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Category: Music

  • 1938 Music: Popular Music, Songs and Artists

    1938 Music: Popular Music, Songs and Artists

    1938 Popular Music, Songs and Artists

    Al Donahue
    Jeepers Creepers
    The song made its first appearance in the 1938 film Going Places which starred Dick Powell Anita Louise and a future President of the United States Ronald Reagan. The song was actually sung to a horse by his trainer. The trainer was played by Louis Armstrong. The term Jeepers Creepers was actually a slang term for Jesus Christ and the term predated the movie and the song. In 2001 a film entitled Jeepers Creeper would appear in a horror movie. Jeepers Creepers would be heard right before the monster would appear.

    Andrews Sisters
    Shortnin Bread
    The origins of this song are vague. Although considered a traditional plantation song the first published record of the lyrics was 1900 by a white poet named James Whitcomb Riley. The song would then be revised and republished again in 1915 by E. C. Perrow. This is more the song that we know of today

    Here a recipe for Shortening Bread retrieved from the website Suite 101:
    2 cups all-purpose flour, ¼ teaspoon cinnamon, ¼ teaspoon nutmeg, 1 ½ teaspoons baking soda, ½ cup buttermilk, A quarter cup plus two tables spoons butter 1 cup molasses and 1 egg slightly beaten. Preheat your oven to 350 degrees and grease and flour a cast-iron skillet. In a small mixing bowl combine the flour, cinnamon, and nutmeg and set it aside. In another small dish dissolve the baking soda in the buttermilk. Set that aside also. In a heavy saucepan, stir the butter and molasses and bring it to a boil. Stir it constantly. Add the molasses mixture to the flour, Stir in and then add the buttermilk and soda and then the beaten egg. Pour the whole mixture into the skillet and place it in the oven. Bake for 25 to 30 minutes

    Bing Crosby
    You Must Have Been A Beautiful Baby
    With music by Harry Warren and Lyrics by Johnny Mercer, You Must Have Been A Beautiful Baby would be featured in Hard To Get and sung by Dick Powell. But it had been popular before the film’s release as it was recorded by Bing Crosby and became a mega-hit for the already famous crooner.

    Bob Hope and Shirley Ross
    Thanks For The Memories
    Bob Hope wasn’t exactly known for his singing voice, though he could carry a tune. This song is a bittersweet comedy romp through a couple’s breaking up. However, the song would become Hope’s theme song which he closed almost all of his shows. Mr. Hope would become famous for his patriotism especially during war years as he would travel the world to perform for American troops bringing along many celebrities of the day, usually beautiful women like Raquel Welch and Ann Margaret. The song would be done as a spoof on an Episode of The Golden Girls which guest-starred Hope. Sophia, played by Estelle Getty, would change the words to “Thanks for the Medicare.”

    Ella Fitzgerald
    A Tisket A Tasket
    The song is a reworked nursery rhyme that was originally published in the late 1800s. It was considered a rhyming game in the same way as Ring a Round the Rosie was done as children held hands and moved in a circular fashion. In 1938 Ella Fitzgerald updated the words of A Tisket A Tasket and turned in to one of the great Jazz Standards.

    Fats Waller
    Two Sleepy People
    This song was originally published in 1938 with music by Hoagy Carmichael and lyrics by Frank Loesser. Carmichael himself would record the song along with such artists as Bob Hope and Bing Crosby. Seth McFarlane would also record the song. The song is the story of two people who are so much in love they do not want to go to sleep. On a humorous note, the song would be recorded by Carroll O’Connor and Jean Stapleton as their characters of Archie and Edith Bunker.

    Fred Astaire
    Nice Work If You Can Get It
    The song was written by George and Ira Gershwin for the movie musical A Damsel in Distress. In the movie, the song was sung by Fred Astaire, who would turn it into a hit. The song became a part of the Gershwin musical Crazy For You and eventually would have a Broadway show of its own named after it.

    Adriana Caselotti
    Whistle While You Work
    Whistle While You Work was written for Walt Disney’s first full-length cartoon Snow White and the Seven Dwarfs by Frank Churchill, music and Larry Morey, lyrics. The movie was a huge risk for Disney as a full length animated film had never been attempted before. The song is an upbeat encouragement sung by Snow White as she cleans up the Dwarfs Cottage with the help of the good forest animals. The movie would go on to win Disney a special Academy Award made with one large oscar statue and seven smaller ones. The award was presented to Mr. Disney by child actress Shirley Temple.

    Walter Huston
    September Song
    This 1938 popular song was written by Kurt Weill, music and Maxwell Anderson, lyrics for the show Knickerbocker Holiday. The show would have a successful run but the song would outlive the show. September Song would be recorded by such artists as Bing Crosby and Nat King Cole. Opera and Broadway star Enzio Pinza would also make a recording of this song shortly before his death. The song would go on to be used in the 1950 film September Affair.

    Top Artists and Songs of 1938

    Al Donahue
    Jeepers Creepers
Allan Jones
Donkey Serenade
Andrews Sisters
Bei Mir Bist Do Schoen
Shortnin’ Bread
Andy Kirk
I Won’t Tell A Soul (That I Love You)
Artie Shaw
Any Old Time
Begin The Beguine
They Say
Benny Goodman
Don’t Be That Way
Billie Holiday
I’m Gonna Lock My Heart
Bing Crosby and Connee Boswell
Alexander’s Ragtime Band
Bing Crosby
I’ve Got A Pocketful of Dreams
Mexicali Rose
You Must Have Been A Beautiful Baby
Bob Hope and Shirley Ross
Thanks For The Memory
Boswell Sisters
Alexander’s Ragtime Band
Bunny Berigan
I Can’t Get Started
Carmen Miranda
Camisa Listada
Count Basie
Jumpin’ At The Woodside
Panassie Stomp
Duke Ellington
I Let A Song Go Out Of My Heart
Ella Fitzgerald
A-Tisket A-Tasket
Fats Waller
Two Sleepy People
Fred Astaire
Change Partners
Nice Work If You Can Get It
The Yam
Guy Lombardo
Ti-Pi-Tin
Horace Heidt
Ti-Pi-Tin
Jimmy Dorsey
Change Partners
Deep Purple
Kay Kyser
The Umbrella Man
Kokomo
Goin’ Down In Galilee
Larry Clinton
Always and Always
Cry, Baby, Cry
Heart and Soul
Martha
My Reverie
You Go To My Head
Martha Tilton
I Let A Song Go Out Of My Heart
Mildred Bailey
So Help Me
Ray Noble
Alexander’s Ragtime Band
Red Norvo and his Orchestra
Please Be Kind
Robert Johnson
Honeymoon Blues
Stop Breakin’ Down Blues
Russ Morgan
I’ve Got A Pocketful of Dreams
Sammy Kaye
Love Walked In
Seven Dwarfs
Whistle While You Work
Shep Fields and his Ripplin’ Rythm Orchestra
Cathedral In The Pines
Whistle While You Work
Sidney Bechet
Summertime
Slim and Slam
The Flat Foot Floogie
Tampa Red
Lua Mae
Tommy Dorsey
Boogie Woogie
Music, Maestro, Please
My Own
Now It Can Be Told
Tommy Trinder
I Don’t Do Things Like That
Walter Huston
September Song
Woody Herman
Four Brothers
  • 1937 Music: Popular Music, Songs and Artists

    1937 Music: Popular Music, Songs and Artists

    1937 Popular Music, Songs and Artists

    Judy Garland
    (Dear Mr. Gable) You Made Me Love You
    The song was originally written by James Monaco with lyrics by Joseph McCarthy, and simply title You Made Me Love You. According to Hollywood legend, this song was written or adapted for Judy Garland to sing to Clark Gable on the occasion of the star’s birthday. It was so well received that the song made it into the film Broadway Melody of 1938. The legend is more than likely true as Louis B Mayer, the head of MGM treated his contracted “stars” as his own family. He gave lavish parties on a regular basis. Many of these parties would be filmed and shown as extras before or after an MGM movie. The original song would be recorded over and over by artists such as Debbie Reynolds Al Jolson and Harry James.

    Eddie Duchin
    De-Lovely
    Another hit from the Cole Porter musical Anything Goes, this song would reappear over and over again as the Musical is revived on a regular basis. The song is sung by the hero of the musical Billy Crocket who is a stowaway on the ship where the musical takes place. Though song by the male lead in the show the song would go on to become more associated with Ethel merman as she would record it several times. In the video presented here the song is sung by Torchwood’s John Barrowman. The song would become the title of the movie musical biography of Cole Porter’s life.

    Fred Astaire
    They Can’t Take That Away From Me
    The song is another standard first performed by Fred Astaire. Written by George and Ira Gershwin the song would make an appearance in the musical Shall We Dance. But go on to recorded many times by such stars as Frank Sinatra, Rod Stewart and Harry Connick Jr. They Can’t Take That Away From Me was also used in Kenneth Branagh’s 2000 film adaptation of William Shakespeare’s Loves Labors Lost.

    Ray Noble
    I’ve Got My Love To Keep Me Warm
    Written by Irving Berlin and first introduced in the film On The Avenue with Dick Powell and Alice Faye, two major film stars of the time, the song would go on to be interpreted by different artists in different ways. First, the song was recorded as a love song, but then also recorded as a Christmas song. The same thing would happen to songs like Baby It’s Cold Outside and Winter Wonderland. Not necessarily a specific Christmas song but somehow associated with the holiday. Jackie Gleason would record the song as well as Bing Crosby and Bette Midler. The song would come to life when it was used as the Finale for the Broadway Musical Irving Berlin’s White Christmas.

    Frances Langford
    Harbor Lights
    The song was originally written and performed in Polish by Hugh Williams (pseudonym for Will Grosz) with lyrics by Henryk Szpilman and translated by Jimmy Kennedy. The song was finally officially published in 1950 13 years after its initial recording. Notable artists who recorded the song would include, Bing Crosby Elvis Presley and The Platters.

    Sophie Tucker
    The Lady is a Tramp
    This song was originally written for the Broadway Show Babes in Arms by Rodgers and Hart. The Broadway show was about a group of young people rebelling against certain forms of etiquette, but when the show was turned into a film starring Judy Garland and Mickey Rooney the story revolved around a group of kids trying to break into show business. This would be one of the musicals where the kids get together and do a show in a barn. This was a theme for more than a few film musicals of the time. Though recorded most notably by Frank Sinatra, the song would come again into the film arena when sung as a duet by the characters of Puck and Mercedes in GLEE.

    Hal Kemp
    Where or When
    This song is also from the Broadway musical Babes in Arms, Written by Richard Rodgers and Larry Hart. The song is a love song that has been recorded and re-recorded many times. The song may also be the first to have the experience of Déjà-Vu as it’s a central theme the song is sung by a lover who believes he or she is experiencing again the time spent with his her beloved, even though it couldn’t have happened. The music is haunting and the lyrics are beautiful. The song has been recorded by over 100 different artists. Some notable recordings are Julie Andrews, Judy Collins, The Beach Boys, Barbra Streisand, Mandy Patinkin and George Michael.

    Jeannette McDonald and Nelson Eddie
    Indian Love Call

    Some would question that this song should be included in a list of the most popular songs or in songs most remembered, but the song was hugely popular in its time and would go on to be a song used in comedy shows and sketches. The song has it’s origins in a 1924 musical operetta called Rose-Marie. The music was written by Rudolf Friml and Herbert Stothart, and book and lyrics by Otto Harbach and Oscar Hammerstein II, The show would go on to have four film versions made.
    The Most popular of these versions would be the one made by Jeannette McDonald and Nelson Eddie. McDonald and Eddy would become one of America’s favorite couples and along with Gable and Lombard, Tracy and Hepburn and Judy Garland and Mickey Rooney.

    Top Artists and Songs of 1937

    Benny Goodman
    Goodnight, My Love
    Sing, Sing, Sing (With A Swing)
    This Year’s Kisses
    Billie Holiday
    Carelessly
    I’ve Got My Love To Keep Me Warm
    Bing Crosby and Connee Boswell
    Bob Hite (Whatcha Gonna Swing Tonight?)
    Bing Crosby and Jimmy Dorsey
    Never in a Million Years
    Too Marvelous for Words
    Bing Crosby
    Blue Hawaii
    Remember Me
    Sweet Leilani
    The Moon Got In My Eyes
    Bob Crosby and his Orchestra
    Whispers in the Dark
    Bob Wills and his Texas Playboys
    Steel Guitar Stomp
    Bunny Berigan
    The First Time I Saw You
    Claude Thornhill and his Orchestra
    Harbour Lights
    Count Basie
    One O’Clock Jump
    Duke Ellington
    Caravan
    Crescendo in Blue
    Eddie Duchin
    It’s De-Lovely
    Moonlight and Shadows
    Ella Fitzgerald
    Goodnight, My Love
    Fats Waller
    Smarty
    Frances Langford
    Harbour Lights
    Once in a While
    Fred Astaire and Ginger Rogers
    Let’s Call the Whole Thing Off
    Shall We Dance?
    They All Laughed
    Fred Astaire
    Nice Work If You Can Get It
    They Can’t Take That Away From Me
    Glen Gray
    I’ve Got My Love To Keep Me Warm
    Gus Arnheim
    So Are
    Guy Lombardo
    A Sailboat in the Moonlight
    Boo Hoo
    It Looks Like Rain In Cherry Blossom Time
    September in the Rain
    So Rare
    Hal Kemp
    This Year’s Kiss
    Where or When
    Henry Busse and his Orchestra
    With Plenty of Money and You
    Horace Heidt
    Gone With the Wind
    Jeanette MacDonald and Nelson Eddie
    Indian Love Call
    Jimmy Lunsford
    For Dancers Only
    Judy Garland
    (Dear Mr. Gable) You Made Me Love You
    Larry Clinton
    True Confession
    Margaret McCrae
    This Year’s Kisses
    Mildred Bailey
    Rockin’ Chair
    Where Are You
    Ray Noble
    I’ve Got My Love To Keep Me Warm
    Robert Johnson
    From Four Till Late
    Hellhound on My Trail
    Rudy Vallee and his Connecticut Yankees
    Vieni Vieni
    Russ Morgan
    The Merry-Go-Round Broke Down
    Sammy Kaye
    Rosalie
    Shep Fields and His Rippling Rhythm Orchestra
    Thanks For The Memory
    The Merry-Go-Round Broke Down
    Sophie Tucker
    The Lady Is A Tramp
    Teddy Wilson and his Orchestra
    You Can’t Stop Me From Dreaming
    Tommy Dorsey
    Big Apple
    Marie
    Once In A While
    Satan Takes A Holiday
    Song of India
    The Dipsy Doodle
    The Lady is a Tramp
  • 1936 Music: Popular Music, Songs and Artists

    1936 Music: Popular Music, Songs and Artists

    1936 Popular Music, Songs and Artists

    Bing Crosby
    Pennies from Heaven
    Was the creation of, Arthur Johnston, music and Johnny Burke, lyrics and sung by Bing Crosby in a film that bore the same title. Frank Sinatra and Dean Martin would record the song. Most recently it was used in the otherwise silent 2011 film The Artist.

