,” a song by the Bee Gees, also featured on Saturday Night Fever, which is one of the best-selling soundtracks of all time.
    6. First Country Rap: While it didn’t win, “Convoy” by C.W. McCall was nominated, which many consider to be a predecessor to the modern country rap genre
    1979 Grammy Winners
    Record of the Year:
    Just the Way You Are – Billy Joel
    Album of the Year:
    Saturday Night Fever, Bee Gees, David Shire, Yvonne Elliman, Tevares, Kool and the Gang, K.C. and the Sunshine Band, MFSB, Trammps, Walter Murphy and Ralph MacDonald (RSO)
    Song of the Year:
    Just the Way You Are – Billy Joel, songwriter
    Best New Artist of the Year:
    A Taste of Honey
    Best Pop Vocal Performance, Male:
    Copacabana (At the Copa), Barry Manilow
    Best Pop Vocal Performance, Female:
    You Needed Me – Anne Murray
    Best Pop Vocal Performance By a Duo, Group or Chorus:
    Saturday Night Fever, Bee Gees
    Best Pop Instrumental Performance:
    Children of Sanchez, Chuck Mangione Group
    Best Rhythm and Blues Song:
    Last Dance – Paul Jabara, songwriter
    Best Rhythm and Blues Vocal Performance, Male:
    On Broadway – George Benson
    Best Rhythm and Blues Vocal Performance, Female:
    Last Dance – Donna Summer
    Best Rhythm and Blues Vocal Performance By a Duo, Group or Chorus:
    All’n All, Earth, Wind and Fire
    Best Rhythm and Blues Instrumental Performance:
    Runnin’ – Earth, Wind and Fire
    Best Jazz Vocal Performance:
    All Fly Home, Al Jarreau
    Best Jazz Instrumental Performance, Soloist:
    Montreux ’77 Oscar Peterson Jam, Oscar Peterson
    Best Jazz Instrumental Performance, Group:
    Friends, Chick Corea
    Best Jazz Instrumental Performance, Big Band:
    Live in Munich, Thad Jones and Mel Lewis
    Best Country Song:
    The Gambler – Don Schlitz, songwriter
    Best Country Vocal Performance, Male:
    Georgia on My Mind – Willie Nelson
    Best Country Vocal Performance, Female:
    Here You Come Again, Dolly Parton
    Best Country Vocal Performance By a Duo or Group:
    Mamas Don’t Let Your Babies Grow Up to Be Cowboys – Waylon Jennings and Willie Nelson
    Best Country Instrumental Performance:
    One O’Clock Jump – Asleep at the Wheel
    Best Gospel Performance, Contemporary or Inspirational:
    What a Friend – Larry Hart
    Best Gospel Performance, Traditional:
    Refreshing, Happy Goodman Family
    Best Soul Gospel Performance, Contemporary:
    Live in London, Andrae Crouch and the Disciples
    Best Soul Gospel Performance, Traditional:
    Live and Direct, Mighty Clouds of Joy
    Best Latin Recording:
    Homenaje a Beny Moré, Tito Puente (Tico)
    Best Inspirational Performance:
    Happy Man, B.J. Thomas
    Best Ethnic or Traditional Recording:
    I’m Ready, Muddy Waters (Blue Sky)
    Best Instrumental Arrangement:
    Main Title (Overture Part One, The Wiz Original Soundtrack), Quincy Jones and Robert Freedman, arrangers
    Best Arrangement Accompanying Vocalist(s):
    Got to Get You Into My Life – Maurice White, arranger
    Best Arrangement for Voices:
    Stayin’ Alive – Bee Gees, arrangers
    Best Instrumental Composition:
    Theme From Close Encounters of the Third Kind – John Williams, composer
    Best Cast Show Album:
    Ain’t Misbehavin’, Thomas Fats Waller and others, composers (RCA Red Seal)
    Best Album of Original Score Written for a Motion Picture or a Television Special:
    Close Encounters of the Third Kind, John Williams, composer (Arista)
    Album of the Year, Classical:
    Brahms, Concerto for Violin in D Major, Itzhak Perlman; Carlo Maria Giulini conducting Chicago Symphony (Angel)
    Best Classical Orchestral Performance:
    Beethoven, Symphonies (Complete), Herbert von Karajan conducting Berlin Philharmonic
    Best Chamber Music Performance:
    Beethoven, Sonatas for Violin and Piano (Complete), Itzhak Perlman and Vladimir Ashkenazy
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Rachmaninoff, Concerto No. 3 in D Minor for Piano (Horowitz Golden Jubilee), Vladimir Horowitz; Eugene Ormandy conducting Philadelphia Orchestra
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    The Horowitz Concerts 1977/78, Vladimir Horowitz
    Best Opera Recording:
    Lehar, The Merry Widow, Julius Rudel conducting New York City Opera Orchestra and Chorus; solos: Sills and Titus (Angel)
    Best Choral Performance, Classical (Other Than Opera):
    Beethoven, Missa Solemnis, Sir Georg Solti, conductor and Margaret Hillis, choral director, Chicago Symphony Orchestra and Chorus
    Best Classical Vocal Soloist Performance:
    Luciano Pavarotti – Hits From Lincoln Center, Luciano Pavarotti
    Best Comedy Recording:
    A Wild and Crazy Guy, Steve Martin (Warner Bros.)
    Best Spoken Word Recording:
    Citizen Kane (Original Motion Picture Soundtrack), Orson Welles (Mark 56)
    Best Recording for Children:
    The Muppet Show, Jim Henson (Arista)
    Best Album Package:
    Boys in the Trees, Johnny Lee and Tony Lane, art directors (Elektra)
    Best Album Notes:
    A Bing Crosby Collection, vols. I and II, Michael Brooks, annotator (Columbia)
    Best Historical Repackage Album:
    Lester Young Story Vol. 3 (Columbia)
    Best Producers of the Year:
    Bee Gees, Albhy Galuten and Karl Richardson
  • 1978 Grammy Award Winners

    1978 Grammy Award Winners

    1978 Grammy Award Winners

    Winners Announced: February 23, 1978
    Held at: Shrine Auditorium, Los Angeles, California
    Host: John Denver
    Eligibility Year: October 1, 1976 – September 30, 1977

    Trivia and Fascinating Facts

    1. Changing of the Guard: This year marked a shift in hosting duties, as John Denver took over from Andy Williams, who had been hosting the Grammys for several years prior.
    2. Stevie Wonder’s Run: Stevie Wonder won Album of the Year for Songs in the Key of Life, his third Album of the Year win in four years.
    3. Rise of the Eagles: The Eagles’ hit “Hotel California” snagged Record of the Year, solidifying the band’s place in rock history.
    4. Debby Boone Shines: Newcomer Debby Boone won Song of the Year for “You Light Up My Life,” a ballad that became an instant classic.
    5. Genre Milestone: Dolly Parton’s Here You Come Again won Best Country Vocal Performance, Female, a recognition that further amplified her crossover success.
    6. Classical Crossover: Luciano Pavarotti received his first Grammy, winning Best Classical Vocal Soloist Performance for O Sole Mio – Favorite Neapolitan Songs.
    7. Posthumous Recognition: Composer Benjamin Britten was awarded a posthumous Grammy for Best Classical Orchestral Recording, for his Young Person’s Guide to the Orchestra performed by the Chicago Symphony Orchestra.

    1978 Grammy Winners

    Record of the Year:
    Hotel California – Eagles
    Album of the Year:
    Rumours, Fleetwood Mac (Warner Bros.)
    Song of the Year (tie):
    Love Theme From A Star Is Born (Evergreen), Barbra Streisand and Paul Williams, songwriters
    You Light Up My Life – Joe Brooks, songwriter
    Best New Artist of the Year:
    Debby Boone
    Best Pop Vocal Performance, Male:
    Handy Man – James Taylor
    Best Pop Vocal Performance, Female:
    Love Theme From A Star Is Born (Evergreen), Barbra Streisand
    Best Pop Vocal Performance By a Duo, Group or Chorus:
    How Deep Is Your Love – Bee Gees
    Best Pop Instrumental Performance:
    Star Wars, John Williams conducting London Symphony Orchestra
    Best Rhythm and Blues Song:
    You Make Me Feel Like Dancing – Leo Sayer and Vini Poncia, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Unmistakably Lou, Lou Rawls
    Best Rhythm and Blues Vocal Performance, Female:
    Don’t Leave Me This Way – Thelma Houston
    Best Rhythm and Blues Vocal Performance By a Duo, Group or Chorus:
    Best of My Love – Emotions
    Best Rhythm and Blues Instrumental Performance:
    Q – Brothers Johnson
    Best Jazz Vocal Performance:
    Look to the Rainbow, Al Jarreau
    Best Jazz Performance By a Soloist:
    The Giants, Oscar Peterson
    Best Jazz Performance By a Group:
    The Phil Woods Six Live From the Showboat, Phil Woods
    Best Jazz Performance By a Big Band:
    Prime Time, Count Basie and His Orchestra
    Best Country Song:
    Don’t It Make My Brown Eyes Blue – Richard Leigh, songwriter
    Best Country Vocal Performance, Male:
    Lucille – Kenny Rogers
    Best Country Vocal Performance, Female:
    Don’t It Make My Brown Eyes Blue – Crystal Gayle
    Best Country Vocal Performance By a Duo or Group:
    Heaven’s Just a Sin Away – The Kendalls
    Best Country Instrumental Performance:
    Country Instrumentalist of the Year, Hargus Pig Robbins
    Best Gospel Performance, Contemporary or Inspirational:
    Sail On, Imperials
    Best Gospel Performance, Traditional:
    Just a Little Talk With Jesus – Oak Ridge Boys
    Best Soul Gospel Performance, Contemporary:
    Wonderful, Edwin Hawkins and the Edwin Hawkins Singers
    Best Soul Gospel Performance, Traditional:
    James Cleveland Live at Carnegie Hall, James Cleveland
    Best Latin Recording:
    Dawn, Mongo Santamaria (Vaya)
    Best Inspirational Performance:
    Home Where I Belong, B.J. Thomas
    Best Ethnic or Traditional Recording:
    Hard Again, Muddy Waters (Blue Sky/CBS)
    Best Instrumental Arrangement:
    Nadia’s Theme (The Young and the Restless), Harry Betts, Perry Botkin, Jr. and Barry De Vorzon, arrangers
    Best Arrangement Accompanying Vocalist(s):
    Love Theme From A Star Is Born (Evergreen), lan Freebairn-Smith, arranger
    Best Arrangement for Voices:
    New Kid in Town – Eagles, arrangers
    Best Instrumental Composition:
    Main Title From Star Wars – John Williams, composer
    Best Cast Show Album:
    Annie, Charles Strouse and Martin Charnin, composers (Columbia)
    Best Original Score Written for a Motion Picture or Television Special:
    Star Wars, John Williams, composer (20th Century)
    Album of the Year, Classical:
    Concert of the Century, Leonard Bernstein, Vladimir Horowitz, Isaac Stern, Mstislav Rostropovich, Dietrich Fischer-Dieskau, Yehudi Menuhin and Lyndon Woodside (Columbia)
    Best Classical Orchestral Performance:
    Mahler, Symphony No. 9, Carlo Maria Giulini conducting Chicago Symphony Orchestra
    Best Chamber Music Performance:
    Schoenberg, Quartets for Strings, Juilliard Quartet
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Vivaldi, The Four Seasons, Itzhak Perlman, violin; Itzhak Perlman conducting London Philharmonic Orchestra
    Best Classical Performance Instrumental Soloist(s) (Without Orchestra):
    Beethoven, Sonata for Piano No. 18; Schumann, Fantasiestücke, Artur Rubinstein, piano
    Best Opera Recording:
    Gershwin, Porgy and Bess, John De Main conducting Sherwin M. Goldman Houston Grand Opera Production; solos: Albert, Dale, Smith, Shakesnider, Lane, Brice and Smalls (RCA)
    Best Choral Performance, Classical (Other Than Opera):
    Verdi, Requiem, Sir Georg Solti conducting Chicago Symphony Orchestra; Margaret Hillis, choral director of the Chicago Symphony Chorus
    Best Classical Vocal Soloist Performance:
    Bach, Arias, Janet Baker; Neville Marriner conducting Academy of St. Martin-in-the-Fields
    Best Comedy Recording:
    Let’s Get Small, Steve Martin (Warner Bros.)
    Best Spoken Word Recording:
    The Belle of Amherst, Julie Harris (Credo)
    Best Recording for Children:
    Aren’t You Glad You’re You, Sesame Street cast and Muppets (Sesame Street)
    Best Album Package:
    Simple Dreams, Kosh, art director (Asylum)
    Best Album Notes:
    Bing Crosby: A Legendary Performer, George T. Simon, annotator (RCA)
    Best Producer of the Year:
    Peter Asher
  • 1977 Grammy Award Winners