    Fred Astaire
    The Way You Look Tonight
    Jerome Kern wrote the music for this popular song with lyrics by Dorothy Fields. It was first introduced in the Fred Astaire and Ginger Rogers film Swing Time, but sung in the film by Miss Rogers. This song would have a long and happy ride across the decades, being recorded by many and used in various ways. The song would hit the charts at #13 in 1961 when sung by The Lettermen. And would also be used in a Kodak Commercial and included on an album that included all the popular songs Kodak would use for advertising. When Dorothy Fields heard the melody for the first time she reported that she “went out and cried.” It has been recently recorded by Olivia Newton-John, Phil Collins, Harry Connick, Jr., Rod Stewart, Michael Bublé,

    Bing Crosby
    I’m An Old Cowhand
    This is considered a comic song and was written by Johnny Mercer for the film Rhythm on the Range which starred Bing Crosby. Crosby would also sing the song in the movie. Crosby recorded the song with Jimmy Dorsey and His Orchestra and it would become a hit for 1936. It has been sung Roy Rodgers and Frank Sinatra. In an Episode of I Love Lucy the song would be sung by Vivian Vance and Lucille Ball as their characters of Ethel Mertz and Lucy Ricardo.

    Benny Goodman
    The Glory of Love
    The song was originally recorded by Benny Goodman and written by Billy Hill. In 1951 the song would be recorded by The Five Keys and would be on the charts at the number one on four different weeks of that year. The song would be recorded by artists as diverse as Dean Martin and Bette Midler. Miss Midler would record the song for her 1988 film entitled Beaches which co-starred Barbara Hershey.

    Marion Anderson
    He’s Got The Whole World In His Hands

    He’s Got The Whole World In His Hands is a Christian Spiritual whose origins are unknown. It was first published in 1927 in a paperback hymnal. It would be recorded by Artists such as Marion Anderson as well as Mahalia Jackson. In 1958 the song would hit the number one spot on the list of songs most played by jockeys. English singer Laurie London recorded this version of the song with the Geoff Love Orchestra

    Ray Noble
    I’ve Got You Under My Skin

    Written by Cole Porter the song was first performed for the MGM musical Born To Dance. It was nominated for Best Song for The Academy Awards. This song would go on to be a signature song for Frank Sinatra and a number ten hit for The Four Seasons in 1966.

    Leo Reisman
    It Ain’t Necessarily So

    This popular song is operatic in its origin as it was written by George and Ira Gershwin for their opera Porgy and Bess. In the Opera, the song is sung by the villain of the piece whose name is Sportin’ Life. In the song, he is arguing about parts of the Bible. It is curious to note that this song would be a hit the same year as He’s Got The Whole World In His hands. The song is sung by black performers and written for a black character, but it has also been recorded by white performers such as Cher, The Moody Blues, and Brian Wilson.

    Benny Goodman
    Goody Goody
    This song was written by Matty Malneck, music and Johnny Mercer Lyrics. Originally recorded by Benny Goodman and His Orchestra, The song has been used on The Muppet Show and be recorded by such artists as Frank Sinatra. In 2007 the song would be recorded by The BBC Orchestra for the film, The Water Horse: Legend of the Deep.

    Top Artists and Songs of 1936

    Andy Kirk
    Christopher Columbus
    Lotta Sax Appeal
    Until The Real Thing Comes Along
    What Will I Tell My Heart
    Benny Goodman
    Glory of Love
    Goody Goody
    It’s Been So Long
    Stardust
    Stompin’ At The Savoy
    These Foolish Things (Remind Me Of You)
    You Turned The Tables On Me
    Billie Holiday
    No Regrets
    Summertime
    These Foolish Things (Remind Me of You)
    Bing Crosby
    I’m An Old Cowhand
    Pennies From Heaven
    Robins and Roses
    Would You?
    Bob Wills and his Texes Playboys
    Steel Guitar Rag
    Eddy Duchin
    I’ll Sing You a Thousand Love Songs
    Lights Out
    Moon Over Miami
    Pennies From Heaven
    Take My Heart
    Fats Waller
    All My Life
    It’s A Sin To Tell A Lie
    Fred Astaire
    A Fine Romance
    I’m Putting All My Eggs In One Basket
    Let Yourself Go
    The Way You Look Tonight
    Guy Lombardo
    Lost
    When Did You Leave Heaven?
    Hal Kemp
    There’s A Small Hotel
    When I’m With You
    Jan Garber
    A Beautiful Lady In Ble
    A Melody From The Sky
    Jimmy Dorsey
    IsIt True What They Say About Dixie?
    Jimmy Lunceford
    Organ Grinder’s Swing
    Leadbelly
    Goodnight Irene
    Leslie A Hutchinson
    These Foolish Things (Remind Me Of You)
    Marian Anderson
    He’s Got The Whole World In His Hands
    Ray Noble
    I’ve Got You Under My Skin
    Robert Johnson
    32 20 Blues
    Cross Road Blues
    Kind Hearted Woman Blues
    Roy Achuff
    Great Speckled Bird
    Shep Fields andhis Ripplin Rhythm Orchestra
    Did I Remember?
    Easy To Love
    In The Chapel in the Moonlight
    Tommy Dorsey
    Alone
    I’m Getting Sentimental Over You
    Stardust
    You
  • 1935 Music: Popular Music, Songs and Artists

    1935 Music: Popular Music, Songs and Artists

    1935 Popular Music, Songs and Artists

    Shirley Temple
    On The Good Ship Lollipop
    The first song by the child star for her 1934 film BRIGHT EYES, This song would go on to become Miss Temple’s trademark. Miss temple would go on to be featured and star in many films, but eventually, leave show-business and pursue a successful career in The United Nations and The State Department. She is now retired.

    Fred Astaire
    Cheek To Cheek
    Two Legends – One Song. Irving Berlin wrote Cheek to Cheek for Astaire’s Top Hat (#7 below), which co-starred his most well-known partner Ginger Rodgers.
    Astaire was not as well known for singing capabilities so much as his incredible dancing ability. Debbie Reynolds tells of him spending hours and hours practicing with the choreographer Hermes Pan. Mr. Astaire was a consummate hard-working professional who strived for perfection through hard work.

    Glen Gray

    Blue Moon
    Written by Rogers and Hart, this one song that tends to make a regular comeback, originally recorded by Glenn Gray and The Casa Loma Orchestra. The Marcels made it a number on the Billboard charts in 1961. Gray was a saxophonist that fronted the orchestra. His name appeared on most of the recordings from 1934 on.

    Cole Porter
    You’re The Top
    Originally sung by Ethel Merman in the Porter musical Anything Goes. This recording was made by the composer, lyricist himself, Cole Porter. Mr. Porter was born in 1891 and is a legend of the Broadway stage. A musical film of his life was made in 2004 and titled De-Lovely (another song from Anything Goes). The movie starred Kevin Kline and Ashley Judd.

    Eddie Duchin
    I Won’t Dance
    This song was written by Jerome Kern with lyrics by Oscar Hammerstein and Otto Harbach for a 1934 musical called Three Sisters which opened in London and flopped. When it was decided to film the Broadway show Roberta the song was re-worked by Kern and Harbach and included in the movie.

    Ethel Merman
    I Get a Kick Out of You

    This is another hit out of Cole Porter’s Anything Goes. The musical legends of both Porter and Merman would grow out of this musical as they both become stars on the musical sky. One thing that should be mentioned here is that there is a line from the song that would be cut and reinstated over the years as the harmfulness of drugs was discovered and being true to a creator’s original work was argued out. The Line is “I get no kick from cocaine, even if I took one little sniff it would bore me incredibly too. But I get a kick out of you.”

    Fats Waller
    I’m Gonna Sit Right Down and Write Myself a Letter
    With music by Fred E. Ahlert and lyrics by Joe Young, this song would become part of what is known as The Great American Song Book. The book itself doesn’t exist but it’s meaning is clear. If a song has lasted for a certain number of years and is retained in people’s memory, then it is part of the book. Many songs from different periods of American Music still come up today, some of them in commercial jingles, others as part of a movie score. This song haunts our collective memory, and I’m Gonna Sit Right Down and Write Myself A Letter is included in these songs. The Song was recorded several times throughout the 20th century by Frank Sinatra, Bing Crosby, and Barry Manilow.

    Richard Himber and his Orchestra
    It Was Just One Of Those Things
    Written by Cole Porter for the musical Jubilee, this song would take on a life of its own as it was recorded over the years by several artists. Twice by Doris Day for two of her films, Lullaby of Broadway and Young At Heart. Frank Sinatra and Bing Crosby and Lena Horne recorded it. It was used in JD Salinger’s novel as the narrator says of the song even the “stinking band” in the hotel lounge “couldn’t ruin it entirely.” A line from the song, “goodbye farewell amen,” was used as the title for the last episode of the hit series MASH. John Barrowman of TV’s Torchwood has recorded the song for the twenty-first century.

    The Dorsey Brothers
    The Lullaby of Broadway
    Harry Warren wrote the music for this song and lyrics by Al Dubin, the song made its first appearance in the film, Gold Deggirs of 1935. That same year it was also used as background music in a scene from the Bette Davis movie Special Agent. It would eventually win the 1936 Academy Award for Best Original Song. The song would grow in popularity and would have a film named after it in 1951 starring Doris Day. It would be used in a Merrie Melody cartoon and would become a pivotal song in the plot of the Broadway version of 42nd St. sung by Jerry Orbach, Lumiaire of the film Beauty and The Beast.

    Louis Armstrong
    You Are My Lucky Star
    Recorded by Louis Armstrong, the song would go on to be recorded in the film Broadway Melody of 1936. But the song would become an important part of MGM musicals when Debbie Reynolds sang it in what some call the most important movie musical of all time, Singin In The Rain.

    Top Artists and Songs of 1935

    Al Bowlly and the Ray Noble Orchestra
    Blue Moon
    Ballew Smith
    Roll Along, Prairie Moon
    Benny Goodman
    Blue Moon
    King Porter Stomp
    Bing Crosby
    I Wished The Moon
    It’s Easy To Remember
    Red Sails in the Sunset
    Soon
    Bob Crosby and his Orchestra
    In a Little Gypsy’s Tea Room
    Boswell Sisters
    The Object of my Affection
    Cab Calloway
    Keep That Hi-De-Hi in Your Soul
    Carmen Miranda
    Sonho de Papel
    Cole Porter
    You’re The Top
    Duke Ellington
    In a Sentimental Mood
    Eddie Duchin
    Cheek To Cheek
    I Won’t Dance
    Lovely To Look At
    You Are My Lucky Star
    Ethel Merman
    I Get A Kick Out Of You
    Fats Waller
    A Little Bit Independent
    I’m Gonna Sit Right Down and Write Myself A Letter
    Lulu’s Back In Town
    Truckin’
    Fred Astaire
    Cheek To Cheek
    No Strings
    The Piccolino
    Top Hat, White Tie and Tails
    Gene Autry
    Ole Faithful
    Tumbling Tumbleweeds
    George Formby
    Fanlight Fanny
    Glen Gray
    Blue Moon
    When I Grow Too Old To Dream
    Guy Lombardo
    I’m Sittin’ High on a Hill Top
    Red Sails In The Sunset
    What’s The Reason (I’m Not Pleasin’ You)
    Irene Dunne
    Lovely To Look at
    Jimmy Lunceford
    Rhythm Is Our Business
    Leo Reisman
    I Got Plenty O’ Nuttin’
    It Ain’t Neccessarily So
    Little Jack Little
    I’m In The Mood For Love
    Louis Armstrong
    I’m In The Mood For Love
    You Are My Lucky Star
    Nelson Eddie
    Ah! Sweet Mystery of Life
    Ozzie Nelson and his Orchestra
    And Then Some
    Patsy Montana and the Prairie Ramblers
    I WAnt To Be A Cowboy’s Sweetheart
    Ray Noble
    Isle of Capri
    Let’s Swing It
    Paris in the Spring
    Richard Himber and his Orchestra
    Just One Of Those Things
    Riley-Farley Orchestra
    The Music Goes Round and Round
    Ruth Etting
    Life Is A song
    Shirley Temple
    On The Good Ship Lollipop

    Sleepy John Estes
    Stop That Thing

    The Carter Family
    Can The Circle Be Broken (Bye and Bye)
    The Dorsey Brothers
    Chasing Shadows
    Lullaby of Broadway
    Tom Coakley and his Palace Hotel Orchestra
    East of the Sun, West of the Moon
    Tommy Dorsey
    On Treasure Island
    Victor Young
    She’s a Latin From Manhattan
    Western Brothers
    We’re Frightfully BBC
    Xavier Cugat
    Begin the Beguine
    The Lady In Red
  • 1934 Music: Popular Music, Songs and Artists

    1934 Music: Popular Music, Songs and Artists

    1934 Popular Music, Songs and Artists

    Ben Selvin
    I Only Have Eyes For You
    Composed by Harry Warren with lyrics by Al Dubin, the song written in 1934 for the film Dames where Dick Powell and Ruby Keeler sang it. The song would continue to be recorded throughout the century by such artists as Frank Sinatra the Temptations and in 1959 by The Flamingos. This recording would make it to #11 on Bill Boards Top 100. The song was used in such movies as American Graffiti, The Right Stuff and Warner Brothers Merrie Melody Cartoons.

    Don Bestor
    42nd Street
    42nd St. is the title and the title song of a 1933 movie musical Starring Ruby Keeler. The song would go on to be popular the movie would end up as two major Broadway productions and many songs from the show would become standard.

    Ethel Merman
    You’re The Top
    The song comes from the 1934 musical Anything Goes whose score was written by the great Cole Porter and told the story of a ship’s stowaway that falls in love with an heiress on the ship. The song was hit at the time especially when sung by its original performer Ethel Merman. This would be the first time Miss Merman would be on the charts but her popularity on Broadway would make her a star not soon to be forgotten.
    You’re The Top would be used in many other shows and be recorded by many artists such as Barbara Streisand and John Barrowman The show would be revived many times and continues to be performed in the 21st century. Recently the song was sung by Rachel Berry’s two dads in GLEE.

    Fats Waller
    Honey Suckle Rose
    The song was originally composed in 1928 by Fats Waller, with lyrics by Andy Razaf. Waller finally recorded it in 1934, and this recording was inducted into the Grammy Hall of Fame in 1999. Lena Horne and Louis Armstrong recorded it and featured it in an MGM Musical.

    Jimmy Durante
    Inka Dinka Doo
    Inka Dinka Doo was written by Ben Ryan, with music composed by James Francis “Jimmy” Durante. The song debuted in the 1934 movie Palooka. Durante’s song would become a hit for him but it also would become his signature song. He would begin and end his radio program with it. One of the truly interesting facts about the song is one of the other top songs of the year, You’re The Top, would mention Durante’s name in the lyrics.

    Leo Reisman
    The Continental
    The song was written by Con Conrad with lyrics by Herb Magidson and introduced by Ginger Rogers in the 1934 film The Gay Divorcee, Co-starring Fred Astaire.”The Continental” was the first song to win the Academy Award for Best Original Song. It was also used in an episode of I Love Lucy.

    Ruth Etting
    Smoke Gets In Your Eyes
    This song was written by composer Jerome Kern and lyricist Otto Harbach for the 1933 musical Roberta. It was performed in the show by Tamara Drasin. In 1935, Irene Dunne would perform the song for the film adaptation of the Broadway hit. The film co-starred Fred Astaire and Ginger Rogers. The song would continue to be performed throughout the 20th century by such artists as Nat King Cole, Jody Garland and Eartha Kitt (TVs Catwoman). The song would reach number three on the R&B Charts in 1959 when recorded by The Platters

    Sons of the Pioneers
    Tumbling Tumbleweed
    The song was composed by Bob Nolan and is probably one of the most popular “cowboy” songs ever written. The interesting point of this song is that it was composed by Nolan while working as a caddy in Los Angeles. The was originally titled “Tumbling Tumble Leaves but the song was reworked and re-named. The song would gain even more success when Gene Autry sang it in his movie of the same name.

    Rudy Vallee And His Connecticut Yankees
    You Oughta Be In Pictures
    Written by Dana Seuss and Richard Heyman, the song would be first performed in The Ziegfeld Follies of 1934 by Rudy Vallee and His Connecticut Yankees who would also record the song. In the same year, Looney Toons would use the title in a song starring Porky Pig and Daffy Duck.

    Take our 1934 Quiz!

    Top Artists and Songs of 1934

    Ben Selvin
    I Only Have Eyes For You
    Benny Goodman
    Moon Glow
    Bessie Smith
    Gimme A Pigfoot and a Bottle of Beer
    Bing Crosby
    Love In Bloom, June In January, Two Cigarettes In The Dark, Little Dutch Mill, Love Is Just Around The Corner, Straight From The Shoulder
    Cab Calloway and his Orchestra
    (Hep-Hep!) The Jumpin Jive, Chinese Rhythm
    Carmen Miranda
    Na Batucada da Vida
    Chick Webb
    I Can’t Dance (I Got Ants In My Pants), What a Shuffle, Stompin’ At The Savoy
    Don Bestor
    Forty-Second Street
    Duke Ellington
    Cocktails For Two, Solitude, Delta Serenade, The Saddest Tale
    Eddie Duchin
    Let’s Fall In Love, I Only Have Eyes For You
    Emil Velasco
    Old Spinning Wheel
    Enric Madriguera
    The Carioca
    Ethel Merman
    You’re The Top
    Fats Waller
    Honeysuckle Rose
    Fred Astaire
    Flying Down To Rio
    Freddy Martin
    April In Paris, I Saw Stars
    Glen Gray
    Champagne Waltz
    Grace Moore
    One Night of Love
    Guy Lombardo
    Stars Fell on Alabama
    Harry Sosnick and the Edgewater Beach Orchestra
    The Carioca
    Henry King
    April In Paris
    Henry Rose
    Hot Lips
    Isham Jones
    For All We Know
    Jan Garber
    All I Do Is Dream Of You
    Jane Froman
    I Only Have Eyes For You
    Jimmie Lunceford
    Stratosphere
    Jimmy Durante
    Inka Dinka Dpp
    Jimmy Greer and his Orchestra
    Stay As Sweet as You Are, The Object of my Affection
    Leo Reisman
    The Continental (You Kiss While You’re Dancing)
    Lucienne Boyer
    Hands Across The Table
    Mario Reis
    Agora & Cinza
    Paul Whiteman
    I Get A Kick Out Of You, You’re The Top, Smoke Gets In Your Eyes, Wagon Wheels
    Ray Noble
    The Very Thought Of You, Old Spinning Wheel
    Rudy Vallee and his Connecticut Yankees
    You Outta Be In Pictures
    Ruth Etting
    Smoke Gets In Your eyes
    Scott Wood and His Orchestra
    I Only Have Eyes For You
    Sons of the Pioneers
    Tumbling Tumbleweeds
    Ted Fio Rito
    My Little Grass Shack in Kealakekua Hawaii, I’ll String Along With You
  • 1933 Music: Popular Music, Songs and Artists

    1933 Music: Popular Music, Songs and Artists

    1933 Popular Music, Songs and Artists

    You’re Getting To Be A Habit With Me
    Young And Healthy
    The Gold Diggers Song (We’re In The Money)
    Shuffle Off To Buffalo

    These four songs originated in the film 42nd Street. The movie musical was made by Warner Brothers Studios and starred Ruby Keeler. The musical also starred Ginger Rodgers and Dick Powell, who would go on to star in The Thin Man movie series. This movie was a milestone for the film industry. It was the first film choreographed by Busby Berkeley. Berkeley would move onto to MGM where he would be a major contributor to the films starring Mickey Rooney and Judy Garland.

    42nd Street told the story of an unknown that goes to her first audition and is hired but then ends up as the star when the lead hurts herself. The movie would be popular for years, but in 1980 the movie would go to Broadway starring Jerry Orbach and Tammy Grimes. 42nd Street would the Tony Award for best musical in 1981. A major revival would be launched in 2001.

    Don Bestor and his Orchestra
    Who’s Afraid of the Big Bad Wolf

    This song was originally written for The Disney short, The Three Little Pigs. The song was written by Frank Churchill with additional lyrics by Ann Ronell. The song would become incredibly popular and would become a classic children’s song. It would last long after 1933 and be recorded by many different artists including Barbra Streisand. Significantly this song would be the first song from a Disney film to appear on the charts, there would be many more to follow.

    Ethel Waters
    Stormy Weather
    This song was written in 1933 by Harold Arlen and Ted Koehler. Ethel Waters first sang it at The Cotton Club night club in Harlem in 1933 and then recorded it later that year. Stormy Weather would become even more popular when recorded by Lena Horne in 1942. She would record the song again for a film that used the song as its title.

    Duke Ellington
    Sophisticated Lady
    Was originally composed as an instrumental in 1932 by Duke Ellington and Irving Mills, Words were added by Mitchell Paris and Ellington liked them, but they didn’t go with his original conception of the song. Still the following year the song would become a hit. Linda Ronstadt and the band Chicago would also record the song.

    Henry King and his Orchestra
    April in Paris
    This song composed by Vernon Duke with lyrics by E. Y. Harburg in 1932 for the Broadway musical, Walk A Little Faster. The musical itself would be forgotten but the song would move and be recorded by Glenn Miller Doris Day and Tommy Dorsey.

    Leo Reisman and Clifton Webb
    Easter Parade

    Written by Irving Berlin in 1933 for the musical As Thousands Cheer, Easter Parade would go on to be sung by Bing Crosby in the movie Holiday Inn which would introduce the song White Christmas and then would be sung by Fred Astaire and Judy Garland in a film named after the song. Easter Parade is a song celebrating the tradition of The Easter Parade which goes on all over America on Easter Sunday.

    Wayne King
    Blue Danube
    Was written by Johann Strauss II in 1865 and would be performed for the first time in 1866. The piece would make its American debut in 1867. The piece would have words added by poet Joseph Wey and Strauss would later write additional music for the piece. The song was not immediately popular but in the end, would be one of Strauss’s best compositions. The song would become popular again when it was used in the Stanley Kubrick film 2001: A Space Odyssey.

    Top Artists and Songs of 1933

    Ben Bernie
    Let’s All Sing Like The Birdies Sing
    Bing Crosby
    Just An Echo In The Valley, You’re Getting To Be A Habit With Me, I’ve Got To Sing A Torch Song, Shadow Waltz, Thanks, Temptation, Thanks, The Day You Came Along, Did You Ever See A Dream Walking?, We’ll Make Hay While The Sun Shines, The Last Round-Up, Young and Healthy
    Carmen Miranda and Mario Reis
    Alo Alo
    Dick Powell
    Gold Deggir’s Song (We’re In The Money)
    Don Bestor and his Orchestra
    Who’s Afraid of the Big Bad Wolf?, Shuffle Off To Buffalo, The Last Round-Up
    Duke Ellington
    Sophisticated Lady, Drop Me Off At Harlem, I’m satisfied, In The Shade of the Old Apple Tree
    Eddie Duchin
    Hold Me, Did You Ever See A Dream Walking?, Night and Day
    Ethel Waters
    Stormy Weather
    Gene Autry
    The Last Round-Up
    George Olson
    The Last Round-Up
    Greta Keller
    Lover (Rogers and Hart)
    Guy Lombardo
    The Last Round Up, Lover (Rogers and Hart), Stormy Wather (Keeps Rainin’ All The Time)
    Hal Kemp
    Shuffle Off To Buffalo
    Henry King and his Orchestra
    Aoril In Paris
    Joe Venuti and his Blue Six
    Jazz Me Blues
    Leo Reisman & Clifton Webb
    Easter Parade
    Leo Reisman
    Yesterdays, Stormy Weather
    Louis Armstrong
    Hobo You can’t Ride This Train, That’s My Home, I Gotta Right To Sing The Blues
    Mae West
    I Like a Guy What Takes His time
    Paul Whiteman
    Lover (Rogers and Hart), a Faewell to Arms, It’s Only A Paper Moon, You’re An Old Smoothie, Rise N Shine, Eadie Was a Lady
    Ray Noble
    Love Is The Sweetest Thing
    Spike Hughes and his All-American Orchestra
    How Come You Do Me Like You Do
    Ted Fio Rito
    Hold Me
    Ted Weems
    Gold Deggir’s Song (We’re In The Money)
    Ted Williams
    Lazybones
    Victor Young
    The Last Round-Up
    Wayne King
    Blue Danube

     

  • 1932 Music: Popular Music, Songs and Artists

    1932 Music: Popular Music, Songs and Artists

    1932 Popular Music, Songs and Artists

    Bing Crosby
    Brother Can You Spare A Dime

    This song could be considered the theme song of the entire decade of the 1930s. The ’30s was the era of the Great Depression where millions of Americans were out of work and some incredibly successful people found themselves in bread lines. The lyrics to this song and the very sad music reflect the desperation of the times. Written in 1931 by lyricist E. Y. “Yip” Harburg and composer Jay Gorney, “Brother, Can You Spare a Dime?” was introduced in the 1932 musical New Americana. The song would go on to be recorded by such artists as Rudy Vallee and Bing Crosby. It would continue to be recorded throughout the century. George Michael would record the song for his 1999 album Songs from the Last Century. The song was used in a poignant moment in the television comedy The Golden Girls.

    Cab Calloway
    I’ve Got The World on a String
    The song was written in 1932 and composed by Harold Arlen, with lyrics written by Ted Koehler. The song was introduced by Cab Calloway and Bing Crosby and would continue to be recorded throughout the decade by many popular songsters including Frank Sinatra, Barry Manilow and Michael Buble.

    Fred Astaire and Leo Reisman
    Night and Day
    This song was written by Cole Porter and performed in the musical The Gay Divorcee. Fred Astaire recorded the song and it made it to the # 1 spot. He would again perform the song in the film version of the show. This song is considered to be one of Cole Porter’s finest songs. This song was so connected to Cole Porter that the biopic made in the 1940s about the composer was titled Night and Day. The song would go on to be recorded by celebrities as diverse as Frank Sinatra and Ringo Starr. The song would be recorded and song again in a second biography film of Cole Porter called Devovely. This time the song was sung by John Barrowman, TVs Captain Jack Harkness, and Keven Kline

    Paul Whiteman
    Willow Weep For Me
    The song was written by Ann Ronell. Willow Weep For ME would be considered a jazz standard but would be recorded again in 1964 by Chad and Jeremy and would make it into the top 40s that year.

    How Deep Is The Ocean is a love song by Irving Berlin. This is one of the few Berlin songs that was introduced directly by the radio and not part of a Broadway show. The song is a series of questions that describe love by comparison. “The first line sets the tone for the song, “How much do I love you, I’ll tell you no lie, how deep is the Ocean, how high is the sky?” The song would be recorded by such great 20th century artists as Frank Sinatra, Julie Andrews and Eric Clapton. Recently the song was added to the Broadway show Irving Berlins White Christmas. So the song made it to Broadway seventy years later.

    Tommy Dorsey
    Take My Hand Precious Lord
    The music for this song was adapted from a song written in the 1800s called Maitland by George N. Allen. The Lyrics are by Tommy Dorsey and were in response to the death of his wife while giving birth to a child, the child would ultimately die as well. The song would be embraced by Christians and would be recorded by many artists such as Anne Murray and Elvis Presley. The song would follow a tradition in Christian Music which started as far back as Martin Luther. The originator of the Reformation would take popular music of the day and give the tune Christian lyrics. The Hymn “A Mighty Fortress Is Our God” is a good example of this.

    Top Artists and Songs of 1932

    Al Jolson
    Hallelujah, I’m A Bum
    Bert Ambrose and his Orchestra
    The Clouds Will Soon Roll By
    Bing Crosby and the Mills Brothers
    Dinah
    Bing Crosby
    Brother, Can You Spare a Dime?
    Love Me Tonight, Please
    Where The Blue Of The Night (Meets The Gold of the Day)
    Cab Calloway and his Cotton Club Orchestra
    I’ve Got The World On A String
    Charlie Kunz
    Lovely To Look At
    Smoke Gets In Your Eyes
    Duke Ellington
    Blue Ramble
    Moon Over Dixie
    Rose Room (In Sunny Roseland),
    Fred Astaire and Leo Reisman
    Night and Day
    George Olson
    Say It Isn’t So, Lullaby of the Leaves
    Guy Lombardo
    How Deep Is The Ocean?
    Paradise
    Too Many Tears
    We Just Couldn’t Say Goodbye
    Joe Rines and his Orchestra
    Underneath the Harlem Moon
    Kate Smith and Guy Lombardo
    River, Stay ‘Way From My Door
    Kate Smith
    River, Stay ‘Way My Door, Too late
    Leo Reisman
    Paradise
    Louis Armstrong
    All of Me
    Between The Devil and the Deep Blue Sea
    Body and Soul
    China My Chinatown
    Home
    Keeping Out of Mischief Now
    Kickin’ The Gong Around
    Lawd, You Made the Night Too Long
    Love You Funny Thing
    Shine
    Sweethearts on Parade
    You Can Depend On Me
    Maurice Chevalier
    MiMi
    Pat O’Malley
    Goopy Geer
    Paul Whiteman
    All of Me
    How Deep Is The Ocean?
    I’ll Follow You
    I’ll Never Be The Same
    Let’s Put Out The Lights
    Three On a Match
    We Just Couldn’t Say Goodbye
    Willow Weep For Me
    Ray Noble
    Try A Little Tenderness
    Rudy Vallee and his Connecticut Yankees
    Brother, Can You Spare a Dime?
    Ruth Etting
    It WAs So Beautiful
    Ted Fio Rito
    Willow Weep For Me
    Ted Lewis and his Orchestra
    In a Shanty In a shanty Old Town
    Tommy Dorsey
    Take My Hand, Precious Lord
  • 1931 Music: Popular Music, Songs and Artists

    1931 Music: Popular Music, Songs and Artists

    1931 Popular Music, Songs and Artists

    Bing Crosby
    Dancing in the Dark
    The music for this song was by Arthur Schwartz and lyrics by Howard Dietz and was originally performed by John Barker in the 1931 revue The Band Wagon. Besides Bing Crosby, the song was recorded by Fred Astaire, Frank Sinatra and Tony Bennet. The song was also used as a ballet sequence danced by Fred Astaire and Cyd Charisse in the 1953 MGM film version of The Band Wagon.