    1977 Grammy Award Winners

    1977 Grammy Award Winners

    1977 Grammy Award Winners

    • Winners Announced: February 19, 1977
    • Held at: Hollywood Palladium, Los Angeles, California
    • Host: Andy Williams
    • Eligibility Year: October 16, 1975 – September 30, 1976

    Trivia and Details

    • The eligibility year for this Grammy Awards was a bit shorter than usual, ending on September 30 instead of mid-October. The change was to align the Grammy eligibility year with the calendar year.
    • The Song of the Year went to “I Write the Songs,” performed by Barry Manilow but ironically not written by him. Bruce Johnston penned the song.
    • Stevie Wonder’s Songs in the Key of Life won Album of the Year and earned three other awards. The album itself was a double LP, quite a monumental feat for a Grammy-winning project.
    • Natalie Cole, daughter of the legendary Nat King Cole, was awarded Best New Artist, making her own mark in the music industry.
    • Jazz great Chick Corea won the award for Best Jazz Performance by a Group for The Leprechaun, showing that the Grammys weren’t solely the domain of pop and rock.
    • The Eagles were awarded Record of the Year for their hit “New Kid in Town,” a song that showcased the band’s trademark harmonies and intricate guitar work.
    • Andy Williams, the host, was an interesting choice as he was primarily known for his work in the ’50s and ’60s, making him somewhat of a throwback figure for a ceremony celebrating contemporary music.

    1977 Grammy Winners

    Record of the Year:
    This Masquerade – George Benson
    Album of the Year:
    Songs in the Key of Life, Stevie Wonder (Tamla/Motown)
    Song of the Year:
    I Write the Songs – Bruce Johnston, songwriter
    Best New Artist of the Year:
    Starland Vocal Band
    Best Pop Vocal Performance, Male:
    Songs in the Key of Life, Stevie Wonder
    Best Pop Vocal Performance, Female:
    Hasten Down the Wind, Linda Ronstadt
    Best Pop Vocal Performance By a Duo, Group or Chorus:
    If You Leave Me Now – Chicago
    Best Pop Instrumental Performance:
    Breezin’, George Benson
    Best Rhythm and Blues Song:
    Lowdown – Boz Scaggs and David Paich, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    I Wish – Stevie Wonder
    Best Rhythm and Blues Vocal Performance, Female:
    Sophisticated Lady (She’s a Different Lady), Natalie Cole
    Best Rhythm and Blues Vocal Performance By a Duo, Group or Chorus:
    You Don’t Have to Be a Star (to Be in My Show), Marilyn McCoo and Billy Davis, Jr.
    Best Rhythm and Blues Instrumental Performance:
    Theme From Good King Bad – George Benson
    Best Jazz Vocal Performance:
    Fitzgerald and Pass Again, Ella Fitzgerald
    Best Jazz Performance By a Soloist:
    Basie and Zoot, Count Basie
    Best Jazz Performance By a Big Band:
    The Ellington Suites, Duke Ellington
    Best Country Song:
    Broken Lady – Larry Gatlin, songwriter
    Best Country Vocal Performance, Male:
    (I’m a) Stand By My Woman Man – Ronnie Milsap
    Best Country Vocal Performance, Female:
    Elite Hotel, Emmylou Harris
    Best Country Vocal Performance By a Duo or Group:
    The End Is Not in Sight (The Cowboy Tune), Amazing Rhythm Aces
    Best Country Instrumental Performance:
    Chester and Lester, Chet Atkins and Les Paul
    Best Gospel Performance:
    Where the Soul Never Dies – Oak Ridge Boys
    Best Soul Gospel Performance:
    How I Got Over, Mahalia Jackson
    Best Latin Recording:
    Unfinished Masterpiece, Eddie Palmieri (Coco)
    Best Inspirational Performance:
    The Astonishing, Outrageous, Amazing, Incredible, Unbelievable, Different World of Gary S. Paxton, Gary S. Paxton
    Best Ethnic or Traditional Recording:
    Mark Twang, John Hartford (Flying Fish)
    Best Instrumental Arrangement:
    Leprechaun’s Dream – Chick Corea, arranger
    Best Arrangement Accompanying Vocalists:
    If You Leave Me Now – Jimmy Haskell and James William Guercio, arrangers
    Best Arrangement for Voices:
    Afternoon Delight – Starland Vocal Band, arrangers
    Best Instrumental Composition:
    Bellavia, Chuck Mangione, composer
    Best Cast Show Album:
    Bubbling Brown Sugar, various composers (H&L)
    Album of Best Original Score Written for a Motion Picture or a Television Special:
    Car Wash, Norman Whitfield, composer (MCA)
    Album of the Year, Classical:
    Beethoven, Five Piano Concertos, Artur Rubinstein; Daniel Barenboim conducting London Philharmonic (RCA)
    Best Classical Orchestral Performance:
    Strauss, Also Sprach Zarathustra, Sir Georg Solti conducting Chicago Symphony
    Best Chamber Music Performance:
    The Art of Courtly Love, David Munrow conducting Early Music Consort of London
    Best Classical Performance, Instrumental Soloist (With Orchestra):
    Beethoven, The Five Piano Concertos, Artur Rubinstein; Daniel Barenboim conducting London Philharmonic
    Best Classical Performance, Instrumental Soloist (Without Orchestra):
    Horowitz Concerts 1975/76, Vladimir Horowitz
    Best Opera Recording:
    Gershwin, Porgy and Bess, Lorin Maazel conducting Cleveland Orchestra and Chorus (London)
    Best Choral Performance, Classical:
    Rachmaninoff, The Bells, Arthur Oldham, Chorus master of London Symphony Chorus; André Previn conducting London Symphony Orchestra
    Best Classical Vocal Soloist Performance:
    Music of Victor Herbert, Beverly Sills
    Best Comedy Recording:
    Bicentennial Neggir, Richard Pryor (Warner Bros.)
    Best Spoken Word Recording:
    Great American Documents, Orson Welles, Henry Fonda, Helen Hayes and James Earl Jones (CBS)
    Best Recording for Children:
    Prokofiev, Peter and the Wolf; Saint-Saëns, Carnival of the Animals; Hermione Gingold, narrator; Karl Bohm, conductor (Deutsche Grammophon)
    Best Album Package:
    Chicago X, John Berg, art director (Columbia)
    Best Album Notes:
    The Changing Face of Harlem, the Savoy Sessions, Dan Morgenstern, annotator (Savoy)
    Best Producer of the Year:
    Stevie Wonder
  • 1976 Grammy Award Winners

    1976 Grammy Award Winners

    1976 Grammy Award Winners

    • Winners Announced: February 28, 1976
    • Held at: Hollywood Palladium, Los Angeles, California
    • Host: Andy Williams
    • Eligibility Year: October 16, 1974 – October 15, 1975

    Trivia and Details

    • The Album of the Year was Still Crazy After All These Years by Paul Simon. This album also won him a Grammy for Best Male Pop Vocal Performance.
    • Natalie Cole, daughter of the legendary Nat King Cole, won Best New Artist, making her the first African American female artist to win in this category.
    • Janis Ian’s At Seventeen won both Best Female Pop Vocal Performance and Best Engineered Recording (Non-Classical), bringing attention to the young artist’s talent.
    • The Captain & Tennille’s catchy tune Love Will Keep Us Together won both Record of the Year and Song of the Year. Interestingly, the duo also won the Best New Artist award the previous year.
    • The Staple Singers won their first Best Soul Gospel Performance Grammy with Let’s Do It Again. The group had been around since the 1950s, and this win was a significant milestone in their career.
    • Not yet a household name for movie scores, John Williams won two Grammys for his work on Jaws — one for Best Original Score and another for Best Instrumental Composition.
    • Chicago’s Chicago IX – Chicago’s Greatest Hits was one of the year’s best-selling albums but did not win any Grammys. Despite its commercial success, it couldn’t match the critical acclaim of the other nominees.

    1976 Grammy Winners

    Record of the Year:
    Love Will Keep Us Together – Captain and Tennille
    Album of the Year:
    Still Crazy After All These Years, Paul Simon (Columbia)
    Song of the Year:
    Send in the Clowns – Stephen Sondheim, songwriter
    Best New Artist of the Year:
    Natalie Cole
    Best Pop Vocal Performance, Male:
    Still Crazy After All These Years, Paul Simon
    Best Pop Vocal Performance, Female:
    At Seventeen – Janis lan
    Best Pop Vocal Performance By a Duo, Group or Chorus:
    Lyin’ Eyes – Eagles
    Best Pop Instrumental Performance:
    The Hustle – Van McCoy and the Soul City Symphony
    Best Rhythm and Blues Song:
    Where Is the Love – Harry Wayne Casey, Richard Finch, Willie Clarke and Betty Wright, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Living for the City – Ray Charles
    Best Rhythm and Blues Vocal Performance, Female:
    This Will Be – Natalie Cole
    Best Rhythm and Blues Vocal Performance By a Duo, Group or Chorus:
    Shining Star – Earth, Wind and Fire
    Best Rhythm and Blues Instrumental Performance :
    Fly, Robin, Fly – Silver Convention
    Best Jazz Performance By a Soloist:
    Oscar Peterson and Dizzy Gillespie, Dizzy Gillespie
    Best Jazz Performance By a Group:
    No Mystery, Chick Corea and Return to Forever
    Best Jazz Performance By a Big Band:
    Images, Phil Woods with Michel Legrand and His Orchestra
    Best Country Song:
    (Hey Won’t You Play) Another Somebody Done Somebody Wrong Song – Chips Moman and Larry Butler, songwriters
    Best Country Vocal Performance, Male:
    Blue Eyes Crying in the Rain – Willie Nelson
    Best Country Vocal Performance, Female:
    I Can’t Help It (If I’m Still in Love With You), Linda Ronstadt
    Best Country Vocal Performance By a Duo or Group:
    Lover Please – Kris Kristofferson and Rita Coolidge
    Best Country Instrumental Performance:
    The Entertainer – Chet Atkins
    Best Gospel Performance:
    No Shortage, Imperials
    Best Soul Gospel Performance
    Take Me Back, Andrae Crouch and the Disciples
    Best Latin Recording:
    Sun of Latin Music, Eddie Palmieri (Coco)
    Best Inspirational Performance:
    Jesus, We Just Want to Thank You, Bill Gaither Trio
    Best Ethnic or Traditional Recording:
    The Muddy Waters Woodstock Album, Muddy Waters (Chess)
    Best Instrumental Arrangement:
    The Rockford Files – Mike Post and Pete Carpenter, arrangers
    Best Arrangement Accompanying Vocalists:
    Misty – Ray Stevens, arranger
    Best Instrumental Composition:
    Images – Michel Legrand, composer
    Best Cast Show Album:
    The Wiz, Charlie Smalls, composer (Atlantic)
    Album of Best Original Score Written for a Motion Picture or a Television Special:
    Jaws, John Williams, composer (MCA)
    Album of the Year, Classical:
    Beethoven, Symphonies Complete, Sir Georg Solti conducting Chicago Symphony Orchestra (London)
    Best Classical Performance, Orchestra:
    Ravel, Daphnis et Chloë (Complete Ballet), Pierre Boulez conducting New York Philharmonic
    Best Chamber Music Performance (Instrumental or Vocal):
    Schubert, Trios nos. 1 in B-Flat Major, ops. 99 and 2 in E-Flat Major, Op. 11 (The Piano Trios), Artur Rubinstein, Henryk Szeryng and Pierre Fournier
    Best Classical Performance, Instrumental Soloist (With Orchestra):
    Ravel, Concerto for Left Hand and Concerto for Piano in G Major; Fauré, Fantaisie for Piano and Orchestra, Alicia de Lorrocha; De Burgos and Foster conducting London Philharmonic
    Best Classical Performance, Instrumental Soloist (Without Orchestra):
    Bach, Sonatas and Partitas for Violin Unaccompanied, Nathan Milstein
    Best Opera Recording:
    Mozart, Cosi fan tutte, Colin Davis conducting Royal Opera House, Covent Garden; principle solos: Caballé, Baker, Gedda, Ganzarolli, Van Allan and Cotrubas (Philips)
    Best Choral Performance, Classical:
    Orff, Carmina Burana, Robert Page directing the Cleveland Orchestra Chorus and Boys Choir; Michael Tilson Thomas conducting Cleveland Orchestra; soloists: Blegen, Binder and Riegel
    Best Classical Vocal Soloist Performance:
    Mahler, Kindertotenlieder, Janet Baker; Leonard Bernstein conducting Israel Philharmonic
    Best Comedy Recording:
    Is It Something I Said?, Richard Pryor (Reprise)
    Best Spoken Word Recording:
    Give ‘Em Hell Harry, James Whitmore (United Artists)
    Best Recording for Children:
    The Little Prince, Richard Burton, narrator
    Best Album Package:
    Honey, Jim Ladwig, art director (Mercury)
    Best Album Notes (Non-Classical):
    Blood on the Tracks, Pete Hamill, annotator (Columbia)
    Best Album Notes, Classical:
    Footlifters, Gunther Schuller, annotator (Columbia)
    Best Producer of the Year:
    Arif Mardin
  • 1975 Grammy Award Winners