    Cab Calloway and his Cotton Club Orchestra
    Minnie the Moocher
    This song would be song recorded and re-recorded by Cab Calloway. The song would be known for its skat lyrics which would have Callaway sing a phrase and then the audience would repeat the phrase. Calloway would make the phrases more and more complicated until the audience could no longer follow him. Max Fleischer would animate the song using Betty Boop as its main character.

    The song would be used in many TV shows such as That Girl and Family Guy. In movies the song would be used in The Blues Brothers, Calloway would sing the song himself in the film. Cab Calloway would have a long and successful career. He would even star with Pearl Bailey in an all-black version of Jerry Herman’s Hello Dolly.

    Ethel Waters
    I Got Rhythm
    This song would span the decades. Written by The Gershwin brothers, the song was originally sung by the great Ethel Merman in the show Girl Crazy. It would be used in An American in Paris starring Gene Kelly and made it to # 3 on the charts in 1967 when sung by The Happenings. Barbra Streisand and Brian Wilson also recorded the song and Merman would record a disco version in the 1970s.

    Guy Lombardo
    Goodnight Sweet Heart
    The song was written by the British songwriting team of Ray Noble, Jimmy Campbell and Reg Connelly, and performed by such artists as Rudy Vallée, Bing Crosby, and Dean Martin, among others. The song appeared in two different films Stage Door Canteen and Holiday in Mexico.

    Jacques Renard and his Orchestra
    As Time Goes By
    As Time Goes By was written by Herman Hupfeld and performed as hit by Jacques Renard and his Orchestra as well as Rudy Vallee that year. The song was performed first in the Broadway musical Everybody’s Welcome. This song would come into its full popularity in 1942 when it was sung in the film Casablanca. This song would appear on AFI’s 100 years 100 songs at #2.

    Libby Holman
    Love For sale
    This was written in 1930 for the Broadway musical The New Yorkers. although it became popular it was considered scandalous at the time as it was sung by a prostitute describing her profession. The song was banned by radio stations at the time, but it would go on to be recorded many times in subsequent years.

    Louis Armstrong
    Lazy River
    This song was written by Hoagy Carmichael and Sidney Arodin and published in 1930. The song began making it’s mark in 1931 when it was recorded by Louis Armstrong. The song would be recorded over and over by such artists as The Mills Brothers and Harry Connick Jr. The song was sung as a duet by Lucille Ball and Carol Burnett in an episode of The Lucy Show.

    Paul Whiteman
    Cuban Love Song
    This song was the title for a 1931 film that told the story of a U.S. soldier who returns to Cuba to seek his illegitimate child. Directed by W.S. Van Dyke, and produced at MGM in 1931, the film starred Lawrence Tibbett, Lupe Velez, Jimmy Durante.

    Ray Noble
    Lady Of Spain
    This song was written in 1931 by Robert Hargreaves, Tolchard Evans, Stanley J. Damerell, and Henry Tilsley. It would continue to be recorded and gain in popularity over the next decade and more. Artists like Bing Cosby, Eddie Fisher. The song was a sort of signature song for Lawrence Welk’s Accordionist Myron Floren.

    Top Artists and Songs of 1931

    Ben Selvin
    Smile Darn Ya Smile
    Bing Crosby
    At Your Command
    Dancing in the Dark
    Just a Gigilo
    Just One More Chance
    Out of Nowhere
    Cab Calloway and his Cotton Club Orchestra
    Betwen the Devil and the Deep Blue SeaDoin’ The Rhumba
    Kickin The Gong Around
    Minnie The Moocher
    Nobody’s Sweetheart
    Six or Seven Times
    St. James Infirmary
    Tickeration
    Clyde McCoy and his Orchestra
    Sugar Blues
    Duke Ellington
    Blue Again
    Creole Rhapsody (parts 1 & 2)
    Limehouse Blues
    Mood Indigo
    Rockin’ In Rhthym
    Ethel Waters
    I Got Rhthym
    Fred Waring’s Pennsylvanians
    Dancing in the Dark
    I Found A Million Dollar Baby (In A Five and Dime Store)
    Gene Autry and Jimmy Long
    That Silver haired Daddy of Mine
    Gus Arnheim and his Orchestra
    I Surrender Dear
    Sweet and Lovely
    Guy Lombardo
    By The River St. Marie
    Good Night, Sweetheart
    (There Ought To Be A) Moonlight Savings Time
    Isham Jones
    Stardust
    Jacques Renard and his Orchestra
    As Time Goes By
    Cuban Love Song Kate Smith
    When the Moon Comes Over the Mountain
    Layton and Johnstone
    Oh Donna Clara
    Libby Holman
    Love For Sale
    Louis Armstrong
    (I’ll Be Glad When You’re Dead) You Rascal You
    Lazy River
    Stardust
    The Peanut Vendor
    Mills Brothers
    Tiger Rag
    Paul Whiteman
    Cuban Love Song
    Ray Noble
    Lady of Spain
    Red Nichols
    I Got Rhthym
    Rudy Vallee
    As Time Goes By
    Russ Columbo
    Goodnight Sweetheart
    Ruth Etting
    Goodnight Sweetheart
    Ruth Willis
    Experience Blues
    Smith Ballew
    Time on my Hands (You in My Arms)
    Ted Lewis and his Orchestra
    Just A Gigilo
    Somebody Loves You
    The Carter Family
    Lonesome Valley
    Wayne King
    Dream A Little Dream of Me
    Good Night, Sweetheart
    Wabash Moon
  • 1930 Music: Popular Music, Songs and Artists

    1930 Music: Popular Music, Songs and Artists

    1930 Popular Music, Songs and Artists

    Al Jolson
    Let Me Sing and I’m Happy
    This song is another written by Irving Berlin. As the new decade started, Berlin had his hand in shaping American music, especially American popular songs. Let Me Sing and I’m Happy is sort of an ode to anyone who loves to sing. People who sing in Community Theater, in choirs, and in the shower, and this song was made for them. The song was recently resurrected for the stage musical Irving Berlin’s White Christmas.

    Benny Menoff and his Orchestra
    Happy Days Are Here Again

    The song was copyrighted in 1929 by Milton Ager (music) and Jack Yellen (lyrics). The song is best remembered as the campaign song for Franklin Delano Roosevelt. It has often been called the unofficial anthem for the Democratic Party. The song would be resurrected in the early 1960s by Barbra Streisand first as a single and then on her first album. Her take on the song would make it a ballad instead of the upbeat happy, hopeful song it was originally written as. Streisand would sing the song as a duet with Judy Garland. The song would be a Garland’s Get Happy medley in counterpoint to Streisand’s Happy Days. The performance would be recreated for an episode of GLEE and song by Rachel Berry and Kurt Hummel

    Earl Burnett and his Los Angeles Biltmore Hotel Orchestra
    Puttin on the Ritz
    This song was another hit for Berlin and is most associated with Fred Astaire. The title refers to the idea of getting dressed up to go out to someplace really nice or “swanky,” as the slang was used at the time. The Ritz was and is a very upscale hotel. The song would continue to be used. In films, it would be sung by Clark Gable in the film Idiot’s Delight. It would again be filmed in Mel Brookes’ Young Frankenstein. Puttin on the Ritz would hit the charts again in 1983 as recorded by Taco. It would be peak at # 4

    Nat Shilkret
    Get Happy
    Get Happy was composed by Harold Arlen, with lyrics written by Ted Koehler. It was originally performed in the musical The Nine Fifteen Revue by Ruth Etting. The song is most associated with Judy Garland from the film Summer Stock, which co-starred Gene Kelly. In 1939, Arlen would write the music for another Judy Garland standard, Somewhere over the Rainbow.

    Red Nichols
    Embraceable You
    Written by George and Ira Gershwin for an operetta called East is West. Ginger Rogers would perform it again in the Broadway musical Girl Crazy. The song would continue to be recorded by artists like Frank Sinatra, Liberace, and Liza Minnelli. Liza’s mother, Judy Garland, performed the song in the film version of Girl Crazy.

    Ruth Etting
    Ten Cents A Dance
    Written by Richard Rodgers, with lyrics by Lorenz Hart, the song was published in 1930 and was first performed by Ruth Etting in the musical Simple Simon. The song is a lament sung by a woman who makes her living by dancing with strange men for money.

    Ted Lewis and his Orchestra
    On The Sunny Side of the Street

    On The Sunny Side Of The Street was composed by Jimmy McHugh with lyrics by Dorothy Fields and introduced in the Broadway musical Lew Leslie’s International Revue, starring Harry Richman and Gertrude Lawrence. The song would be recorded many times by artists such as Willie Nelson, The Manhattan Transfer, and Rod Stewart.

    Duke Ellington
    Three Little Words
    With music by Harry Ruby and lyrics by Bert Kalmar, the song would be used again and again and eventually become the name of a movie based on the lives of the songwriting team that created it. In the middle of the 1970s, the Advertising Council used a fully orchestrated version of the song in a series of Public Service Announcements about seat belt safety; the slogan for these commercials was “Seat belts: a nice way to say ‘I Love You’.”

    Paul Whiteman
    After You’ve Gone
    Was actually written in 1918 by Turner Layton, with lyrics written by Henry Creamer and was originally recorded by Marion Harris in 1922. It would be recorded by Benny Goodman, Fats Waller and Phil Collins. It would be used by Ethel Merman in the TV show That Girl when Merman describes to Ann Marie (Marlo Thomas) how she was fired from her first night club job for singing too loud.

    Take our 1930 Quiz!

    Top Artists and Songs of 1930

    Al Jolson
    Let Me Sing and I’m Happy
    To My Mammy
    Ben Selvin
    Happy Days Are Here Again
    When It’s Springtime In The Rockies
    Benny Meroff and his Orchestra
    Happy Days Are Here Again
    Beverly Hill Billies
    When The Bloom Is On The Sage
    Big Bill Broonzy
    Somebody’s Been Using That Thing
    Cab Calloway and his Cotton Club Orchestra
    St Louis Blues
    Carmen Miranda
    Pra Voce Gostar De Min (Tahi)
    Don Aziazu and His Havana Casino Orchestra
    The Peanut Vendor
    Duke Ellington
    Ring Dem Bells
    Three Little Words
    Earl Burtnett & His Los Angeles Biltmore Hotel Orchestra
    Puttin On The Ritz
    So Beats My Heart For You
    Fred Astaire
    Crazy Feet
    Fred Waring’s Pennsylvanians
    Little White Lies
    Guy Lombardo
    Confessin’ That I Love You
    You’re Driving Me Crazy! (What Did I Do?)
    Harry Richman
    Puttin’ On The Ritz
    Hilo Hawaiian Orchestra
    When It’s Springtime In The Rockies
    Isham Jones
    Trees
    What’s The Use
    Jack Payne and his Orchestra
    My Baby Just cares For Me
    Jimmy Rogers
    Anniversary Blue Yodel
    Leo Reisman
    What Is This Thing Called Love?
    Leslie Sarony
    Bunky-Doodle-I-Doh
    Louis Armstrong
    If I Could Be With You One Hour Tonight
    Memories of You
    McKinney’s Cotton Pickers
    If I Could Be With You One Hour Tonight
    Mississippi Sheiks
    Sitting on Top of the World
    Nat Shilkret
    Dancing With Tears In My Eyes
    Get Happy

    Paul Whiteman
    Body & Soul
    It happened In Monteray
    Old New England Moon
    Nobody’s Sweetheart
    After You’ve Gone

    Red Nichols
    Embraceable You
    Regent Club Orchestra
    Dancing With Tears In My Eyes
    Roy Ingraham
    Chant of the Jungle
    Rudy Vallee and his Connecticut Yankees
    Betty Co-ed
    Stein Song (University of Maine)
    Ruth Etting
    Ten Cents a Dance
    Son House
    Preachin Blues
    Ted Lewis and his Orchestra
    On the Sunny Side of the Street
    Three O’Clock in the Morning
    Ted Weems
    My Baby Just Cares For Me
    Van Phillips
    I’m In The Market For You
  • 1929 Music: Popular Music, Songs and Artists

    1929 Music: Popular Music, Songs and Artists

    1929 Popular Music, Songs and Artists

    Bert Ambrose
    Tip Toe Through The Tulips

    Written by Al Dubin (lyrics) and Joe Burke (music), the song was recorded by Nick Lucas in May of 1929. Lucas introduced the song in the 1929 talkie Gold Deggirs of Broadway. The song would stay at number one for 10 weeks on the charts. In 1969 Tiny Tim would bring this song back to charts with his recording. The song became popular again after Tiny Tim performed it on Rowan and Martins Laugh-In.

    Cliff Edwards
    Singin’ in the Rain

    Not many songs have as varied a history as Singin in the Rain. It’s up-tempo music with lyrics full of hope that would continue to be remembered throughout the 20th century and into the 21st. The song was turned into a film in 1952 starring Debbie Reynolds and Gene Kelly. The film is considered by many as one of the best movies ever made.

    The song was originally written by Arthur Freed lyrics and music by Nacio Herb Brown, and published in 1929. There are suggestions that the song was written and performed as early as 1927. Cliff Edwards would perform the song in the 1929 film musical The Hollywood Revue of 1929. This performance would be the opening of the film That’s Entertainment a retrospective of MGM musicals. The song would again be used in the film Speak Easily starring Jimmy Durante and again by Judy Garland in the film Little Nellie Kellie.

    The song was used in the second season of GLEE as a mash-up with Umbrella. The song was sung by Mathew Morrison and Gwyneth Paltrow.

    Eddie Cantor
    Makin Whoopie
    First popularized by Eddie Cantor in the 1928 musical Whoopee!. Walter Donaldson (music) and Gus Kahn( lyrics) for the song as well as for the entire musical. The song would go on to be recorded by Frank Sinatra, and as a duet by Danny Thomas and Doris Day. The song is about sexual intimacy both its good and its bad sides.