    1975 Grammy Award Winners

    1975 Grammy Award Winners

    • Winners Announced: March 1, 1975
    • Held at: Uris Theatre, New York, New York
    • Host: Andy Williams
    • Eligibility Year: October 16, 1973 – October 15, 1974

    Trivia and Details

    • The 1975 ceremony saw a change of venue, moving from Hollywood to the Uris Theatre in the Big Apple. It was the first time the event was held at this particular location.
    • Fulfillingness’ First Finale by Stevie Wonder won Album of the Year, winning Stevie’s second consecutive Album of the Year.
    • The hit song I Honestly Love You, performed by Olivia Newton-John, won both Record of the Year and Song of the Year, solidifying her star status.
    • The Best New Artist award went to Marvin Hamlisch, who would have an illustrious career in film scoring, including multiple Oscar wins.
    • Paul Simon’s Still Crazy After All These Years won Best Pop Vocal Performance, Male, and the song itself would win Song of the Year in the following ceremony.
    • The ceremony host, Andy Williams, had been at the helm for multiple Grammy Awards by this point, becoming a familiar face for viewers.
    • Composer Alan Bergman won for Song of the Year for The Way We Were, collaborating with his wife, Marilyn Bergman, and Marvin Hamlisch. This iconic song would become a mainstay in pop culture.

    1975 Grammy Winners

    Record of the Year:
    I Honestly Love You – Olivia Newton-John
    Album of the Year:
    Fulfillingness’ First Finale, Stevie Wonder (Tamla/Motown)
    Song of the Year:
    The Way We Were – Marilyn and Alan Bergman and Marvin Hamlisch, songwriters
    Best New Artist of the Year:
    Marvin Hamlisch
    Best Pop Vocal Performance, Male:
    Fulfillingness’ First Finale, Stevie Wonder
    Best Pop Vocal Performance, Female:
    I Honestly Love You – Olivia Newton-John
    Best Pop Vocal Performance By a Duo, Group or Chorus:
    Band on the Run – Paul McCartney and Wings
    Best Pop Instrumental Performance:
    The Entertainer – Marvin Hamlisch
    Best Rhythm and Blues Song:
    Living for the City – Stevie Wonder, songwriter
    Best Rhythm and Blues Vocal Performance, Male:
    Boogie on Reggae Woman – Stevie Wonder
    Best Rhythm and Blues Vocal Performance, Female:
    Ain’t Nothing Like the Real Thing – Aretha Franklin
    Best Rhythm and Blues Vocal Performance By a Duo, Group or Chorus:
    Tell Me Something Good – Rufus
    Best Rhythm and Blues Instrumental Performance:
    TSOP (The Sound of Philadelphia), MFSB
    Best Jazz Performance By a Soloist:
    First Recordings!, Charlie Parker
    Best Jazz Performance By a Group:
    The Trio, Oscar Peterson, Joe Pass and Niels Pedersen
    Best Jazz Performance By a Big Band:
    Thundering Herd, Woody Herman
    Best Country Song:
    A Very Special Love Song – Norris Wilson and Billy Sherrill, songwriters
    Best Country Vocal Performance, Male:
    Please Don’t Tell Me How the Story Ends – Ronnie Milsap
    Best Country Vocal Performance, Female:
    Love Song, Anne Murray
    Best Country Vocal Performance By a Duo or Group:
    Fairytale – Pointer Sisters
    Best Country Instrumental Performance:
    The Atkins-Travis Traveling Show, Chet Atkins and Merle Travis
    Best Gospel Performance:
    The Baptism of Jesse Taylor – Oak Ridge Boys
    Best Soul Gospel Performance:
    In the Ghetto, James Cleveland and the Southern California Community Choir
    Best Inspirational Performance:
    How Great Thou Art – Elvis Presley
    Best Ethnic or Traditional Recording:
    Two Days in November, Doc and Merle Watson
    Best Instrumental Arrangement:
    Threshold – Pat Williams, arranger
    Best Arrangement Accompanying Vocalists:
    Down to You – Joni Mitchell and Tom Scott, arrangers
    Best Instrumental Composition:
    Tubular Bells (Theme From The Exorcist), Mike Oldfield, composer
    Best Score From an Original Cast Show Album:
    Raisin, Judd Woldin and Robert Britten, composers (Columbia)
    Album of Best Original Score Written for a Motion Picture or a Television Special:
    The Way We Were, Marvin Hamlisch and Alan and Marilyn Bergman, composers (Columbia)
    Album of the Year, Classical:
    Berlioz, Symphonie Fantastique, Sir Georg Solti conducting Chicago Symphony (London)
    Best Classical Performance, Orchestra:
    Berlioz, Symphonie Fantastique, Sir Georg Solti conducting Chicago Symphony
    Best Chamber Music Performance:
    Brahms and Schumann Trios, Artur Rubinstein, Henryk Szeryng and Pierre Fournier
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Shostakovich, Violin Concerto No. 1, David Oistrakh
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Albeniz, Iberia, Alicia de Larrocha
    Best Opera Recording:
    Puccini, La Bohème, Sir Georg Solti conducting London Philharmonic; solos: Caballé, Domingo, Milnes, Blegen and Raimondi (RCA)
    Best Choral Performance, Classical (Other Than Opera):
    Berlioz, The Damnation of Faust, Colin Davis conducting London Symphony Orchestra and Chorus, Ambrosian Singers and Wandsworth School Boys’ Choir; solos: Gedda, Bastin, Veasey and Van Allen
    Best Classical Vocal Soloist Performance:
    Leontyne Price Sings Richard Strauss, Leontyne Price
    Best Comedy Recording:
    That Neggir’s Crazy, Richard Pryor (Partee/Stax)
    Best Spoken Word Recording:
    Good Evening, Peter Cook and Dudley Moore (Island)
    Best Recording for Children:
    Winnie the Pooh and Teggir Too, Sebastian Cabot, Sterling Holloway and Paul Winchell (Disneyland)
    Best Album Package:
    Come and Gone, Ed Thrasher and Christopher Whorf, art directors (Warner Bros.)
    Best Album Notes (tie):
    For the Last Time, Charles R. Townsend, annotator (United Artists)
    The Hawk Flies, Dan Morgenstern, annotator (Milestone)
    Best Album Notes, Classical:
    The Classic Erich Wolfgang Korngold, Rory Guy, annotator (Angel)
    Best Producer of the Year:
    Thom Bell
  • 1974 Grammy Award Winners

    1974 Grammy Award Winners

    1974 Grammy Award Winners

    • Winners Announced: March 2, 1974
    • Held at: Hollywood Palladium, Los Angeles, California
    • Host: Andy Williams
    • Eligibility Year: October 16, 1972 – October 15, 1973

    Trivia and Details

    • The album Innervisions by Stevie Wonder was one of the stars of the night, snagging Album of the Year, among other accolades.
    • The evening’s host, Andy Williams, was no stranger to the Grammys. He had been nominated multiple times, although he never won a Grammy during his career.
    • This year, it marked the second consecutive hosting gig for Andy Williams at the Grammys, making him one of the recurring faces of the ceremony during this period.
    • The hit single Killing Me Softly with His Song, performed by Roberta Flack, won Song of the Year and Record of the Year, making it one of the most celebrated songs of the ceremony.
    • Charlie Rich’s Behind Closed Doors won Best Country Vocal Performance, Male, and also won the Best Country Song award. Rich himself would go on to host the next year’s ceremony.
    • Bette Midler, known for her multi-faceted talents, won the Best New Artist award.
    • Millie Jackson, primarily an R&B singer, was nominated for Best Female R&B Vocal Performance but lost to Aretha Franklin. This was one of several Grammy nods Jackson received throughout her career, although she never won.
    • Take our 1974 Quiz!

    1974 Grammy Winners

    Record of the Year:
    Killing Me Softly With His Song – Roberta Flack
    Album of the Year:
    Innervisions, Stevie Wonder (Tamla/Motown)
    Song of the Year:
    Killing Me Softly With His Song – Norman Gimbel and Charles Fox, songwriters
    Best New Artist of the Year:
    Bette Midler
    Best Pop Vocal Performance, Male:
    You Are the Sunshine of My Life – Stevie Wonder
    Best Pop Vocal Performance, Female:
    Killing Me Softly With His Song – Roberta Flack
    Best Pop Vocal Performance By a Duo, Group or Chorus:
    Neither One of Us (Wants to Be the First to Say Goodbye), Gladys Knight and the Pips
    Best Pop Instrumental Performance:
    Also Sprach Zarathustra (2001) – Eumir Deodato
    Best Rhythm and Blues Song:
    Superstition – Stevie Wonder, songwriter
    Best Rhythm and Blues Vocal Performance, Male:
    Superstition – Stevie Wonder
    Best Rhythm and Blues Vocal Performance, Female:
    Master of Eyes – Aretha Franklin
    Best Rhythm and Blues Vocal Performance By a Duo, Group or Chorus:
    Midnight Train to Georgia – Gladys Knight and the Pips
    Best Rhythm and Blues Instrumental Performance:
    Hang on Sloopy – Ramsey Lewis
    Best Jazz Performance By a Soloist:
    God Is in the House, Art Tatum
    Best Jazz Performance By a Group:
    Supersax Plays Bird, Supersax
    Best Jazz Performance By a Big Band:
    Giant Steps, Woody Herman
    Best Country Song:
    Behind Closed Doors – Kenny O’Dell, songwriter
    Best Country Vocal Performance, Male:
    Behind Closed Doors – Charlie Rich
    Best Country Vocal Performance, Female:
    Let Me Be There – Olivia Newton-John
    Best Country Vocal Performance By a Duo or Group:
    From the Bottle to the Bottom – Kris Kristofferson and Rita Coolidge
    Best Country Instrumental Performance:
    Dueling Banjos – Eric Weissberg and Steve Mandell
    Best Gospel Performance:
    Release Me (From My Sin), Blackwood Brothers
    Best Soul Gospel Performance:
    Loves Me Like a Rock – Dixie Hummingbirds
    Best Inspirational Performance:
    Let’s Just Praise the Lord, Bill Gaither Trio
    Best Ethnic or Traditional Recording:
    Then and Now, Doc Watson (United Artists)
    Best Instrumental Arrangement:
    Summer in the City – Quincy Jones, arranger
    Best Arrangement Accompanying Vocalist:
    Live and Let Die – George Martin, arranger
    Best Instrumental Composition:
    Last Tango in Paris – Gato Barbiera, composer
    Best Score From an Original Cast Show Album:
    A Little Night Music, Stephen Sondheim, composer
    Best Original Score Written for a Motion Picture or a Television Special:
    Jonathan Livingston Seagull, Neil Diamond, composer
    Album of the Year, Classical:
    Bartók, Concerto for Orchestra, Pierre Boulez conducting New York Philharmonic Orchestra (Columbia)
    Best Classical Performance, Orchestra:
    Bartók, Concerto for Orchestra, Pierre Boulez conducting New York Philharmonic Orchestra
    Best Chamber Music Performance:
    Joplin, The Red Back Book, Gunther Schuller and the New England Conservatory Ragtime Ensemble
    Best Classical Performance, Instrumental Soloist (With Orchestra):
    Beethoven, Concerti (5) for Piano and Orchestra, Vladimir Ashkenazy; Sir Georg Solti conducting Chicago Symphony
    Best Classical Performance, Instrumental Soloist (Without Orchestra):
    Scriabin, Horowitz Plays Scriabin, Vladimir Horowitz
    Best Opera Recording:
    Bizet, Carmen, Leonard Bernstein conducting The Metropolitan Opera Orchestra and Manhattan Opera Chorus; solos: Horne, McCracken, Maliponte and Krause (Deutsche Grammophon/Polydor)
    Best Choral Performance, Classical:
    Walton, Belshazzar’s Feast, André Previn conducting London Symphony Orchestra; Arthur Oldham conducting London Symphony Orchestra Chorus
    Best Classical Vocal Soloist Performance:
    Puccini, Heroines (La Bohème, Tosca, Manon Lescaut), Leontyne Price; Downes conducting New Philharmonia
    Best Comedy Recording:
    Los Cochinos, Cheech and Chong (Ode)
    Best Spoken Word Recording:
    Jonathan Livingston Seagull, Richard Harris (Columbia)
    Best Recording for Children:
    Sesame Street Live, Sesame Street cast (Columbia)
    Best Album Package:
    Tommy, Wilkes and Braun, Inc., art director (Ode)
    Best Album Notes:
    God Is in the House, Dan Morgenstern, annotator (Onyx)
    Best Album Notes, Classical:
    Hindemith, Sonatas for Piano (Complete), Glenn Gould, annotator (Columbia)
  • 1973 Grammy Award Winners

    1973 Grammy Award Winners

    1973 Grammy Award Winners

    • Winners Announced: March 3, 1973
    • Held at: Tennessee Theater, Nashville, Tennessee
    • Host: Andy Williams
    • Eligibility Year: October 16, 1971 – October 15, 1972

    Musical Highlights and Achievements

    • Sweep by “The Concert for Bangladesh”: The album, organized by George Harrison and Ravi Shankar, won Album of the Year and demonstrated the power of music to enact social change.
    • Robert Flack’s “First Time Ever I Saw Your Face”: This song won both Record of the Year and Song of the Year, catapulting Roberta Flack to stardom.
    • Prestigious Newcomer: America won Best New Artist

    Engaging Trivia

    • Country Takeover: With the Grammys being held in Nashville for the first time, there was a noticeable focus on country music, including Charley Pride winning Best Country Vocal Performance.
    • Repeat Host: Andy Williams hosted the Grammys for several years, but the 1973 event was notable for its location change to Nashville, placing Williams in the heart of country music.
    • Youth Power: Michael Jackson got his first Grammy nomination at 14 for Best Original Score Written for a Motion Picture or a Television Special.
    • Try our 1973 Quiz!

    1973 Grammy Winners

    Record of the Year:
    The First Time Ever I Saw Your Face – Roberta Flack
    Album of the Year:
    The Concert for Bangla Desh, George Harrison, Ravi Shanker, Bob Dylan, Leon Russell, Ringo Starr, Billy Preston, Eric Clapton and Klaus Voormann (Apple)
    Song of the Year:
    The First Time Ever I Saw Your Face – Ewan MacColl, songwriter
    Best New Artist of the Year:
    America
    Best Pop Vocal Performance, Male:
    Without You – Nilsson
    Best Pop Vocal Performance, Female:
    I Am Woman – Helen Reddy
    Best Pop Vocal Performance By a Duo, Group or Chorus:
    Where Is the Love – Roberta Flack and Donny Hathaway
    Best Pop Instrumental Performance By an Instrumental Performer:
    Outa-Space – Billy Preston
    Best Pop Instrumental Performance With Vocal:
    Coloring Black Moses, Isaac Hayes
    Best Rhythm and Blues Song:
    Papa Was a Rolling Stone – Barrett Strong and Norman Whitfield, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    Me and Mrs. Jones – Billy Paul
    Best Rhythm and Blues Vocal Performance, Female:
    Young, Gifted and Black, Aretha Franklin
    Best Rhythm and Blues Vocal Performance By a Duo, Group, or Chorus:
    Papa Was a Rolling Stone – Temptations
    Best Jazz Performance By a Soloist:
    Alone at Last – Gary Burton
    Best Jazz Performance By a Group:
    First Light – Freddie Hubbard
    Best Jazz Performance By a Big Band:
    Toga Brava Suite – Duke Ellington
    Best Country Vocal Performance, Female:
    Happiest Girl in the Whole USA – Donna Fargo
    Best Country Vocal Performance, Male:
    Charley Pride Sings Heart Songs, Charley Pride
    Best Country Vocal Performance By a Duo or Group:
    Class of ’57 – Statler Brothers
    Best Country Instrumental Performance:
    Charlie McCoy/The Real McCoy, Charlie McCoy
    Best Country Song:
    Kiss an Angel Good Mornin’ – Ben Peters, songwriter
    Best Gospel Performance:
    L-O-V-E, Blackwood Brothers
    Best Soul Gospel Performance:
    Amazing Grace – Aretha Franklin
    Best Inspirational Performance:
    He Touched Me, Elvis Presley
    Best Ethnic or Traditional Recording:
    The London Muddy Waters Session, Muddy Waters (Chess)
    Best Instrumental Arrangement:
    Theme From The French Connection – Don Ellis, arranger
    Best Arrangement Accompanying Vocalist:
    What Are You Doing the Rest of Your Life – Michel Legrand, arranger
    Best Instrumental Composition:
    Brian’s Song – Michel Legrand, composer
    Best Score From an Original Cast Show Album:
    Don’t Bother Me, I Can’t Cope, Micki Grant, composer (Polydor)
    Best Original Score Written for a Motion Picture or a Television Special:
    The Godfather, Nino Rota, composer
    Album of the Year, Classical:
    Mahler, Symphony No. 8 in E-Flat Major (Symphony of a Thousand), Sir Georg Solti conducting Chicago Symphony Orchestra, Vienna Boys Choir, Vienna State Opera Chorus, Vienna Singverein Chorus and Soloists (London)
    Best Classical Performance, Orchestra:
    Mahler, Symphony No. 7 in E Minor, Sir Georg Solti conducting Chicago Symphony Orchestra
    Best Chamber Music Performance:
    Julian and John, Julian Bream and John Williams
    Best Instrumental Soloist Performance, Classical:
    (With Orchestra) Brahms, Concerto No. 2, Artur Rubinstein
    Best Instrumental Soloist Performance, Classical (Without Orchestra):
    Horowitz Plays Chopin, Vladimir Horowitz
    Best Opera Recording:
    Berlioz, Benvenuto Cellini, Colin Davis conducting BBC Symphony and Chorus of Covent Garden (Philips)
    Best Choral Performance, Classical:
    Mahler, Symphony No. 8 in E-Flat Major (Symphony of a Thousand), Sir Georg Solti conducting Chicago Symphony Orchestra, Vienna Boys Choir, Vienna State Opera Chorus, Vienna Singverein Chorus and Soloists
    Best Vocal Soloist Performance, Classical:
    Brahms, Die Schöne Magelone, Dietrich Fischer-Dieskau
    Best Comedy Recording:
    FM and AM, George Carlin (Little David)
    Best Spoken Word Recording:
    Lenny, Original Cast (Blue Thumb)
    Best Recording for Children:
    The Electric Company, Lee Chamberlin, Bill Cosby and Rita Moreno (Warner Bros.)
    Best Album Cover:
    The Siegel Schwall Band, Acy Lehman, art director; Harvey Dinnerstein, artist (Wooden Nickel)
    Best Album Notes:
    Tom T. Hall’s Greatest Hits, Tom T. Hall, annotator (Mercury)
    Best Album Notes, Classical:
    Williams, Symphony No. 2, James Lyons, annotator (RCA)
     
     
  • 1972 Grammy Award Winners

    1972 Grammy Award Winners

    1972 Grammy Award Winners

    • Winners Announced: March 14, 1972
    • Location: Felt Forum, New York City
    • Host: Andy Williams
    • Eligibility Year: October 16, 1970 – October 15, 1971

    Quick Hits

    • Carole King’s Sweep: Carole King won multiple awards for her album “Tapestry,” including Album of the Year and Song of the Year for “You’ve Got a Friend.”
    • Funky Train Ride: Isaac Hayes took home the Best Original Score Written for a Motion Picture or a Television Special for “Shaft.”
    • Up-and-Comers: The Carpenters won Best Pop Vocal Performance by a Duo, Group, or Chorus for their hit “Carpenters.”

    Noteworthy Tidbits

    • Jazz Milestone: Bill Evans’ “The Bill Evans Album” nabbed the Grammy for Best Jazz Instrumental Album, Soloist.
    • Country Roots: Jerry Reed’s “When You’re Hot, You’re Hot” clinched the Best Country Vocal Performance, Male.
    • Harmony in R&B: Aretha Franklin continued her reign as the Queen of Soul by winning Best R&B Vocal Performance, Female for “Bridge over Troubled Water.”
    • Try our 1972 Quiz!