    Johnny Hamp’s Kentucky Serenaders
    If I Had A Talking Picture of You
    If I Had a Talking Picture of You was by Lew Brown, B.G. Desilva, Ray Henderson. This song was probably inspired by the introduction of talking movies in 1929. It would later be sung as a period song for Peter Davidson’s title character of Campion in the BBC series.

    Fats Waller
    Ain’t Misbehavin
    Fats Waller was a composer and songwriter that left a large library of great music that will live on forever after his much too short a life. Waller would be the first to record the song but he also performed the song in the 1943 film Stormy Weather. The song would go on to be recorded by such different artists as Johnny Ray and Bill Haley and The Comets. The song would also be the title of a musical revue in 1978 that showcased the jazz songs on the period.

    Rudy Vallee and his Connecticut Yankees
    Marie
    This song was written by the great Irving Berlin in 1929. It would go on to be recorded by such artists as The Mills Brothers and Tommy Dorsey and his Orchestra. One reason this recording is particularly memorable is because it is the first time Rudy Vallee would make his mark on the charts. Vallee would go on to make quite an impression on American culture as many would enjoy his songs as well as his personal style. One of the big crazes he started was the full-length raccoon coat.

    Louis Armstrong
    The Basin Street Blues
    This song was originally written and published in 1926 but made its hit when Louis Armstrong made his recording in 1929. The song is actually about the Red Light District in The French Quarter of New Orleans.

    Top Artists and Songs of 1929

    Al Jolson
    I’m In Seventh Heaven
    Little Pal
    Liza (All The Clouds’ll Roll)
    Arnold Johnson and his Orchestra
    Breakaway
    Ben Selvin
    My Sin
    Bert Ambrose and his Orchestra
    Tip-Toe Thru The Tulips With Me
    Bessie Smith
    Nobody Knows When You’re Down and Out
    Take It Right Back
    Bob Harring and the Copley Plaza Orchestra
    Pagan Love Song
    Charley Patton
    Pony Blues
    Clarence Smith
    Pine Top’s Boogie Woogie
    Cliff Edwards (Ukelele Ike)
    Singin’ In The Rain
    Coon-Sanders Orchestra
    Little Orphan Annie
    Eddie Cantor
    Makin’ Whoopee
    Ethel Waters
    Am I Blue?
    Fats Waller
    Ain’t Misbehaving
    Handful of Keys
    Gene Austin
    Carolina Moon
    Wedding Bells Are Breaking Uo That Old Gang of Mine
    George Olson
    A Precious Little Thing Called Love
    Gus Arnheim and his Orchestra
    Sleepy Valley
  • Guy Lombardo
    Sweethearts on Parade
    Jimmy Rogers
    Waiting For A Train
    Johnny Hamp’s Kentucky Serenaders
    If I Had A talking Picture of You
    Leo Reisman
    Ain’t Misbehavin’
    The Wedding of the Painted Doll
    Louis Armstrong
    Basin Street Blues
    St James Infirmary
    When You’re Smiling
    Marion Harris
    Nobody’s Using It Now
    Maurice Chevalier
    Louise
    Meade Lux Lewis
    Honky Tonk Train Blues
    Nat Shilkret
    You Were Meant For Me
    Nick Lucas
    Painting the Clouds With Sunshine
    Tip Toe Thru The Tulips With Me
    Paul Whiteman
    Great Day
    Peter Dawson
    The Admiral’s Room
    Rudy Valley and his Connecticut Yankees
    Coquette
    Deep Night
    Honey
    Lonely Troubador
    Marie
    Ruth Etting
    Exactly Like You
    Stanley Lupino
    I Lift Up My Finger and I Say Tweet Tweet
    The Carter Family
    I’m Thinking Tonight of Two Blue Eyes
  • 1928 Music: Popular Music, Songs and Artists

    1928 Music: Popular Music, Songs and Artists

    1928 Popular Music, Songs and Artists

    Al Jolson
    My Mammy
    Music by Walter Donaldson and lyrics by Joe Young, this song was one of Al Jolson’s most popular recordings and one that he would be remembered for, as he would film it three times. First in 1927s The Jazz Singer, second in 1928s, The Singing Fool and third in 1939 in a film entitled The Rose of Washington Square.
    Curiously it was not Jolson who originally introduced the song. It was William Frawley of TVs I love Lucy who first sang it in a Vaudeville style act. Jolson heard the song and made it his own.

    Al Jolson
    Sonny Boy
    The song was written by Ray Henderson, Bud De Sylva, and Lew Brown, and sung by Al Jolson in 1928’s The Singing Fool. The song would hit number one and stay there for 12 weeks. The recording Jolson made would make a million copies sold mark. Sonny Boy would become a hit for Eddie Fisher in the 1950s and would be used and referred to often in television show Queer As Folk.

    Bertolt Brecht
    Mack The Knife
    Composed by Kurt Weill with lyrics by Bertolt Brecht for the musical The Three Penny Opera. The show was originally performed in Germany, but the song made it to The United States. When the show itself made its appearance in the U.S. it had a very short run in 1933, only to be resurrected in 1956 where it played off-Broadway for over six years.

    Mack The Knife would hit the charts on both the United States and The United Kingdom when Bobby Darin Recorded it in 1959. Others to record the song would be Louis Armstrong and Jerry Orbach, best known as Lt Lenny Briscoe in TVs long-running Law and Order.

    Cliff Edwards
    I Can’t Give You Anything But Love
    Jimmy McHugh (music) and Dorothy Fields (lyrics) This song’s origins are actually a bit obscured. There is some evidence to suggest that Fats Waller wrote the music and sold it to Mchugh. But whatever it’s beginning, the song would be recorded again and again by such artists as Judy Garland and Doris Day.

    Bing Crosby
    Ol’ Man River
    This song had been around for a year before it became popular in 1928. It was part of the Musical Show Boat which debuted in 1927 and had many firsts including being the first Broadway Show to allow white and black people onstage together. One of the most important things about this 1928 recording is that it put Bing Crosby on the charts for the first time. Crosby would go on to become a recording, movie and TV star. Ol’ Man River was written by Jerome Kern and Oscar Hammerstein.

    George Metaxa
    Sweet Sue Just You
    This song as originally recorded in 1928 was played sweetly. With music by Victor Young and lyrics by Will J Harris, the song would become more popular in the mid-1930s when the song would be played in more of a swing style. The song was recorded many times by artists like Bing Crosby. It was used to prove Lucy Ricardo’s inability to sing in the I Love Lucy episode Breaking The Lease.

    Fred Waring and the Pennsylvanians
    I Scream You Scream We All Scream For Ice Cream
    These days the song is remembered more for its title than any other reason. The song was written by Howard Johnson, Billy Moll, and Robert A. K. King. The title, at least, has been used in TV shows as different as The Two Fat Ladies and Barney.

    Helen Kane
    I Wanna Be Loved By You
    Written by Herbert Stothart and Harry Ruby, with lyrics by Bert Kalmar, for the 1928 musical “Good Boy”. The song became a hit when recorded by Helen Kane who would go on to be known as the Boop-Boop-a-Doop Girl. Miss Kane would be the inspiration for the cartoon character Betty Boop. The song has remained a standard and may best be remembered as sung by Marilyn Munroe in the movie Some Like It Hot

    Marion Harris
    The Man I Love
    This song was originally written for the musical Lady Be Good, by George and Ira Gershwin and entitled The Girl I love. The song was cut from the show. It would be later rewritten as The Man I Love and then cut from the 1927 anti-war musical Strike Up The Band. Florenz Ziegfeld would also try to use it in his show Rosalie and for a third time, the song would be cut. It became popular as an independent song and would be recorded often. The song was used most recently in an episode of Agatha Christie’s Marple called At Bertram’s Hotel.

    Nat Shilkret
    The Sidewalks of New York
    “The Sidewalks of New York” is a song about life in New York City during the 1890s. It was created by lyricist James W. Blake and vaudeville actor and composer Charles B. Lawlor in 1894. The song is also known by the title East Side West Side. The song became a popular recording in 1928 but would go on to be recorded by Mel Torme, Duke Ellington and The Grateful Dead.

  • Top Artists and Songs of 1928

    Al Jolson
    My Mammy
    Sonny Boy
    There’s A Rainbow Round My Shoulder
    Pinetop Smith
    Pinetop’s Boogie Woogie
    Ben Bernie
    Let’s Misbehave
    Bertolt Brecht
    Mack The Knife
    Bessie Smith
    Empty Bed Blues
    Bing Crosby
    Ol’ Man River
    Blind Willie McTell
    Statesboro Blues
    Cliff Edwards (Ukelele like)
    I Can’t Give You Anything But Love (dear)
    Just Like A Melody Out Of The Sky
    Coon-Sanders Orchestra
    Is She My Girl Friend?
    Duke Ellington
    Black and Tan Fantasy
    Creole Love Call
    Earl Burtnett and his Los Angelos Biltmore Hotel Orchestra
    Sweet Sue, Just You
    Emmitt Miller and his Georgia Crackers
    Lovesick Blues
    Fred Waring and the Pennsylvanians
    I Scream You Scream We All Scream For Ice Cream
    Laugh Clown Laugh!
    Gene Austin
    Jeannine (I Dream of Lilac Time)
    My Melancholy Baby
    Ramona
    George Metaxa
    Sweet Sue, Just You
    Harold Collins and his Orchestra
    Fashionhette
    Helen Kane
    I Wanna Be Loved By You
    That’s My Weakness Now
    Helen Morgan
    Bill
    Jimmie Rodgers
    Brakeman’s Blues
    In The Jailhouse Now
    T for Texas (Blue Yodel Number 1)
    Louis Armstrong
    Fireworks
    Struttin’ With Some Barbecue
    Weather Bird
    West End Blues
    Marion Harris
    The Man I Love
    Maurice Ravel
    Bolero
    Mississippi John Hurt
    Frankie
    Nat Shilkret
    The Sidewalks of New York
    Paul Robeson
    Ol’ Man River
    Paul Whiteman
    Among My Souvenirs
    My Angel
    Ramona
    Together
    Ruth Etting
    Love Me Or Leave Me
    The Song is Ended (But The Melody Lingers On)
    Ted Lewis and his Orchestra
    Is Everybody Happy Now?
    The Carter Family
    Keep On The Sunny Side
    Wildwood Flower
  • 1927 Music: Popular Music, Songs and Artists

    1927 Music: Popular Music, Songs and Artists

    1927 Popular Music, Songs and Artists

     

    Ben Bernie
    I’m Looking Over a Four Leaf Clover
    Written by Harry Woods and Mort Dixon the song has a long history of being remade. It was used in more than one of Warner Brothers Merrie Melody cartoons. The song is a staple for St. Patrick’s Day and was even parodied in 1973, the title changed to I’m Looking over My dead Dog Rover. The song has been adopted as an anthem for Major League Soccer’s Philadelphia Union and The Son’s of Ben, the team supporters, sing it at every home game. In 2012 the song was recorded again by Willie Nelson.

    Ben Bernie
    Ain’t She Sweet.
    Was written by Milton Ager and Jack Yellen, both of whom have places in the Song Writers Hall Of Fame. The song would continue to record across the 20th century by such artists as Pearl Bailey, Guy Lombardo, and The Beatles.

    Ben Selvin
    Blue Skies
    Blue Skies was written by Irving Berlin who plays an important role in the first half of the 20th century in American Pop Music. It would go across the century and into the 21sr century being recorded again and again by such artists as Judy Garland, Frank Sinatra, Debbie Boone and Rod Stewart.

    The song was written by Berlin as an added song to the Rodger’s and Hart Musical, Betsy. The song would live on, but the musical closed after 39 performances.
    Blue Skies would go to be performed both on television movies and Broadway shows. The song had a movie named after it and joined other Berlin songs that have that honor such as White Christmas, Easter Parade and There’s No Business Like Show Business. Most recently the song was brought back to life in a production number for the Broadway production of Irving Berlin’s White Christmas.

    George Olson
    The Best Things in Life Are Free.
    This song is from the 1927 musical Good News, book by Laurence Schwab and B.G. DeSylva, lyrics by DeSylva and Lew Brown, and music by Ray Henderson. The story surrounds a college football player who needs to pass an exam in order to play in the big game that weekend. He gets a tutor to help study and during their study time, this song is sung.

    This is another song that would make its way across the rest of the 20th century. Being recorded by June Allyson Joe Stafford, Frank Sinatra and Barbra Streisand. There would be a film named after the song in 1956, based on the lives of the writers.

    Gertrude Lawrence
    Someone to Watch Over Me
    Someone To Watch Over Me was written by George and Ira Gershwin for the musical Oh Kay, which still is done, on occasion, by community theatre groups. The song would be introduced by Gertrude Lawrence, who would remain a top Broadway name for many years. She would eventually go on to play the lead of Anna Leonowens in Rodger’s and Hammerstein the King and I. The King and I was written specifically for her and at her request. The interesting thing about the show is Gertrude Lawrence would fade and he C0-Saty Yul Brynner would begin to rise. The King and I would be his most remembered role.

    The song would grow in popularity and be regularly rerecorded by such singers as Rosemary Clooney, Linda Ronstadt, Sting, Brian Wilson and as late as 2011 by Susan Boyle. The song was performed 3 times on American Idol. It was used as an instrumental in the second season of GLEE and Lady Gaga would perform the song on the Today Show. Proving this song is timeless. The video provided is Julie Andrews singing the song in the movie STAR which was the life of Gertrude Lawrence.

    Hoagy Carmichael
    Stardust
    Stardust was originally an instrumental written by Hoagy Carmichael in 1927. Two years later lyricist Mitchell Paris would write lyrics for the song based on ideas that both he and Carmichael had discussed. The song would go on to be recorded by Doris Day, Frank Sinatra, Ringo Starr and as recently as 2009 by Michael Buble.

    Whispering Jack Smith
    Me and my Shadow
    The song was originally written by Al Jolson, Billy Rose, and Dave Dreyer. The truth may be that Jolson contributed very little to the song. The song is a standard that was still being played on the radio as late as the 1960s. Artists that recorded the song include Michael Ball and Antonio Banderas, Perry Como, Lou Rawls and Mandy Patinkin.

    Paul Whiteman
    Side by Side
    “Side by Side” is a popular song from 1927 with lyrics by Gus Kahn and music by Harry M. Woods. It is still considered a standard though not as well know today as in the 20th century. The song has been recorded by many artists including Bruce Willis and Danny Aiello for Hudson Hawk, Hayley Mills and Paul Anka, but is probably best known in a 1953 recording by Kay Starr.

    Vaughn De Leath
    Are You Lonesome Tonight
    Vaughn De Leath was also known as The Original Radio Girl actually recorded this song twice in 1927 on June 13 as a solo and again on September 21 as the vocalist for The Colonial Club Orchestra. The song would continue to be popular but rise to mega popularity when Elvis Presley recorded it in 1960. It would remain number one on the Billboard charts for 6 weeks.