    1972 Grammy Winners

    Record of the Year:
    It’s Too Late – Carole King
    Album of the Year:
    Tapestry, Carole King (Ode)
    Song of the Year:
    You’ve Got a Friend – Carole King, songwriter
    Best New Artist of the Year:
    Carly Simon
    Best Pop Vocal Performance, Male:
    You’ve Got a Friend – James Taylor
    Best Pop Vocal Performance, Female:
    Tapestry, Carole King
    Best Pop Vocal Performance By a Group:
    Carpenters, Carpenters
    Best Pop Instrumental Performance:
    Smackwater Jack, Quincy Jones
    Best Rhythm and Blues Song:
    Ain’t No Sunshine – Bill Withers, songwriter
    Best Rhythm and Blues Vocal Performance, Male:
    A Natural Man – Lou Rawls
    Best Rhythm and Blues Vocal Performance, Female:
    Bridge Over Troubled Water – Aretha Franklin
    Best Rhythm and Blues Vocal Performance By a Group:
    Proud Mary – Ike and Tina Turner
    Best Jazz Performance By a Soloist:
    The Bill Evans Album, Bill Evans
    Best Jazz Performance By a Group:
    The Bill Evans Album, Bill Evans Trio
    Best Jazz Performance By a Big Band:
    New Orleans Suite – Duke Ellington
    Best Country Song:
    Help Me Make It Through the Night – Kris Kristofferson, songwriter
    Best Country Vocal Performance, Male:
    When You’re Hot, You’re Hot – Jerry Reed
    Best Country Vocal Performance, Female:
    Help Me Make It Through the Night – Sammi Smith
    Best Country Vocal Performance By a Group:
    After the Fire Is Gone – Conway Twitty and Loretta Lynn
    Best Country Instrumental Performance:
    Snowbird – Chet Atkins
    Best Gospel Performance (Other Than Soul Gospel):
    Let Me Live – Charley Pride
    Best Soul Gospel Performance:
    Put Your Hand in the Hand of the Man From Galilee, Shirley Caesar
    Best Sacred Performance:
    Did You Think to Pray, Charley Pride
    Best Ethnic or Traditional Recording:
    They Call Me Muddy Waters, Muddy Waters (Chess)
    Best Instrumental Arrangement:
    Theme From Shaft – Isaac Hayes and Johnny Allen, arrangers
    Best Arrangement Accompanying Vocalist(s):
    Uncle Albert/Admiral Halsey – Paul McCartney, arranger
    Best Instrumental Composition:
    Theme From Summer of ’42 – Michel Legrand, composer
    Best Score From an Original Cast Show Album:
    Godspell, Stephen Schwartz, composer and producer (Bell)
    Best Original Score Written for a Motion Picture or Television Special:
    Shaft, Isaac Hayes, composer
    Album of the Year, Classical:
    Horowitz Plays Rachmaninoff, Vladimir Horowitz (Columbia)
    Best Classical Performance, Orchestra:
    Mahler, Symphony No. 1 in D Major, Carlo Maria Giulini conducting Chicago Symphony Orchestra
    Best Chamber Music Performance:
    Debussy, Quartet in G Minor, Ravel, Quartet in F Major, Juilliard Quartet
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Villa-Lobos, Concerto for Guitar, Julian Bream; André Previn conducting London Symphony
    Best Classical Performance, Instrumental Soloist(s) (Without Orchestra):
    Horowitz Plays Rachmaninoff, Vladimir Horowitz
    Best Opera Recording:
    Verdi, Aïda, Erich Leinsdorf conducting London Symphony Orchestra; solos: Price, Domingo, Milnes, Bumbry and Raimondi (RCA)
    Best Choral Performance, Classical (Other Than Opera):
    Berlioz, Requiem, Colin Davis conducting London Symphony Orchestra; Russell Burgess conducting Wandsworth School Boys Choir; Arthur Oldham conducting London Symphony Chorus
    Best Classical Vocal Soloist Performance:
    Leontyne Price Sings Robert Schumann, Leontyne Price
    Best Comedy Recording:
    This Is a Recording, Lily Tomlin (Polydor)
    Best Spoken Word Recording:
    Desiderata, Les Crane (Warner Bros.)
    Best Recording for Children:
    Bill Cosby Talks to Kids About Drugs, Bill Cosby (Uni)
    Best Album Cover:
    Pollution, Dean O. Torrance, album design; Gene Brownell, art director (Prophesy)
    Best Album Notes:
    Sam, Hard and Heavy, Sam Samudio, annotator (Atlantic)
  • 1971 Grammy Award Winners

    1971 Grammy Award Winners

    1971 Grammy Award Winners

    Winners Announced: March 16, 1971
    Held at: Hollywood Palladium, Los Angeles, California
    Host: Andy Williams
    Eligibility Year: November 2, 1969 – October 15, 1970

    Award Highlights and Musical Milestones

    • Bridge Over Troubled Water Triumphs: The iconic duo Simon & Garfunkel walked away with six Grammys for their album Bridge Over Troubled Water, including Album of the Year.
    • Country Breaks Through: Ray Stevens won Song of the Year for his heartwarming tune Everything Is Beautiful, showcasing the growing influence of country music in mainstream culture.
    • A Cappella Magic: The Manhattan Transfer earned their first Grammy Award in the Best New Artist category, making waves with their unique a cappella stylings.

    Trivia and Little-Known Facts

    • Andy Williams, the Charming Host: Andy Williams, also known for his holiday specials, was the evening’s host, adding a touch of nostalgic elegance.
    • Dynamic Duos: Simon & Garfunkel’s Album of the Year win was unusual for a duo, a trend that would become more frequent in the years to come.
    • Eligibility Tweaks: Notice that the eligibility year cut-off changed, ending on October 15th instead of November. It would continue to shift in subsequent years.
    • Take our 1971 Quiz!

    1971 Grammy Winners

    Record of the Year:
    Bridge Over Troubled Water – Simon and Garfunkel
    Album of the Year:
    Bridge Over Troubled Water, Simon and Garfunkel (Columbia)
    Song of the Year:
    Bridge Over Troubled Water – Paul Simon, songwriter
    Best New Artist of the Year:
    Carpenters
    Best Contemporary Song:
    Bridge Over Troubled Water – Paul Simon, songwriter
    Best Contemporary Vocal Performance, Male:
    Everything Is Beautiful – Ray Stevens
    Best Contemporary Vocal Performance, Female:
    I’ll Never Fall in Love Again, Dionne Warwick
    Best Contemporary Vocal Performance By a Group:
    Close to You – Carpenters
    Best Contemporary Instrumental Performance:
    Theme From Z and Other Film Music, Henry Mancini
    Best Rhythm and Blues Song:
    Patches – Ronald Dunbar and General Johnson, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    The Thrill Is Gone – B.B. King
    Best Rhythm and Blues Vocal Performance, Female:
    Don’t Play That Song – Aretha Franklin
    Best Rhythm and Blues Vocal Performance By a Duo or Group:
    Didn’t I (Blow Your Mind This Time) – Delfonics
    Best Jazz Performance, Small Group or Soloist With Small Group:
    Alone, Bill Evans
    Best Jazz Performance, Large Group or Soloist With Large Group:
    Bitches Brew, Miles Davis
    Best Country Song:
    My Woman, My Woman, My Wife – Marty Robbins, songwriter
    Best Country Vocal Performance, Male:
    For the Good Times – Ray Price
    Best Country Vocal Performance, Female:
    Rose Garden – Lynn Anderson
    Best Country Performance By a Duo or Group:
    If I Were a Carpenter – Johnny Cash and June Carter
    Best Country Instrumental Performance:
    Me and Jerry, Chet Atkins and Jerry Reed
    Best Gospel Performance (Other Than Soul Gospel):
    Talk About the Good Times – Oak Ridge Boys
    Best Soul Gospel Performance:
    Every Man Wants to Be Free – Edwin Hawkins Singers
    Best Sacred Performance:
    Everything Is Beautiful – Jake Hess
    Best Ethnic or Traditional Recording:
    Good Feelin’ – T-Bone Walker (Polydor)
    Best Instrumental Arrangement:
    Theme From Z – Henry Mancini, arranger
    Best Arrangement Accompanying Vocalist(s):
    Bridge Over Troubled Water – Paul Simon, Arthur Garfunkel, Jimmie Haskell, Ernie Freeman and Larry Knechtel, arrangers
    Best Instrumental Composition:
    Airport Love Theme – Alfred Newman, composer
    Best Score From an Original Cast Show Album:
    Company, Stephen Sondheim, composer (Columbia)
    Best Original Score Written for a Motion Picture or Television Special:
    Let It Be, John Lennon, Paul McCartney, George Harrison and Ringo Starr, composers
    Album of the Year, Classical:
    Berlioz, Les Troyens, Colin Davis conducting Royal Opera House Orchestra and Chorus; solos: Vickers, Veasey and Lindholm (Philips)
    Best Classical Performance, Orchestra:
    Stravinsky, Le Sacre du Printemps, Pierre Boulez conducting Cleveland Orchestra
    Best Chamber Music Performance:
    Beethoven, The Complete Piano Trios, Eugene Istomin, Isaac Stern and Leonard Rose
    Best Classical Performance, Instrumental Soloist(s) (With or Without Orchestra):
    Brahms, Double Concerto (Concerto in A Minor for Violin and Cello), David Oistrakh and Mstislav Rostropovich
    Best Choral Performance (Other Than Opera):
    New Music of Charles Ives, Gregg Smith conducting Gregg Smith Singers and Columbia Chamber Ensemble
    Best Opera Recording:
    Berlioz, Les Troyens, Colin Davis conducting Royal Opera House Orchestra and Chorus; solos: Vickers, Veasey and Lindholm (Philips)
    Best Vocal Soloist Performance, Classical:
    Schubert, Lieder, Dietrich Fischer-Dieskau
    Best Comedy Recording:
    The Devil Made Me Buy This Dress, Flip Wilson (Little David)
    Best Spoken Word Recording:
    Why I Oppose the War in Vietnam, Dr. Martin Luther King, Jr. (Black Forum)
    Best Recording for Children:
    Sesame Street, Sesame Street cast (Columbia)
    Best Album Cover:
    Indianola Mississippi Seeds, Robert Lockart, cover design; Ivan Nagy, photography (ABC)
    Best Album Notes:
    The World’s Greatest Blues Singer, Chris Albertson, annotator (Columbia)
  • 1970 Grammy Award Winners

    1970 Grammy Award Winners

    1970 Grammy Award Winners

    Winners Announced: March 11, 1970
    Televised: “Best On Record” May 7, 1970
    Held at: Atlanta, Chicago, Los Angeles, Nashville & New York
    Hosts: Bill Cosby (Los Angeles), Merv Griffin (New York), Regis Philbin (Chicago), Jack Palance (Nashville), Steve Alaimo (Atlanta)
    Eligibility Year: November 2, 1968 – November 1, 1969

    Musical Highlights and Achievements

    • Blood, Sweat & Tears Triumph: The self-titled album not only won Album of the Year but also set the bar for future fusion jazz albums.
    • Aquarius/Let the Sunshine In Shines: This 5th Dimension track took home Record of the Year and Best Contemporary Vocal Performance By A Duo, Group Or Chorus.
    • Joe South’s Double Play: South won Song of the Year and Best Contemporary Song for his anti-war anthem Games People Play.

    Trivia and Fascinating Tidbits

    • Multiple Cities, Multiple Hosts: For the first time, the Grammys were hosted in five different cities, each with their own unique host.
    • Johnny Cash’s Unique Win: Cash snagged Best Country Vocal Performance for A Boy Named Sue, a live recording from his San Quentin prison concert.
    • Take our 1970 Quiz!

    1970 Grammy Winners

    Record of the Year:
    Aquarius/Let the Sunshine In – 5th Dimension
    Album of the Year:
    Blood, Sweat and Tears, Blood, Sweat and Tears (Columbia)
    Song of the Year:
    Games People Play – Joe South, songwriter
    Best New Artist of 1969:
    Crosby, Stills and Nash
    Best Contemporary Song:
    Games People Play – Joe South, songwriter
    Best Contemporary Vocal Performance, Male:
    Everybody’s Talkin’ – Harry Nilsson
    Best Contemporary Vocal Performance, Female:
    Is That All There Is – Peggy Lee
    Best Contemporary Vocal Performance By a Group:
    Aquarius/Let the Sunshine In – 5th Dimension
    Best Contemporary Performance By a Chorus:
    Love Theme From Romeo and Juliet – Percy Faith Orchestra and Chorus
    Best Contemporary Instrumental Performance:
    Variations on a Theme by Eric Satie – Blood, Sweat and Tears
    Best Rhythm and Blues Song:
    Color Him Father – Richard Spencer, songwriter
    Best Rhythm and Blues Vocal Performance, Male:
    The Chokin’ Kind – Joe Simon
    Best Rhythm and Blues Vocal Performance, Female:
    Share Your Love With Me – Aretha Franklin
    Best Rhythm and Blues Vocal Performance By a Group or Duo:
    It’s Your Thing – Isley Brothers
    Best Rhythm and Blues Instrumental Performance:
    Games People Play – King Curtis
    Best Instrumental Jazz Performance, Small Group or Soloist With Small Group:
    Willow Weep for Me, Wes Montgomery
    Best Instrumental Jazz Performance, Large Group or Soloist With Large Group:
    Walking in Space – Quincy Jones
    Best Country Song:
    A Boy Named Sue – Shel Silverstein, songwriter
    Best Country Vocal Performance, Male:
    A Boy Named Sue – Johnny Cash
    Best Country Vocal Performance, Female:
    Stand by Your Man, Tammy Wynette
    Best Country Performance By a Duo or Group:
    MacArthur Park – Waylon Jennings and the Kimberlys
    Best Country Instrumental Performance:
    The Nashville Brass Featuring Danny Davis Play More Nashville Sounds, Danny Davis and the Nashville Brass
    Best Gospel Performance:
    In Gospel Country – Porter Wagoner and the Blackwood Brothers
    Best Soul Gospel Performance:
    Oh Happy Day, Edwin Hawkins Singers
    Best Sacred Performance:
    Ain’t That Beautiful Singing – Jake Hess
    Best Folk Performance:
    Clouds, Joni Mitchell
    Best Instrumental Arrangement:
    Love Theme From Romeo and Juliet – Henry Mancini, arranger
    Best Arrangement Accompanying Vocalist(s):
    Spinning Wheel – Fred Lipsius, arranger
    Best Instrumental Theme:
    Midnight Cowboy, John Barry, composer
    Best Score From an Original Cast Show Album:
    Promises, Promises, Burt Bacharach and Hal Davis, composers (Liberty)
    Best Original Score Written for Motion Picture or Television:
    Butch Cassidy and the Sundance Kid, Burt Bacharach, composer
    Album of the Year, Classical:
    Switched-On Bach, Walter Carlos (Columbia)
    Best Classical Performance, Orchestra:
    Boulez Conducts Debussy, Vol. 2 Images Pour Orchestre – Pierre Boulez conducting Cleveland Orchestra
    Best Chamber Music Performance:
    Gabrieli, Antiphonal Music of Gabrieli (Canzoni for Brass Choirs), the Philadelphia, Cleveland and Chicago Brass ensembles
    Best Classical Performance, Instrumental Soloist(s) (With or Without Orchestra):
    Switched-On Bach, Walter Carlos
    Best Opera Recording:
    Wagner, Siegfried, Herbert von Karajan conducting Berlin Philharmonic; solos: Thomas, Stewart, Stolze, Dernesch, Keleman, Dominguez, Gayer and Ridderbusch (Deutsche Grammophon)
    Best Choral Performance (Other Than Opera):
    Berio, Sinfonia, Swingle Singers; Ward Swingle, choral master; Luciano Berio conducting New York Philharmonic
    Best Vocal Soloist Performance, Classical:
    Barber, Two Scenes From Antony and Cleopatra ; Knoxville, Summer of 1915, Leontyne Price; Thomas Schippers conducting New Philharmonia
    Best Comedy Recording:
    Bill Cosby, Bill Cosby (Uni)
    Best Spoken Word Recording:
    We Love You, Call Collect, Art Linkletter and Diane (Word/Capitol)
    Best Recording for Children:
    Peter, Paul and Mommy, Peter, Paul and Mary (Warner Bros.)
    Best Album Cover:
    America the Beautiful, Evelyn J. Kelbish, painting; David Stahlberg, graphics (Skye)
    Best Album Notes:
    Nashville Skyline, Johnny Cash, annotator (Columbia)
  • 1969 Grammy Award Winners

    1969 Grammy Award Winners

     

    1969 Grammy Award Winners

    Winners Announced: March 12, 1969
    Televised “Best On Record”: May 5, 1969
    Held at: Chicago, Los Angeles, Nashville & New York
    Opening/Closing: Rowan and Martin
    Eligibility Year: November 2, 1967 – November 1, 1968

    Musical Highlights and Achievements

    • By the Time I Get to Phoenix Emerges Victorious: Glen Campbell’s hit album won the Album of the Year, highlighting the influence of country-pop during this period.
    • Simon & Garfunkel’s Mrs. Robinson: The iconic song from The Graduate won Record of the Year.
    • Jazz Legend Gets Recognized: Duke Ellington won Best Original Jazz Composition for “In the Beginning God,” marking a significant win for the jazz community.

    Trivia and Noteworthy Moments

    • Comedy Duo: Rowan and Martin, popular for their sketch comedy show Laugh-In, served as the Opening and Closing act, adding humor to the proceedings.
    • A Night of Firsts: José Feliciano snagged Best New Artist, making history as the first artist to win that category with an album primarily sung in Spanish.
    • Cross-Genre Appreciation: The Grammys were diverse this year, with winners spanning from jazz and country to rock and folk, reflecting the eclectic musical tastes of the late ’60s.
    • Take our 1969 Quiz!

    1969 Grammy Winners

    Record of the Year:
    Mrs. Robinson – Simon and Garfunkel
    Album of the Year:
    By the Time I Get to Phoenix, Glen Campbell (Capitol)
    Song of the Year:
    Little Green Apples – Bobby Russell, songwriter
    Best New Artist of 1968:
    José Feliciano
    Best Contemporary Pop Vocal Performance, Male:
    Light My Fire – José Feliciano
    Best Contemporary Pop Vocal Performance, Female:
    Do You Know the Way to San Jose – Dionne Warwick
    Best Contemporary Pop Vocal Performance, Duo or Group:
    Mrs. Robinson – Simon and Garfunkel
    Best Contemporary Pop Performance, Chorus:
    Mission Impossible/Norwegian Wood (medley), Alan Copeland Singers
    Best Contemporary Pop Performance, Instrumental:
    Classical Gas – Mason Williams
    Best Rhythm and Blues Song:
    (Sittin’ On) The Dock of the Bay – Otis Redding and Steve Cropper, songwriters
    Best Rhythm and Blues Vocal Performance, Male:
    (Sittin’ On) The Dock of the Bay – Otis Redding
    Best Rhythm and Blues Vocal Performance, Female:
    Chain of Fools – Aretha Franklin
    Best Rhythm and Blues Performance By a Duo or Group, Vocal or Instrumental:
    Cloud Nine – The Temptations
    Best Instrumental Jazz Performance, Small Group or Soloist With Small Group:
    Bill Evans at the Montreux Jazz Festival, Bill Evans Trio
    Best Instrumental Jazz Performance, Large Group or Soloist With Large Group:
    And His Mother Called Him Bill – Duke Ellington
    Best Country Song:
    Little Green Apples – Bobby Russell, songwriter
    Best Country Vocal Performance, Male:
    Folsom Prison Blues – Johnny Cash
    Best Country Vocal Performance, Female:
    Harper Valley P.T.A. – Jeannie C. Riley
    Best Country Performance, Duo or Group Vocal or Instrumental:
    Foggy Mountain Breakdown – Flatt and Scruggs
    Best Sacred Performance:
    Beautiful Isle of Somewhere – Jack Hess
    Best Gospel Performance:
    The Happy Gospel of the Happy Goodmans, Happy Goodman Family
    Best Soul Gospel Performance:
    The Soul of Me – Dottie Rambo
    Best Folk Performance:
    Both Sides Now – Judy Collins
    Best Instrumental Arrangement:
    Classical Gas – Mike Post, arranger
    Best Arrangement Accompanying Vocalist(s):
    MacArthur Park – Jimmy L. Webb, arranger
    Best Instrumental Theme:
    Classical Gas – Mason Williams, composer
    Best Score From an Original Cast Show Album:
    Hair, Gerome Ragni, James Rado and Galt MacDermott, composers (RCA)
    Best Original Score Written for a Motion Picture or a Television Special:
    The Graduate, Paul Simon and Dave Grusin, composers
    Best Classical Performance, Orchestra:
    Boulez Conducts Debussy, Pierre Boulez conducting New Philharmonia Orchestra
    Best Chamber Music Performance:
    Gabrieli, Canzoni for Brass, Winds, Strings and Organ, E. Power Biggs with Edward Tarr Ensemble and Gabrieli Consort; Vittorio Negri, conductor
    Best Classical Performance, Instrumental Soloist(s) (With or Without Orchestra):
    Horowitz on Television, Vladimir Horowitz
    Best Opera Recording:
    Mozart, Cosi fan tutte, Erich Leinsdorf conducting New Philharmonia Orchestra and Ambrosian Opera Chorus; solos: Price, Raskin, Troyanos, Milnes, Shirley and Flagello (RCA)
    Best Choral Performance (Other Than Opera):
    The Glory of Gabrieli, Vittorio Negri conducting Gregg Smith Singers and Texas Boys Choir; George Bragg directing Edward Tarr Ensemble with E. Power Biggs
    Best Classical Vocal Soloist Performance:
    Rossini Rarities, Montserrat Caballe; Carlo Felice Cillario conducting RCA Italiana Opera Orchestra and Chorus
    Best Comedy Recording:
    To Russell, My Brother, Whom I Slept With, Bill Cosby (Warner Bros.)
    Best Spoken Word Recording:
    Lonesome Cities, Rod McKuen (Warner Bros.-Seven Arts)
    Best Album Cover:
    Underground, John Berg and Richard Mantel, art directors (Columbia)
    Best Album Notes:
    Johnny Cash at Folsom Prison, Johnny Cash, annotator
  • 1968 Grammy Award Winners

    1968 Grammy Award Winners

    1968 Grammy Award Winners

    Winners Announced: February 29, 1968
    Televised: “Best On Record” May 8, 1968
    Held at: Chicago, Los Angeles, Nashville, and New York
    Eligibility Year: November 2, 1966 – November 1, 1967

    Musical Highlights and Achievements

    • Sgt. Pepper’s Lonely Hearts Club Band Dominates: The Beatles’ groundbreaking album won four Grammys, including Album of the Year and Best Contemporary Album.
    • Hello, Dolly!: Louis Armstrong received the Grammy for Best Male Vocal Performance for the song Hello, Dolly!, becoming the oldest Grammy winner at that time.
    • Fifth Dimension’s Big Win: The Fifth Dimension won Record of the Year for their hit single Up, Up and Away, also taking home the Grammy for Best Performance by a Vocal Group.

    Trivia

    • Beatles Making History: The Beatles became the first rock act to win Album of the Year, a landmark moment in Grammy history.
    • Bobbie Gentry’s Breakout: Bobbie Gentry, a relative newcomer, won Best New Artist, marking the start of her promising career.
    • Leap Year Ceremony: Interestingly, the awards ceremony occurred on a leap day—February 29.
    • Take our 1968 Quiz!