    Vernon Dalhart
    Lucky Lindy
    Lucky Lindy was written in honor of Charles Lindbergh’s historic flight between New York and Paris in a single-seat single-engine plane called The Spirit of St Louis on May 21 thru the 22, 1927. He was 25 years old and would have careers as an aviator, author, explorer and social activist.

  • Top Artists and Songs of 1927

    Ben Bernie
    Ain’t She Sweet?
    I’m Looking Over a Four Leave Clover
    Ben Selvin
    Blue Skies
    Bessie Smith
    A Good Man Is Hard To Find
    After You’ve Gone
    Bix Beiderbecke
    At The Jazz Band Ball
    In A Mist
    Blind Lemon Jefferson
    Black Snake Moan
    Matchbox Blues
    Blind Willie Johnson
    Dark Was The Night, Cold Was The Ground
    DeFord Bailey
    Pan American Blues
    Frankie Trumbauer
    Singin’ The Blues
    Fred Waring and the Pennsylvanians
    Sweetheart of Sigma Chi
    Gene Austin
    Forgive Me
    My Blue Heaven
    Tonight You Belong To Me
    George Olson
    At Sundown (When Love Is Calling Me Home)
    Blue Skies
    The Best Things In Life Are Free
    Varsity Drag
    Gertrude Lawrence
    Someone To Watch Over Me
    Guy Lombardo
    Charmaine!
    Hoagy Carmichael
    Stardust
    Ipana Troubadors
    Mary Lou
    Irving Kaufman
    The Little White House (At the End of Honeymoon Lane)
    Jack Smith
    Me and My Shadow
    Jelly Roll Morton
    Wolverine Blues (also heard in Woody Allen’s 1973 film, Sleeper)
    Mr Jelly Lord
    Jimmie Rogers
    The Soldier’s Sweetheart
    Lewis James
    Charmain
    Louis Armstrong
    Potato Head Blues
    Moran and Mack
    Two Black Crows, Parts 1 & 2 (The Early Bird Catches The Worm)
    Nat Shilkret
    Flapperette
    Nick Lucas
    I’m Looking Over A Four Leaf Clover
    Paul Whiteman
    In A Little Spanish Town
    My Blue Heaven
    Side By Side
    Red Nicols
    Ida, Sweet as Apple Cider
    Roger Wolfe Kahn and his Orchestra
    Russian Lullaby
    Ruth Etting
    Shaking the Blues Away
    Sophie Tucker and Ted Lewis
    Some of These Days
    Sophie Tucker
    I Ain’t Got Nobody
    Vaughn Deleath
    Are You Lonesome Tonight?
    Vernon Dalhart and Carson Robison
    My Blue Ridge Mountain Home
    My Carolina Home
    Vernon Dalhart
    Lindburgh (Eagle of the USA)
    Lucky Lindy
  • 1926 Music: Popular Music, Songs and Artists

    1926 Music: Popular Music, Songs and Artists

    1926 Popular Music, Songs and Artists

    Al Jolson
    I’m Sittin on Top Of The World
    I’m Sitting On Top Of The World was written by Ray Henderson, with lyrics by Sam M. Lewis and Joe Young. It was a 1925 hit for Al Jolson but went on to be recorded by many others including Dean Martin, Bobby Darin, Brenda Lee and Willie Nelson.

    When the Red Robin Comes Bob Bob Bobbin Along
    “When the Red, Red Robin (Comes Bob, Bob, Bobbin’ Along)” is a 1926 popular song written by songwriter Harry M. Woods. The song was an instant hit for, Al Jolson, reached #1 on the Billboard charts with his version of the song although other performers recorded it the same year. The song would go on to be recorded by Doris Day and Dean Martin. The song would appear as children’s song issued by The Peter Pan Record label.

    Gene Austin
    Bye Bye Blackbird
    Bye, Bye, Blackbird” is a song that was published in 1926 by the composer Ray Henderson and lyricist Mort Dixon. It is a popular standard and has been recorded by many artists including John Coltrane, Bing Crosby, Joe Cocker and most recently in 2012 by Paul Mccartney. Liza Minelli used the song in her 1972 television concert entitled Liza With A Z (See video). In an episode of The Partridge Family the song was sung by Ray Bolger, who played Shirley Jones Father.

    Gene Austin
    Five Foot Two Eyes of Blue (Has Anybody Seen My Gal)

    The song’s title is usually known as Has Anybody Seen My Gal. And it’s origins are not quite known. The song was originally out around 1914 and more than one person took credit for its composition. When the song became a hit in 1926 it’s music and words were changed a bit by Ray Henderson,(music) Sam M. Lewis and Joseph Widow Young (lyrics). This version of the song would be the one to endure.

    George Olson
    Always
    “Always” was written by Irving Berlin in 1926. It was a wedding gift for bride Ellin McKay whom he married the same year. Not only was the song for her, but he also gave her the royalties too. This song would truly go on to be a pop standard and has been recorded by Billie Holiday, Frank Sinatra, and most recently by Sir Paul McCartney in 2012. Frank Sinatra sang the song during the celebration of Berlin’s one-hundredth birthday in 1988. Berlin would die the following year.

    Whispering Jack Smith
    Baby Face
    The music was written by Harry Akst, the lyrics by Benny Davis. It was recorded by numerous artists over the years such as Little Richard and Paul McCartney. The song was also sung by Julie Andrews in the 1967 movie musical Thoroughly Modern Millie.

    Whispering Jack Smith
    Gimme a Little Kiss Will Ya Huh
    The song was written and composed by Maceo Pinkard. Pinkard was born in 1897 and was considered one of the greatest composers of the Harlem Renaissance. Not only was he a prolific songwriter he also was an orchestra conductor and eventually founded his own music publishing frim Maceo Pinkard Music.

    Paul Whiteman
    Birth of the Blues
    The music was written by Ray Henderson, the lyrics by Buddy G. DeSylva and Lew Brown. It was Introduced by Paul Whiteman in 1926. The song would have a long history and would be a hit for Frank Sinatra. Bing Crosby would star in a movie inspired by the song title.

    Vincent Lopez
    Show Me The Way To Go Home
    The piece is a folk song that was made famous by James Campbell and Reginald Connelly, a British songwriting team who wrote the lyrics after a railroad trip where they had had a few drinks. The song soon traveled across the Atlantic and became a hit in 1926. The song has been used in movies and TV and theater, as an example in Tennessee Williams Cat on A Hot Tin Roof. And was used recently in an episode of The Family Guy.

  • Top Artists and Songs of 1926

    Al Jolson
    I’m Sitting On Top Of The World
    When the Red Red Robin Comes Bob-Bob-Bobbin’ Along
    Ben Bernie
    Reaching For The Moon
    Sleepy Time Gal
    Ben Selvin
    Valencia
    Bessie Smith
    Lost Your Head Blues
    Blind Blake
    Come On Boys Let’s Do That Messin’ Around
    Blind Lemon Jefferson
    Long Lonesome Blues
    Cliff Edwards (Ukelele Ike)
    Dinah
    Duke Ellington
    Birmingham Breakdown
    East St Louis Tootle-oo
    Ernst Hare and Billy Jones
    That Certain Party
    Fred Astaire and George Gershwin
    Fascinating Rhythm
    Gene Austin
    Bye Bye Blackbird
    Five Foot Two Eyes of Blue
    Ya Gotta Know How To Love
    George Olson
    Always
    Horses
    Sunny
    Who?
    Gertrude Lawrence
    Do, Do, Do
    Henry Hall and his Orchestra
    Bird Song at Eventide
    Gid Tanner and His Skillet Lickers
    Turkey In De Straw
    Ipana Troubadors
    Baby Face
    Irving Kaufman
    Tonight You Belong To Me
    Isham Jones
    I Lost My Heart in Monterey (When I Found You)

    Whispering Jack Smith
    Baby Face
    Gimme A Little Kiss Will Ya Huh

    Jan Garber
    Baby Face
    Jelly Roll Morton
    Black Bottom Stomp
    Sidewalk Blues
    Wolverine Blues
    Johnny Marvin
    Breezin’ Along With the Breeze
    Lewis James
    Am I Wasting My Time On You?
    Louis Armstrong
    Big Butter and Egg man
    Heebie Jeebies
    Muskrat Ramble
    Nick Lucas
    Sleepy Time Gal
    Paul Whiteman
    The Birth of the Blues
    Velencia
    Pedro Celestino
    Ava Maria
    Ted Lewis and his Orchestra
    I’ve Found A New Baby
    The Kentucky Serenaders
    Black Bottom
    The Revelers
    Lucky Day
    The Birth of the Blues
    Vernon Dalhart
    Miami Storm
    Vincent Lopez
    Always
    Show Me The Way To Go Home
  • 1925 Music: Popular Music, Songs and Artists

    1925 Music: Popular Music, Songs and Artists

    1925 Popular Music, Songs and Artists

    Vincent Lopez
    I Want To Be Happy
    The song was written for the 1925 musical No No Nannette and is one of the most remembered pieces from the show. It was recorded first by Carl Fenton but hit the charts with the Vincent Lopez recording. The song would go onto be recorded by orchestra leader great Benny Goodman and crooner, Bing Crosby.

    Ben Bernie
    Sweet Georgia Brown
    Sweet Georgia Brown is both a jazz and pop tune standard it was originally written in 1925 by Maceo (music) and Ben Bernie (lyrics). Ben Bernie would be the first to record it along with his Hotel Roosevelt Orchestra on March 19th. The song would stay at #1 for five weeks. The song would go on to be recorded by Ray Charles, Nancy Sinatra and Roberta Flack. Dixie Carter did a hysterical version in an episode of Designing Women. But the song is most widely known as the theme song for basketball’s Harlem Globetrotters. 

    Ben Selvin
    Manhattan
    Manhattan was written by the songwriting team of Richard Rodgers and Lorenz Hart and would endure as one of their most popular songs. The song was originally written for the Garrick Gaieties Revue in 1925 and was sung by Sterling Halloway who would later become the original voice of Walt Disney’s Winnie the Pooh.

    Manhattan would long endure and be recorded by such artists as Mickey Rooney, Rod Stewart, and Bette Midler. It was recently recorded by John Barrowman Doctor Who and Torchwood’s Captain Jack Harkness.

    Blossom Seeley
    Yes sir that’s my Baby
    Music by Walter Donaldson and lyrics by Gus Kahn, the song has a fascinating story about its composition, which may or may not be true. The story is reprinted here from Wikipedia.

    According to one source, the song was written when Donaldson & Kahn were visiting Eddie Cantor. Cantor’s daughter Marjorie brought out one of her favorite toys, a walking mechanical pig. She wound it up and it started walking in rhythm while 2 notes kept coming from the little creature. Kahn was inspired and started working lyrics to these notes in rhythm with the pig, coming up with the title and the opening line of the chorus in short order. The song has been recorded in many different styles, such as Jazz, Rock, Marimba and Country.

    Eddie Cantor
    If You knew Susie
    “If You Knew Susie” written by Buddy DeSylva and Joseph Meyer. The song, written in 1925 was Cantor’s best-known hit from the 1920s. It stayed as the United States Number One song for five weeks.

    John McCormack

    John McCormack, an Irish tenor and one of the most celebrated singers of the early 20th century, was known for his diverse repertoire that ranged from opera to Irish folk songs.
    Moonlight and Roses
    Moonlight and Roses originally had no title but was simply known as op. 83 #2 when it was first written in 1888 by Edwin Lemare. Lemare did not attach any words to the song either. It was in 1921 that American Songwriters Ben Black and Neil Moret added words to the music without permission. Lamare, still alive threatened legal action in 1925 and received a share of the royalties. Lamare originally received 3 shillings in 1892 for his composition in 1925 he finally received good money for his work.

    Marion Anderson
    Nobody Knows The Trouble I’ve Seen
    This song is actually a spiritual or worship song. Though originally sung and on the charts by Marion Anderson, the best-known version is probably the one recorded by Louis Armstrong. The song has been used many times both in TV and Films the interesting point here is it has been used mostly in comedies and children’s entertainment.

    Marion Harris
    Tea For Two
    Tea for Two was another memorable hit from the musical No No Nannette. It is a simple song and easy to remember and whistle. Recorded several times, by many different artists. The name of the song was used as a title for the 1950 movie musical which was a reworking of the original Broadway show and starred Doris Day. The song has been recorded by Tommy Dorsey, Liberace, and was used many times on the popular Television show The Lawrence Welk Show.

    Paul Whiteman
    Charleston
    Charleston is a song that was created to go specifically with the Charleston dance which was all the rage in the 1920s. It was originally performed by Paul Whiteman and popular on both sides of the Atlantic. One memorable movie that used the song was It’s A Wonderful Life as Jimmy Stewart and Donna Reed dance themselves into the school swimming pool.

    Paul Whiteman
    Lady Be Good
    Lady Be Good was the title song of a Broadway show that debuted in 1924. The song was written by Guy Bolton, Fred Thompson, and the Gershwin brothers. The song was sung in the show by Walter Catlett, but the show’s stars were Fred and Adele Astaire. Fred would later go on to become a movie legend. Eventually, the song would be recorded by Astaire as well as the likes of Benny Goodman and Ella Fitzgerald.