    1968 Grammy Winners

    Record of the Year:
    Up, Up and Away – 5th Dimension
    Album of the Year:
    Sgt. Pepper’s Lonely Hearts Club Band, The Beatles (Capitol)
    Song of the Year:
    Up, Up and Away – Jimmy L. Webb, songwriter
    Best New Artist:
    Bobbie Gentry
    Best Vocal Performance, Male:
    By the Time I Get to Phoenix – Glen Campbell
    Best Vocal Performance, Female:
    Ode to Billie Joe – Bobbie Gentry
    Best Performance By a Vocal Group (Two to Six Persons):
    Up, Up and Away – 5th Dimension
    Best Performance By a Chorus (Seven or More Persons):
    Up, Up and Away – Johnny Mann Singers
    Best Contemporary Single:
    Up, Up and Away – 5th Dimension
    Best Contemporary Album:
    Sgt. Pepper’s Lonely Hearts Club Band, The Beatles (Capitol)
    Best Contemporary Male Solo Vocal Performance:
    By the Time I Get to Phoenix – Glen Campbell
    Best Contemporary Female Solo Vocal Performance:
    Ode to Billie Joe – Bobbie Gentry
    Best Contemporary Group Performance, Vocal or Instrumental:
    Up, Up and Away – 5th Dimension
    Best Rhythm and Blues Recording:
    Respect – Aretha Franklin (Atlantic)
    Best Rhythm and Blues Solo Vocal Performance, Male:
    Dead End Street – Lou Rawls
    Best Rhythm and Blues Solo Vocal Performance, Female:
    Respect – Aretha Franklin
    Best Rhythm and Blues Group Performance, Vocal or Instrumental (Two or More):
    Soul Man – Sam and Dave
    Best Instrumental Jazz Performance, Small Group or Soloist With Small Group:
    Mercy, Mercy, Mercy, Cannonball Adderley Quintet
    Best Instrumental Jazz Performance, Large Group or Soloist With Large Group:
    Far East Suite – Duke Ellington
    Best Country and Western Song:
    Gentle on My Mind John Hartford, songwriter
    Best Country and Western Recording:
    Gentle on My Mind – Glen Campbell (Capitol)
    Best Country and Western Solo Vocal Performance, Male:
    Gentle on My Mind – Glen Campbell
    Best Country and Western Solo Vocal Performance, Female:
    I Don’t Wanna Play House – Tammy Wynette
    Best Country and Western Performance, Duet, Trio or Group (Vocal or Instrumental):
    Jackson – Johnny Cash and June Carter
    Best Gospel Performance:
    More Grand Old Gospel, Porter Wagoner and the Blackwood Brothers
    Best Sacred Performance:
    How Great Thou Art, Elvis Presley
    Best Folk Performance:
    Gentle on My Mind – John Hartford
    Best Instrumental Arrangement:
    Alfie, Burt Bacharach, arranger
    Best Arrangement Accompanying Vocalist(s) or Instrumentalist(s):
    Ode to Billie Joe – Jimmie Haskell, arranger
    Best Instrumental Theme:
    Mission: Impossible – Lalo Schifrin, composer
    Best Instrumental Performance:
    Chet Atkins Picks the Best – Chet Atkins
    Best Score From an Original Cast Show Album:
    Cabaret, Fred Ebb and John Kander, composers (Columbia)
    Best Original Score Written for a Motion Picture or Television Show:
    Mission: Impossible – Lalo Schifrin, composer
    Album of the Year, Classical (tie):
    Berg, Wozzeck, Pierre Boulez conducting Paris National Opera; solos: Berry, Strauss, Uhl and Doench (Columbia)
    Mahler, Symphony No. 8 in E-Flat Major (Symphony of a Thousand ), Leonard Bernstein conducting London Symphony Orchestra (Columbia)
    Best Classical Performance, Orchestra:
    Stravinsky, Firebird and Petrouchka Suites, Igor Stravinsky conducting Columbia Symphony
    Best Chamber Music Performance:
    West Meets East, Ravi Shankar and Yehudi Menuhin
    Best Classical Performance, Instrumental Soloist(s) (With or Without Orchestra):
    Horowitz in Concert, Vladimir Horowitz
    Best Opera Recording:
    Berg, Wozzeck, Pierre Boulez conducting Paris National Opera; solos: Berry, Strauss, Uhl and Doench (Columbia)
    Best Classical Choral Performance (tie):
    Mahler, Symphony No. 8 in E-Flat Major (Symphony of a Thousand ), Leonard Bernstein conducting London Symphony Orchestra
    Orff, Catulli Carmina, Robert Page conducting Temple University Chorus; Eugene Ormandy conducting Philadelphia Orchestra
    Best Classical Vocal Soloist Performance:
    Prima Donna, Vol. 2, Leontyne Price; Francesco Molinari-Pradelli conducting RCA Italiana Opera Orchestra
    Best Comedy Recording:
    Revenge, Bill Cosby (Warner Bros.-Seven Arts)
    Best Spoken Word, Documentary or Drama Recording:
    Gallant Men, Sen. Everett M. Dirksen (Capitol)
    Best Recording for Children:
    Dr Seuss: How the Grinch Stole Christmas, Boris Karloff (MGM)
    Best Album Cover, Graphic Arts:
    Sgt. Pepper’s Lonely Hearts Club Band, Peter Blake and Jann Haworth, art directors (Capitol)
    Best Album Cover, Photography:
    Bob Dylan’s Greatest Hits; Roland Scherman, photographer; John Berg and Bob Cato, art directors (Columbia)
    Best Album Notes:
    Suburban Attitudes in Country Verse, John O. Loudermilk, annotator (RCA)
  • 1967 Grammy Award Winners

    1967 Grammy Award Winners

    1967 Grammy Award Winners

    Winners Announced: March 2, 1967
    Televised “Best On Record”: May 24, 1967
    Held at: Chicago, Los Angeles, Nashville and New York
    Eligibility Year: November 2, 1965 – November 1, 1966

    Grammy Highlights and Achievements

    • Michelle Takes the Spotlight: The Beatles snagged the Song of the Year award with their hit “Michelle,” further cementing their legendary status.
    • Frank Sinatra’s Glory: Ol’ Blue Eyes won Album of the Year for Sinatra: A Man and His Music, making it one of his most significant Grammy achievements.
    • Debut of Best Contemporary (R&R) Performance: The inaugural award in this category went to the New Vaudeville Band for their catchy tune “Winchester Cathedral.”
    • Duke Ellington’s Special Recognition: The legendary jazz musician was honored with a Lifetime Achievement Award, a deserving nod to his extensive contribution to music.

    Trivia

    • A Night of Multiple Genres: This year saw a wide range of musical genres, from rock to jazz, reflecting the evolving musical landscape.
    • Youngest Winner: At just 14, Jeannie C. Riley became the youngest winner, taking home the Best Female Country Vocal Performance for “Harper Valley PTA.”
    • There was no “Best New Artist” award – sorry, Neil Diamond, Monkees, Tommy James, Sergio Mendes, Mamas and the Papas, B.J. Thomas, Percy Sledge, and others!
    • Take our 1967 Quiz!
    Record of the Year:
    Strangers in the Night – Frank Sinatra
    Album of the Year:
    Sinatra: A Man and His Music, Frank Sinatra (Reprise)
    Song of the Year:
    Michelle – John Lennon and Paul McCartney, songwriters
    Best Vocal Performance, Male:
    Strangers in the Night – Frank Sinatra
    Best Vocal Performance, Female:
    If He Walked Into My Life – Eydie Gormé
    Best Performance By a Vocal Group:
    A Man and a Woman – Anita Kerr Singers
    Best Performance By a Chorus:
    Somewhere, My Love (Lara’s Theme From Dr. Zhivago), Ray Conniff and Singers
    Best Contemporary (Rock and Roll) Recording:
    Winchester Cathedral – New Vaudeville Band (Fontana)
    Best Contemporary (Rock and Roll) Solo Vocal Performance, Male or Female:
    Eleanor Rigby – Paul McCartney
    Best Contemporary (Rock and Roll) Group Performance, Vocal or Instrumental:
    Monday, Monday – Mamas and the Papas
    Best Rhythm and Blues Recording:
    Crying Time – Ray Charles (ABC/Paramount)
    Best Rhythm and Blues Solo Vocal Performance, Male or Female:
    Crying Time – Ray Charles
    Best Rhythm and Blues Group, Vocal or Instrumental:
    Hold It Right There – Ramsey Lewis
    Best Instrumental Jazz Performance, Group or Soloist With Group:
    Goin’ Out of My Head – Wes Montgomery
    Best Original Jazz Composition:
    In the Beginning God – Duke Ellington, composer
    Best Country and Western Song:
    Almost Persuaded – Billy Sherrill and Glenn Sutton, songwriters
    Best Country and Western Recording:
    Almost Persuaded – David Houston (Epic)
    Best Country and Western Vocal Performance, Male:
    Almost Persuaded – David Houston
    Best Country and Western Vocal Performance, Female:
    Don’t Touch Me – Jeannie Seely
    Best Sacred Recording (Musical):
    Grand Old Gospel, Porter Wagoner and the Blackwood Brothers (RCA)
    Best Folk Recording:
    Blues in the Street, Cortelia Clark (RCA)
    Best Instrumental Arrangement:
    What Now My Love – Herb Alpert, arranger
    Best Arrangement Accompanying a Vocalist or Instrumentalist:
    Strangers in the Night – Ernie Freeman, arranger
    Best Instrumental Theme:
    Batman Theme – Neal Hefti, composer
    Best Instrumental Performance (Other Than Jazz):
    What Now My Love – Herb Alpert and the Tijuana Brass
    Best Score From an Original Cast Show Album:
    Mame, Jerry Herman, composer (Columbia)
    Best Original Score Written for a Motion Picture or Television Show:
    Dr. Zhivago, Maurice Jarre, composer
    Album of the Year, Classical:
    Ives, Symphony No. 1 in D Minor, Morton Gould conducting Chicago Symphony (RCA)
    Best Classical Performance, Orchestra:
    Mahler, Symphony No. 6 in A Minor, Erich Leinsdorf conducting Boston Symphony
    Best Chamber Music Performance, Instrumental or Vocal:
    Boston Symphony Chamber Players, Boston Symphony Chamber Players
    Best Classical Music Performance, Instrumental Soloist(s) (With or Without Orchestra):
    Baroque Guitar, Julian Bream
    Best Opera Recording:
    Wagner, Die Walkure, Georg Solti conducting Vienna Philharmonic; solos: Nilsson, Crespin, Ludwig, King and Hotter (London)
    Best Classical Choral Performance (Other Than Opera) (tie):
    Handel, Messiah, Robert Shaw conducting Robert Shaw Chorale and Orchestra
    Ives, Music for Chorus, Gregg Smith conducting Columbia Chamber Orchestra, Gregg Smith Singers and Ithaca College Concert Choir; George Bragg conducting Texas Boys Choir
    Best Classical Vocal Soloist Performance (With or Without Orchestra):
    Prima Donna, Leontyne Price; Francesco Molinari-Pradelli conducting RCA Italiana Opera Orchestra
    Best Comedy Performance:
    Wonderfulness, Bill Cosby
    Best Spoken Word, Documentary or Drama Recording:
    Edward R. Murrow: A Reporter Remembers?Vol. I The War Years, Edward R. Murrow (Columbia)
    Best Recording for Children:
    Dr. Seuss Presents: If I Ran the Zoo and Sleep Book – Marvin Miller (RCA)
    Best Album Cover, Graphic Arts:
    Revolver, Klaus Voormann, graphic artist (Capitol)
    Best Album Cover, Photography:
    Confessions of a Broken Man, Les Leverette, photographer; Robert Jones, art director (RCA)
    Best Album Notes:
    Sinatra at the Sands, Stan Cornyn, annotator (Reprise)
  • 1966 Grammy Award Winners

    1966 Grammy Award Winners

    1966 Grammy Award Winners

    Winners Announced: March 15, 1966
    Televised “Best on Record”: May 16, 1966
    Held at: Chicago, Los Angeles, Nashville, and New York
    Eligibility Year: December 1, 1964 – November 1, 1965

    Grammy Highlights and Achievements

    • Roger Miller Dominates: The country artist was the night’s big winner, taking home six awards including Best Country & Western Album for The Return of Roger Miller.
    • Frank Sinatra’s September of My Years: Sinatra won Album of the Year, while his classic “It Was a Very Good Year” won Best Male Vocal Performance.
    • The Sound of Music Reigns: The film’s soundtrack, featuring Julie Andrews, won for Best Original Score Written for a Motion Picture.
    • Herb Alpert’s A Taste of Honey: Herb Alpert & the Tijuana Brass swept several awards, signaling the mainstream acceptance of Latin-influenced sounds.

    Trivia

    • First Nashville Ceremony: This was the first year the Grammys were held in Nashville, expanding its geographical reach.
    • Tom Jones Breakthrough: The Welsh singer won Best New Artist, riding the wave of his hit “What’s New Pussycat?”
    • Record of the Year Surprise: Herb Alpert’s instrumental “A Taste of Honey” won Record of the Year, a rare win for a non-vocal track.
    • Grammy’s Jazz Nod: The Ramsey Lewis Trio’s jazz version of “The In Crowd” won Best Jazz Performance by a Group.
    • Take our 1966 Quiz!

    1966 Grammy Winners

    Record of the Year:
    A Taste of Honey – Herb Alpert and the Tijuana Brass
    Album of the Year:
    September of My Years – Frank Sinatra (Reprise)
    Song of the Year:
    The Shadow of Your Smile (Love Theme From The Sandpiper) – Paul Francis Webster and Johnny Mandel, songwriters
    Best New Artist:
    Tom Jones
    Most Promising New Recording Artist:
    Peter Serkin – pianist
    Best Vocal Performance, Male:
    It Was a Very Good Year – Frank Sinatra
    Best Vocal Performance, Female:
    My Name Is Barbra – Barbra Streisand
    Best Performance By a Vocal Group:
    We Dig Mancini – Anita Kerr Singers
    Best Contemporary (Rock and Roll) Single:
    King of the Road – Roger Miller
    Best Contemporary (Rock and Roll) Vocal Performance, Male:
    King of the Road – Roger Miller
    Best Contemporary (Rock and Roll) Vocal Performance, Female:
    I Know a Place – Petula Clark
    Best Contemporary (Rock and Roll) Performance Group (Vocal or Instrumental):
    Flowers on the Wall – Statler Brothers
    Best Rhythm and Blues Recording:
    Papa’s Got a Brand New Bag – James Brown (King)
    Best Instrumental Jazz Performance, Small Group or Soloist With Small Group:
    The In Crowd – Ramsey Lewis Trio
    Best Instrumental Jazz Performance, Large Group or Soloist With Large Group:
    Ellington ’66 – Duke Ellington Orchestra
    Best Original Jazz Composition:
    Jazz Suite on the Mass Texts – Lalo Shifrin, Composer
    Best Country and Western Single
    King of the Road – Roger Miller
    Best Performance By a Chorus:
    Anyone for Mozart? – Swingle Singers
    Best Country and Western Album:
    The Return of Roger Miller – Roger Miller (Smash)
    Best Country and Western Song:
    King of the Road – Roger Miller, songwriter
    Best Country and Western Vocal Performance, Male:
    King of the Road – Roger Miller
    Best Country and Western Vocal Performance, Female:
    Queen of the House – Jody Miller
    Best New Country and Western Artist:
    Statler Brothers
    Best Gospel or Other Religious Recording (Musical):
    Southland Favorites – George Beverly Shea and the Anita Kerr Quartet (RCA)
    Best Folk Recording:
    An Evening With Belafonte/Makeba – Harry Belafonte and Miriam Makeba (RCA)
    Best Instrumental Arrangement:
    A Taste of Honey – Herb Alpert, arranger
    Best Arrangement Accompanying a Vocalist or Instrumentalist:
    It Was a Very Good Year – Gordon Jenkins, arranger
    Best Instrumental Performance, Non-Jazz:
    A Taste of Honey – Herb Alpert and the Tijuana Brass
    Best Score From an Original Show Album:
    On a Clear Day – Alan Lerner and Burton Lane (RCA)
    Best Original Score Written for a Motion Picture or Television Show:
    The Sandpiper – Johnny Mandel, composer (Mercury)
    Album of the Year, Classical:
    Horowitz at Carnegie Hall, An Historic Return – Vladimir Horowitz (Columbia)
    Best Classical Performance, Orchestra:
    Ives, Symphony No. 4 – Leopold Stokowski conducting American Symphony Orchestra
    Best Classical Chamber Music Performance, Instrumental or Vocal:
    Bartók, The Six String Quartets – Juilliard String Quartet
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Beethoven, Concerto No. 4 in G Major for Piano and Orchestra – Artur Rubinstein; Erich Leinsdorf conducting Boston Symphony
    Best Classical Performance, Instrumental Soloist (Without Orchestra):
    Horowitz at Carnegie Hall, An Historic Return – Vladimir Horowitz
    Best Opera Recording:
    Berg, Wozzeck – Karl Bohm conducting Orchestra of German Opera, Berlin; solos: Fisher-Dieskau, Lear and Wunderlich (Deutsche Grammophon)
    Best Classical Choral Performance (Other Than Opera):
    Stravinsky, Symphony of Psalms; Poulenc, Gloria – Robert Shaw conducting Robert Shaw Chorale and RCA Victor Symphony Orchestra
    Best Classical Vocal Performance, With or Without Orchestra:
    Strauss, Salome (Dance of the Seven Veils – Interlude, Final Scene); The Egyptian Helen (Awakening Scene) – Leontyne Price
    Best Composition By a Contemporary Classical Composer:
    Symphony No. 4 – Charles Ives, Composer
    Best Comedy Performance:
    Why Is There Air? – Bill Cosby
    Best Spoken Word or Drama Recording:
    John F. Kennedy: As We Remember Him (Columbia)
    Best Recording for Children:
    Dr. Seuss Presents Fox in Sox and Green Eggs and Ham – Marvin Miller (RCA)
    Best Album Cover, Graphic Arts:
    Bartók, Concerto No. 2 for Violin; Stravinsky, Concerto for Violin – James Alexander, graphic artist; George Estes, art director (RCA)
    Best Album Cover, Photography
    Jazz Suite on the Mass Texts – Ken Whitmore, photographer; Bob Jones, art director (RCA)
    Best Album Notes:
    September of My Years – Stan Cornyn, annotator (Reprise)
  • 1965 Grammy Award Winners

    1965 Grammy Award Winners

    1965 Grammy Award Winners

    Winners Announced: April 13, 1965
    Televised: May 18, 1965
    Held at: Beverly Hilton Hotel, Beverly Hills
    Host/Emcee: Steve Allen
    Eligibility Year: December 1, 1963 – November 30, 1964

    Grammy Highlights and Achievements

    • Beatles Invasion: The Beatles won their first Grammy for Best New Artist, officially marking the British Invasion in the American music scene.
    • Jazz Legend Takes the Stage: Stan Getz & João Gilberto’s Getz/Gilberto scored multiple wins, including Album of the Year and Best Jazz Instrumental Album.
    • “Hello, Dolly!” Triumph: Louis Armstrong’s Hello, Dolly! won Song of the Year, beating out stiff competition.
    • Folk Rising: Bob Dylan received recognition with a Grammy for Best Folk Recording for his iconic album The Times They Are A-Changin’.

    Trivia

    • Roger Miller’s Bonanza: The country singer had a big night, taking home five awards, including Best Country & Western Album for Dang Me/Chug-a-Lug.
    • Back-to-Back Host: Steve Allen, well known as the first host of The Tonight Show, returned to host the Grammy ceremony for the second year in a row.
    • Henry Mancini’s Musical Prowess: He continued to cement his reputation, winning Best Original Score for the movie The Pink Panther.
    • Novelty Honors: Allan Sherman’s Hello Muddah, Hello Fadduh received the Best Comedy Performance award, adding some lightheartedness to the ceremony.
    • Take our 1965 Quiz!

    1965 Grammy Winners

    Record of the Year:
    The Girl From Ipanema – Stan Getz and Astrud Gilberto
    Album of the Year:
    Getz/Gilberto, Stan Getz and Joao Gilberto (Verve)
    Song of the Year:
    Hello, Dolly! – Jerry Herman, songwriter
    Best New Artist of 1964:
    The Beatles
    Most Promising New Recording Artist:
    Marilyn Horne
    Best Vocal Performance, Male:
    Hello, Dolly! – Louis Armstrong
    Best Vocal Performance, Female:
    People – Barbra Streisand
    Best Performance By a Vocal Group:
    A Hard Day’s NightA Hard Day’s Night – The Beatles
    Best Performance By a Chorus:
    The Swingle Singers Going Baroque – Swingle Singers
    Best Rock and Roll Recording:
    Downtown – Petula Clark (Warner Brothers)
    Best Rhythm and Blues Recording:
    How Glad I Am – Nancy Wilson (Capitol)
    Best Instrumental Jazz Performance, Small Group or Soloist With Small Group:
    Getz/Gilberto, Stan Getz
    Best Instrumental Jazz Performance, Large Group or Soloist With Large Group:
    Guitar From Ipanema – Laurindo Almeida
    Best Original Jazz Composition:
    The Cat – Lalo Schifrin, Composer
    Best Country and Western Single:
    Dang Me – Roger Miller
    Best Country and Western Album:
    Dang Me/Chug-a-Lug – Roger Miller (Smash):
    Best Country and Western Song:
    Dang Me – Roger Miller, songwriter
    Best Country and Western Vocal Performance, Male:
    Dang Me – Roger Miller
    Best Country and Western Vocal Performance, Female:
    Here Comes My Baby – Dottie West
    Best New Country and Western Artist of 1964:
    Roger Miller
    Best Gospel or Other Religious Recording (Musical):
    Great GospelGreat Gospel Songs – Tennessee Ernie Ford (Capitol)
    Best Folk Recording:
    We’ll Sing in the Sunshine – Gale Garnett (RCA)
    Best Instrumental Arrangement:
    The Pink Panther Theme – Henry Mancini, arranger
    Best Accompaniment Arrangement for Vocalist(s) or Instrumentalist(s):
    People – Peter Matz, arranger
    Best Instrumental Composition (Other Than Jazz):
    The Pink Panther Theme – Henry Mancini, Composer
    Best Instrumental Performance, Non-Jazz:
    The Pink Panther Theme – Henry Mancini
    Best Score From an Original Cast Show Album:
    Funny Girl – Jule Styne and Bob Merrill, composers (Capitol)
    Best Original Score Written for a Motion Picture or Television Show:
    Mary Poppins, Richard M. Sherman and Robert B. Sherman, composers
    Album of the Year, Classical:
    Bernstein, Symphony No. 3 (‘Kaddish’) – Leonard Bernstein conducting New York Philharmonic Orchestra (Columbia)
    Best Classical Performance, Orchestra:
    Mahler, Symphony No. 5 in C-Sharp Minor; Berg, ‘Wozzeck’ Excerpts – Erich Leinsdorf conducting Boston Symphony
    Best Chamber Performance, Instrumental:
    Beethoven, Trio No. 1 in E-Flat, Op. 1, No. 1 – Jascha Heifetz and Gregor Piatigorsky; Jacob LateinerJacob Lateiner, pianist
    Best Chamber Music Performance, Vocal:
    It Was a Lover and His Lass, Morley, Byrd and others – Noah GreenbergNoah Greenberg conducting New York Pro MusicaNew York Pro Musica
    Best Classical Performance, Instrumental Soloist(s) (With Orchestra):
    Prokofiev, Concerto No. 1 in D Major for Violin, Isaac Stern; Eugene Ormandy conducting Philadelphia Orchestra
    Best Performance, Instrumental Soloist (Without Orchestra):
    Vladimir Horowitz Plays Beethoven, Debussy, Chopin (Beethoven, Sonata No. 8 Pathetique; Debussy, Preludes; Chopin, Etudes and ScherzosScherzos 1’4) – Vladimir Horowitz
    Best OperaOpera Recording:
    Bizet, Carmen – Herbert von Karajan conducting Vienna Philharmonic Orchestra and Chorus; solos: Price, Corelli, Merrill and Freni (RCA)
    Best Classical Choral Performance (Other Than Opera):
    Britten, A Ceremony of Carols – Robert Shaw conducting Robert Shaw Chorale
    Best Classical Vocal Soloist Performance (With or Without Orchestra):
    Berlioz, Nuits d’Ete Falla: El Amor Brujo, Leontyne Price – Fritz Reiner conducting Chicago Symphony
    Best Classical Composition By a Contemporary Composer:
    Samuel Barber – Concerto
    Best Comedy Performance:
    I Started Out as a Child – Bill Cosby
    Best Documentary, Spoken Word or Drama Recording (Other Than Comedy):
    BBC Tribute  to John F. Kennedy, That Was the Week That Was, cast (Decca)
    Best Recording for Children:
    Mary Poppins, Julie Andrews and Dick Van Dyke (Buena Vista)
    Best Album Cover:
    People – Robert Cato, art director; Don Bronstein, photographer (Columbia)
    Best Album Cover, Classical:
    Saint-SaënsSaint-Saëns, Carnival of the Animals; Britten, Young Person’s Guide to the Orchestra – Robert Jones, art director; Jan Balet, graphic artist (RCA)
    Best Album Notes:
    Mexico (Legacy Collection) – Stanton Catlin and Carleton Beals, annotators (Columbia)