    Top Artists and Songs of 1925

    Al Jolson
    All Alone
    Ben Bernie
    Sweet Georgia Brown
    Ben Selvin
    Manhattan
    Sentimental Me
    Bennie Moten’s Kansas City Orchestra
    South
    Berthe Sylva
    Les Roses Blanches
    Bessie Smith
    Careless Love Blues
    I Ain’t Gonna Play No Second Fiddle
    I Ain’t Got Nobody
    St Louis Blues
    Blossom Seeley
    Alabamy Bound
    Yes Sir! That’s My Baby
    Carl Fenton
    Alone At Last
    Charlie Poole
    Don’t Let Your Deal Go Down
    Cliff Edwards (Ukelele Ike)
    Paddlin’ Madelin’ Home
    Cyril Norman
    When Sergeant Major’s On Parade
    Eddie Cantor
    If You Knew Susie (Like I Know Susie)
    Ernest Van Stoneman
    The Titanic
  • Ethel Waters
    Dinah
    Fiddlin’ John Carson
    Old Dan Tucker
    Fred Waring and the Pennsylvanians
    Collegiate
    Gene Austin
    Yes Sir! That’s My Baby
    Harry Lauder
    Keep Right on to the End of The Road
    Isham Jones and Ray Miller
    I’ll See You In My Dreams
    Isham Jones
    Manhattan
    Remember
    John McCormack
    All Alone
    Moonlight and Roses
    When You & I Were Sweet Seventeen
    Ma Rainey
    Jealous Hearted Blues
    See See Rider Blues
    Marian Anderson
    Nobody Knows The Trouble I’ve Seen
    Marion Harris
    Tea For Two (Cha Cha)
    When You and I Were Sixteen
    Paul Robeson
    Steal Away
    Paul Whiteman
    All Alone
    Charleston
    Honey, I’m In Love With you
    Manhattan
    Oh Lady Be Good
    Ted Lewis and his Orchestra
    O! Katharina
    Vernon Dalhart
    The Letter Edged in Black
    The Prisoner’s Song
  • Love Songs of the 40s and 50s

    Love Songs of the 40s and 50s

    Love Songs of the 1940s and 1950s

    Whether you’re creating an old school playlist for an evening with your special partner, planning an oldies event, or a classically themed Valentine’s Day, this soft pop romance-filled hit list from the 1940s and 50s is sure to create the background atmosphere of the era.
    1. Sea Of Love – Phil Phillips
    2. Earth Angel – The Penguins
    3. Unforgettable – Nat King Cole
    4. Love Me Tender – Elvis Presley
    5. Sleepwalk – Santo and Johnny
    6. Star Dust – Artie Shaw
    7. You Send Me – Sam Cooke
    8. In The Still of The Night – Five Satins
    9. Only You (And You Alone) – The Platters
    10. That’s Amore – Dean Martin
    11. It’s All in The Game – Tommy Edwards
    12. Sentimental Journey – Les Brown with Doris Day
    13. Walkin’ After Midnight Patsy Cline
    14. A Kiss To Build A Dream On – Louis Armstrong
    15. As Time Goes By – Dooley Wilson
    16. Put Your Head On My Shoulder – Paul Anka
    17. For Your Precious Love – Jerry Butler & the Impressions
    18. Come Softly To Me – the Fleetwoods
    19. Memories Are Made of This – Dean Martin
    20. Chances Are – Johnny Mathis
    21. Sleepy Lagoon – Harry James
    22. It’s Just a Matter of Time – Brook Benton
    23. Pledging My Love – Johnny Ace
    24. That Lucky Old Sun – Frankie Laine
    25. Green Eyes – Jimmy Dorsey (Bob Eberly & Helen O’Connell)
    26. My Baby Just Cares for Me – Nina Simone
    27. That’s My Desire – Frankie Laine
    28. Till The End Of Time – Perry Como
    29. I’ll Be Seeing You – Tommy Dorsey with Frank Sinatra
    30. All I Have To Do Is Dream – Everly Brothers
    31. (I Love You) For Sentimental Reasons – Nat King Cole
    32. I Only Have Eyes For You – Flamingos
    33. Moonlight Cocktail – Glenn Miller
    34. Nature Boy – Nat “King” Cole
    35. I Don’t Want To Set The World On Fire – Horace Heidt & His Musical Knights
    36. Love Is A Many Splendored Thing – Four Aces
    37. Always – Ella Fitzgerald
    38. All the Way – Frank Sinatra
    39. Let’s Do It (Lets Fall in Love) – Ella Fitzgerald
    40. To Each His Own – The Ink Spots
    41. Smoke Gets In Your Eyes – The Platters
    42. To Know Him Is to Love Him – The Teddy Bears
    43. Twelfth of Never – Johnny Mathis
    44. Maria Elena – Jimmy Dorsey with Bob Everly
    45. Because Of You Tony Bennett
    46. April Love – Pat Boone
    47. What Is This Thing Called Love? – Frank Sinatra
    48. Crazy He Calls Me – Billie Holiday
    49. I’ve Heard That Song Before – Harry James (Helen Forrest)
    50. Soul on Fire – LaVern Baker

     

  • 1924 Music: Popular Music, Songs and Artists

    1924 Music: Popular Music, Songs and Artists

    1924 Popular Music, Songs and Artists

    Al Jolson
    California Here I Come has a long and curious history on Broadway, in movies, in television, in politics, and in military history. The song was originally written in 1921 for the Broadway show Bombo by Buddy DeSylva and Joseph Meyers. Al Jolson was often listed as a co-author. The song was a choice for the California State Song, which was finally defeated in 1988 by a song entitled I Love You California.

    California Here I Come was often used in Warner Brothers Cartoons as background music for a Character’s hasty departure. In Movies, the song was used in the 1934 film It’s a Gift starring W.C. Fields And as the main title song for the film Back To Bataan.

    There is one, possibly iconic rendition of the song. It was performed in episode 110 of I Love Lucy as Lucy, Ricky, Fred and Ethel cross the George Washington Bridge on their way to California, where Ricky is to star in an MGM movie. The image of the characters in the car is currently available on postcards, posters, and other merchandise. 

    The song was played by the ship’s band of the aircraft carrier USS Yorktown as the ship steamed out of Pearl Harbor on its way to the battle of Midway. The song may have been used as a subterfuge to make the Japanese believe the ship was heading for the mainland, not Midway.

    Richard Nixon requested that the song be played at his funeral, and Ronald and Nancy Reagan boarded Air Force One as the song was played on the day he left Washington, Los Angeles, after his two terms as President.

    Vernon Dalhart, born Marion Try Slaughter on April 6, 1883, in Jefferson, Texas, was an American singer and songwriter who gained popularity during the early 20th century. He is known for contributing to country and popular music and is considered one of the first country music stars. Dalhart initially pursued a career in opera, but he transitioned to popular music and adopted the stage name “Vernon Dalhart” after two Texas towns.

    The Prisoner’s Song  is a song recorded by Vernon Dalhart in 1924. This melancholic ballad tells the story of a prisoner who longs for freedom and dreams of reuniting with his loved one. The song was a massive commercial success and became one of the best-selling records of the era, with sales estimates ranging between 6 to 10 million copies. It is often regarded as one of the earliest country and hillbilly hits and played a significant role in popularizing this genre of music.

    Clarence Williams’ Blue 5
    Everybody Loves My Baby
    A popular Jazz song, it was written in 1924 by Spencer Williams, music and Jack Palmer Lyrics. This Recording was particularly important; a young Louis Armstrong was part of the recording artists Clarence William Blue 5. The song would remain popular throughout the 20th century and would be sung by Doris Day in the 1955 film, Love Me or Leave Me. Later in 1967, Rosalind Russell would sing the song as an anthem for her title character of Rosie, In the film that was based on the Play A Very Rich Woman.

    The song title (more specifically, the grammatically corrected “…but my baby loves nobody but me” in some covered versions) has frequently led teachers and students of propositional logic to jestingly accuse [2 the song’s narrator of narcissism: The first half of the title, “everybody loves my baby,” implies “my person, then my baby does not love that person”), is logically equivalent to “if my baby loves a given person, then I am that person.”

    The latter statement implies “if my baby loves my baby, then I am my baby.” From “if my baby loves my baby, then I am my baby” and “my baby loves my baby” it follows that “I am my baby.” (Throughout the above, the universe of discourse is restricted to persons.) – Taken From Wikipedia.

    Cliff Edwards
    It Had To Be You
    The Music for this song was written by Isham Jone and the lyrics by Gus Kahn. The song has a long history both in recordings and films. The song has been recorded by Dorothy Lamour, Betty Hutton, Frank Sinatra, Don Mclean, Harry Connick JR. and Tony Bennett. In 2011, Bennett would record the song for the third time on his popular album Duets II, with Carrie Underwood.
    In movies It Had To Be You was part of such films as, The Roaring 20s (1939).

    It was sung by Danny Thomas in the film I’ll See You In My Dreams. The Danny Thomas film was loosely based on the life of the song’s lyricist Gus Kahn. It was used in 1942’s Casablanca. It was performed by Diane Keaton in Woody Allen’s film Annie Hall and as recently used in the film A League of their own.

    On television, it was song was sung to Gilligan by Ginger in The situation comedy Gilligan’s Island.

    Ernest Hare and Billy Jones
    Hinky Dinky Parley Voo.
    The actual title of the song is Mademoiselle from Armentières. The song was sung during WW I but was originally composed in 1830 and was popular with the French military, and the original words told of the encounter of an innkeeper’s daughter, named Mademoiselle de Bar le Luc, with two German officers. It was considered a risqué song in the 1930s… The song has been used in such TV shows as The Waltons and The Golden Girls.

    Rhapsody in Blue
    Composed by George Gershwin
    Paul Whiteman commissioned George Gershwin to write Rhapsody for his 1924 concert at the Aeolian Hall in February. He specifically asked for a concerto-like piece that Gershwin wrote combining Classical music with jazz-like effects. The Concert was entitled An Experiment in Modern Music and was performed on February 12, 1924. Many inflectional composers were at the concert specifically to hear Rhapsody in Blue: John Phillip Sousa and Sergei Rachmaninoff. George Gershwin accompanied Whiteman’s Palais Royal Orchestra, on Piano.

    The reviews were not good; in fact, some were scathing. The best of the lot was written by Leonard Bernstein, who loved Rhapsody. The article appeared in The Atlantic Monthly in 1955 and is repeated here in part.

    “The Rhapsody is not a composition at all. It’s a string of separate paragraphs stuck together. The themes are terrific – inspired and God-given. I don’t think there has been such an inspired melodist on this earth since Tchaikovsky. But if you want to speak of a composer, that’s another matter. Your Rhapsody in Blue is not a real composition in the sense that whatever happens in it must seem inevitable. You can cut parts of it without affecting the whole. You can remove any of these stuck-together sections and the piece still goes on as bravely as before. It can be a five-minute piece or a twelve-minute piece. And in fact, all these things are being done to it every day. And it’s still the Rhapsody in Blue.”

    The public however loved the piece and by the end of 1927 Whiteman had played it 84 times and the recording had sold a million copies. Whiteman later adapted the Rhapsody as his band theme song and opened his radio program with the slogan, “Everything is new but The Rhapsody in blue.

    The piece took on its own life has been recorded by many orchestras over the years. It has influenced modern music and composers as different as Brian Wilson and AC/DC. In sports, Rhapsody was played by 84 pianists at the opening of the 1988 Summer Olympic. In TV the piece was used recently in Glee and across the pond in Doctor Who.

    Rhapsody in Blue is considered to be a musical portrait of NYC, and as such will always be groundbreaking into new ground with new artists. Rhapsody in Blue is considered to be a musical portrait of NYC, and as such will always be around. Disney used Rhapsody in it’s Fantasia 2000.

    What’ll I Do
    Irving Berlin
    Irving Berlin would write many of America’s most popular songs from the 1920s through the 1950s His musical comedy scores would include Annie Get Your Gun, Call Me Madam and many others. Hollywood beckoned him and there he wrote for Fred Astaire and Ginger Rodgers. He composed White Christmas for the Bing Crosby movie Holiday Inn.

    Berlin himself at least as far into the 1970s was Probably America’s best-known composer and lyricist. Irving Berlin wrote what’ll I Do in 1923 for his Music Box Revue. It would be recorded over and over again by many different artists these including Cher, Judy Garland, Pat Boone, Anne Murray, Linda Ronstadt, Frank Sinatra, Harry Nilsson and Joey Lawrence.

    The song is a beautiful melodic question. Asking what’ll I do because you are gone. The song was also sung in the 1974 film, The Great Gatsby.

    Take our 1924 Quiz!

    Top Artists and Songs of 1924

    Al Jolson
    California, Here I Come – is often called the unofficial state song of California.
    I Wonder What’s Become of Sally?
    I’m Goin’ South
    Mandolay
    Arcadian Serenaders
    Bobby Haired Bobby
    Arthur Gibbs and his Gang
    Charleston
    Benny Krueger (June 17, 1899 – April 29, 1967)
    Deep In My Heart
    Bert Firman
    Pasadena
    Clara Smith – ‘Queen of the Moaners’
    Chicago Blues
    Clarence Williams’ Blue Five (October 8, 1898 – November 6, 1965)
    Everybody Loves My Baby
    ‘Tain’t Nobody’s Bus’ness If I Do
    Cliff Edwards (Ukelele Ike) – was the voice of Jiminy Cricket in Walt Disney’s Pinocchio (1940)
    It Had To Be You
    Ernest Hare and Billy Jones
    Hinky Dinky Parley Voo
    Franklyn Baur
    Deep In My Heart
    Fred Waring’s Pennsylvanians – Fred was known as “The Man Who Taught America How to Sing.”
    Memory Lane
    Sleep
  • George Gershwin
    Rhapsoy In Blue
    Irving Kaufman
    What’ll I Do?
    Isham Jones
    It Had To Be You
    Nobody’s Sweetheart
    Spain
    Jelly Roll Morton
    King Porter Stomp
    Marion Harris
    It Had To Be You
    Jealous
    There’ll Be Some Changes Made
    Paul Whiteman
    I’m Goin’ South
    It had To Be You
    Lazy
    Limehouse Blues
    Linger A While
    Rhapsody in Blue – Signature Song
    Rose Marie
    Somebody Loves You After All
    Spain
    There’s Yes! Yes! In Your Eyes!
    What’ll I Do?
    Why Did I Kiss That Girl?
    Riley Puckett
    Little Old Cabin in the Lane
    Rock All Our Babies To Sleep
    Ted Lewis and his Orchestra
    June Night
    There’ll Be Some Changes Made
    Ted Weems
    Somebody Stole My Gal
    Uncle Dave Macon
    Keep My Skillet Good & Greasy
    Vernon Dalhart
    Wreck of the Old 97
    Vincent Lopez
    I Want To Be Happy
    Wendall Hall
    It Ain’t Gonna Rain No More
  • 1923 Music – Popular Music, Songs and Artists

    1923 Music – Popular Music, Songs and Artists

    1923 Popular Music, Songs and Artists

    Al Jolson
    Toot Toot Tootsie
    Jolson would sing this song in the 1927 film The Jazz Singer. This film was the first feature-length movie to have talking sequences. The song has been recorded by such artists as Brenda Lee and The Supremes. In 1991 it was recorded by Brent Spiner TV’s Data on Star Trek The Next Generation.

    Benny Kreuger and his Orchestra
    I Cried for You
    A popular song that would be recorded by many artists including Count Basie, Ray Charles and Frank Sinatra.

    Bill Murray and Ed Smalle
    That Old Gang of Mine
    The song is about the ending of childhood friendships as we move into adulthood. The song’s original title was Wedding Bells are Breaking up That Old Gang of Mine and has been recorded by such artists as Dean Martin and The Four Aces.

    Paul Whiteman
    Parade of the Wooden Soldiers
    The song was originally composed in 1897 by German composer Leon Jessell. In 1905 Jessell arranged the piece for Orchestra and had it re-published. In 1922 lyrics were written for the piece by Ballard Macdonald. Recorded by Paul Whiteman in 1923 it would soon become more of a Christmas song as time went by. The song has been used in a Betty Boop Cartoon and as a Disney short (see YouTube link) It has been recorded at least ten times by The Boston Pops. Harry Connick Jr. recorded it with the lyrics for his Christmas album and the piece is used annually by the Rockettes for their Radio City Christmas Spectacular.

    Van and Schenck
    Carolina in the Morning
    The song was written by Walter Donaldson (music) and Gus Kahn (lyrics) for the musical revue The Passing Show of 1922. I t was performed by William Frawley, Fred Mertz of I Love Lucy, who would later perform it along with Vivian Vance, Ethel Mertz, in an episode of the show. The song would be revived regularly as a standard into the 1950s. Dick Van Dyke and Mary Tyler Moore would use the song in an episode of The Dick Van Dyke Show. 

    Top Artists and Songs of 1923

    Al Jolson
    Toot Toot Tootsie (Goodbye)
    Art Landry
    Dream Melody
    Ben Bernie (May 30, 1891 – October 23, 1943)
    Swingin’ Down the Lane
    Ben Selvin
    Yes! We Have No Bananas
    Benny Krueger and his Orchestra
    I Cried For You
    Bessie Smith
    The Empress of the Blues
    Aggravatin’ Papa
    Baby Won’t You Please Come Home
    Down Hearted Blues
    Gulf Coast Blues
    T’ain’t Nobody’s Business If I Do
    Billy Jones
    Yes! We Have No Bananas – is probably the oldest novelty pop song (most have a short lifespan) that people may recall
    Billy Murray and Ed Smalle
    That Old Gang of Mine
    Blossom Seeley
    Way Down Yonder In New Orleans
    Carl Fenton
    Love Sends A Little Gift of Roses
    Eddie Cantor
    He Loves It
    No, No Nora
    I’ve Got The Yes We Have No Bananas Blues
    Ethel Waters
    Georgia Blues
    Fiddlin John Carson – This could very well be the Johnny who played in a fiddle contest against the devil in The Devil Went Down To Georgia by Charlie Daniels.
    Little Old Log Cabin in the Lane
    You’ll Never Miss Your Mother Till She’s Gone
  • Henry Burr
    Faded Love Letters
    Isham Jones
    Farewell Blues
    Saw Mill River Road
    Swingin’ Down the Lane
    – #1 for six weeks in the USA.
    Who’s Sorry Now?
    Jelly Roll Morton -Born Ferdinand Joseph LaMothe, Mr. Morton claimed to have invented Jazz in 1902. He was a bit of an exaggerator.
    Kansas City Stomp
    King Oliver’s Jazz Band
    Chimes Blues
    Dippermouth Blues
    Marion Harris
    Beside a Babbling Brook
    Carolina In The Morning
    Dirty Hands! Dirty Face!
    Melville Gideon
    Horsey Keep Your Tail Up
    Paul Specht (March 24, 1895 – April 11, 1954)
    Goodbye
    Paul Whiteman
    Bambalina
    Carolina In The Morning
    Chansonette
    Dearest (You’re The Nearest To My Heart)
    I’ll Build A Stairway To Paradise
    I Love You
    Last Night on the Back Porch
    Parade of the Wooden Soldiers
    Underneath the Mellow Moon
    Way Down Yonder In New Orleans
    Wonderful One
    The Georgians
    I Wish I Could Shimmy Like My Sister Kate
    The Virginians
    I Wish I Could Shimmy Like My Sister Kate
    Van & Schenck
    Carolina In The Morning
    Will Fyffe – Later came in second place in a ‘Will Fyffe’ contest singing I Belong To Glasgow.
    I Belong To Glasgow
  • 1922 Music: Popular Music, Songs and Artists

    1922 Music: Popular Music, Songs and Artists

    1922 Popular Music, Songs and Artists

    Carl Fenton
    I’ll Build A Stairway To Paradise
    Written by George and Ira Gershwin and premiered in the musical The George White Scandals. Described by a critic in 1922 as”The most perfect piece of jazz ever written.” The song was also used in the 1951 MGM musical “An American in Paris.”

    Club Royal led by saxophonist Clyde Doerr
    The Sheik (Also known as the Sheik of Araby.)
    This piece of music was inspired by the 1921 film The Sheik starring Rudolph Valentino.
    Clyde Doerr was a friend of Paul Whiteman. Whiteman secured a contract for Doerr to record for Victor Records. The first recording that Doerr made was The Sheik, and it was so successful that Whiteman severed all contact with Doerr out of resentment.

    Fanny Brice
    Second Hand Rose
    This song was featured as the piece Brice used to audition for Florenz Ziegfeld in the Film Funny Girl. The piece would appear again on the charts at number 32 in 1965 on the Barbra Streisand album, My name is Barbra. The album would go to number two and would go platinum.

    Fats Waller
    Waller was the son of a lay preacher. His father wanted him to pursue a religious vocation, but his talent for music took him in another direction.

    His professional career began at the age of 15 when he became the organist at the Lincoln Theater on 135th St. There is some evidence to suggest that Waller studied as a pianist under Leopold Gadowski and composition with Carl Bohm at the Julliard School. Waller was best known for his popular songs, but while in Britain on his 1939 European tour, he recorded his London Suite. This suite shows his aspirations to become a serious composer.

    Fats Waller died too soon, in 1943, of too much alcohol and hard living. His legacy is the music he left behind.

    T’Aint Nobody’s Business If I Do
    Written and Performed by Fats Waller.
    The 1970’s musical Ain’t Misbehavin, was named after a Fats Waller song. Ain’t Nobody’s Business If I do was performed by Nell Carter in the show. Carter would later star in the 1980s situation comedy Gimme a Break.

    Henry Burr
    My Buddy
    Music by Walter Donaldson and Lyrics by Gus Kahn, the song was published in 1922. The cover for the sheet music featured a picture of Al Jolson. The song has been recorded by many artists including, Bing Crosby, Rosemary Clooney, Barbara Streisand and Barry White.

    Lambert Murphy
    I Dream Of Jeannie With The Light Brown Hair
    The song was written by composer Stephen Foster. Foster composed this piece during a time that he was separated from his wife, whose name was Jenny, for an extended period of time. It is considered today as one of Foster’s finest compositions. However, when the song was introduced in 1854 it received little attention.

    Marion Harris
    I’m Just Wild About Harry
    Written by Eubie Blake, (music) and Noble Sissle, (lyrics), for the all-black musical Shuffle Along. This was the first all-black musical that was also completely written and composed by blacks. The song was also used in Harry Truman’s 1948 campaign song.

    Paul Whiteman
    Whiteman started his career in Denver playing the Viola in The Denver Symphony Orchestra in 1907. By 1914 he had moved to San Francisco. During World War I, he led a 40 piece Navy band, playing marches by day and show tunes at night.

    In 1918, Whiteman organized a dance band in San Francisco. Not long after he moved to New Jersey and finally settled in New York in 1920. He soon became the best known American band leader especially with his recordings of Whispering and Japanese Sandman.

    For his first extended concert tour in the United States, he commissioned George Gershwin to write Rhapsody in Blue.

    From 1928 to 1952 Paul Whiteman’s Orchestra was featured on many network radio shows. They also took part in several films starting in 1930 with King of Jazz. The orchestra provided music for six Broadway shows and produced more than 600 phonograph records. Later Whiteman would work as music director for ABC. He died in 1967.

    Whiteman’s musical memorabilia including his large library of more than 3000 arrangements was bequeathed to Williams College in Williamstown MA. The memorabilia and sheet music now form The Whiteman Collection.

    Three O’Clock In The Morning
    Recorded by Whiteman is 1922 it lasted 8 weeks at #1 on the charts and became Whiteman’s early signature song. The song was also referenced in F Scott Fitzgerald’s The Great Gatsby.

    Top Artists and Songs of 1922

    Al Jolson
    April Showers, Angel Child
    Give Me My Mammy
    Coo Coo
    Carl Fenton – Carl was really Walter Gustave “Gus” Haenschen. Fenton came from Fenton, Missouri. Gus legally became Carl in 1932.
    I’ll Build A Stairway To Paradise
    Club Royal Orchestra
    The Sheik
  • Ernest Hare and Billy Jones
    In The Little Red Schoolhouse
    Ernest Hastings
    My Word You Do Look Queer
    Ethel Waters – Starred in Cabin in the Sky, a 1940 Broadway musical, and in the 1943 film version, featuring an all-black cast.
    There’ll Be Some Changes Made
    Fanny Brice – Brice was featured in The Ziegfeld Follies both on stage and on the screen.
    Second Hand Rose
    My Man
    Fats Waller
    Taint Nobody’s Biz-Ness If I Do (also heard in Woody Allen’s 1973 film, Sleeper)
    Frank Crumit
    Stumbling
    Gallagher & Sheen
    Mr. Gallagher and Mr. Shean
    Henry Burr (January 15, 1882 – April 6, 1941, real name Harry Haley McClaskey)
    My Buddy
    Isham Jones
    On The Alamo
    Ivy Cling To Me
    Joseph Smith and his Orchestra
    Three O’Clock in the Morning
    Lambert Murphy
    I Dream Of Jeannie With The Light Brown Hair
    Mamie Smith
    Lonesome Mama Blues
    Marion Harris
    I’m Just Wild About Harry
    Aggrivatin’ Papa
    Some Sunny Day
    Rose of the Rio Grande
    Blue (And Broken Hearted)
    Nora Bayes
    All Over Nothing At All
    Good Morning
    Paul Whiteman
    Three O’Clock In The Morning – Signature Song (one of several)
    Stumbling
    Do It Again
    Hot Lips
    I’ll Build A Stairway To Paradise
    Crinoline Days, Journey’s End
    Some Sunny Day
    Coal Black Mammy
    Oriental (Fox Trot)
    Peerless Quartet – Although record-keeping was pretty spotty at that time, the Peerless Quartet had an estimated 108 “charting” singles, between 1904–1928, the 9th-most of the pre-rock, period, according to Billboard’s Joel Whitburn.
    Way Down In New Orleans
    Ray Miller and his Orchestra
    Sheik of Araby
    Trixie Smith
    My Man Rocks Me (With a Steady Roll) -may be the first song reference with the phrase “rock and roll”
    Give Me That Slow Drag
  • 1921 Music: Popular Music, Songs and Artists

    1921 Music: Popular Music, Songs and Artists

    1921 Popular Music, Songs and Artists

    Make Believe
    Music by Jerome Kern and Lyrics by Oscar Hammerstein II for the Broadway Musical Showboat. The Musical was one of the first musicals to use the songs too. This technique will be perfected when Oscar Hammerstein teams with Richard Rodgers for OKLAHOMA to move the story forward. The musical was extremely controversial as it dealt with interracial marriage and was also the first racially integrated musical. Previously white and black performers did not perform on the same stage together. The musical was filmed twice – once in 1936 and again by MGM in 1951.

    Al Jolson
    April Showers
    This was one of Al Jolson’s trademark songs. And was written by Louis Silvers and BG De Silva for a musical called Bomba. The song was used in the Bugs Bunny 1962 short Wet Hare.

    Ben Selvin
    Ben Selvin was an American bandleader and violinist who became a popular and influential figure in the early years of recorded music during the 1920s and 1930s. Over his career, he recorded with various ensembles under different names, including the Knickerbockers. As a prolific musician, Selvin recorded thousands of songs, making him one of the most recorded bandleaders of his time. The Knickerbockers was a popular dance band, and like many of Selvin’s ensembles, the group focused on performing popular tunes and dance music of that era. They gained considerable recognition and success, contributing to the rise of dance orchestras in the early 20th century.

    Isham Jones
    Isham Jones was an American bandleader, saxophonist, bassist, and songwriter who gained prominence in the early 20th century, particularly during the 1920s and 1930s. Born on January 31, 1894, in Coalton, Ohio, Jones began his career as a saxophonist in various bands before forming his own orchestra in 1915. The Isham Jones Orchestra quickly gained fame for its smooth dance music and innovative arrangements.

    Jones was a prolific songwriter, composing many popular tunes of his time, including “It Had to Be You,” “Swingin’ Down the Lane,” “I’ll See You in My Dreams,” and “On the Alamo.” Many of his songs have become jazz and popular music standards, covered by countless artists over the years.

    The Isham Jones Orchestra featured many talented musicians, such as Benny Goodman and Woody Herman, who would later become successful bandleaders themselves. Jones continued to perform and record music until his retirement in the 1950s. He passed away on October 19, 1956, in Hollywood, Florida, but his legacy continues to influence musicians and listeners.

    Fanny Brice
    My Man
    My Man (and Funny Girl) are regaining popularity now by Lea Michele as the Character of Rachel Berry in Glee uses Barbara Streisand and Funny Girl as her inspiration for star success.

    Marion Harris
    Look For The Silver Lining
    Written by Jerome kern the song was originally written for the musical Zip, Goes A Million. It was then reused in another musical called Sally, where it became popular. The song was also rewritten to be the Anthem for the ILGWU called Look For The Union Label. Recently the song was used in the popular Masterpiece Classic series Downton Abbey.

    I Ain’t Got Nobody
    The song though popular on its own in the 1920s. It would later become more popular still when paired as a melody with I’m Just a Gigolo. This combination was performed by artists like Cab Calloway, Louis Prima, and David Lee Roth.

    Original Dixie Land Band
    St. Louis Blues
    Composed by W. C. Handy in 1914. the song was inspired by a melody that Handy Heard while out of work in St. Louis. It also took some inspiration from a woman who inspired him to write, “ma man’s got a heart like a rock cast into the sea.” Many artists have recorded the song, from The Original Dixie Land Band to Chuck Berry, Stevie Wonder, and David Sanborn. At his death in 1958, WC Handy received 25,000 dollars in royalty annually.

    Paul Biese Trio and Frank Crumit
    Mimi
    Written by Richard Rodgers and Lorenz Hart. It would later become popular again in the 1932 film “Love Me Tonight” and sung by Maurice Chevalier.
    Richard Rodgers would later achieve major success with Oscar Hammerstein. ( See Make Believe).

    Van and Schenk
    A’int We Got Fun
    It was used as Eric Northman’s ringtone in a 2010 episode of Trueblood. Also used as part of a pivotal point in F Scott Fitzgerald’s novel The Great Gatsby.

    Top Artists and Songs of 1921

    Aileen Stanley
    My Mammy
    My Man
  • Al Jolson – Although he usually wore blackface in live performances, he was also known for fighting against anti-black discrimination on Broadway
    Avalon
    O -H-I-O (O-My-O!)
    Ben Selvin
    Say It With Music
    Cherie
    Benson Orchestra of Chicago
    Bimini Bay
    Billy Murray & Billy Jones
    Down By The O-HI-O
    Eddie Cantor
    Margie
    Ethel Waters – in 1949, Ethel was nominated for a Best Supporting Actress Oscar for her performance in Pinky.
    There’ll Be Some Changes made
    Fanny Brice – Her marriage to Nick Arnstein was the basis for the Broadway Musical and Film Funny Girl.
    My Man – Signature Song
    Second Hand Rose
    Frank Crumit
    Sweet Lady, All By Myself
    Isham Jones
    Wabash Blues – Signature Song (#1 for six weeks)
    Mamie Smith (May 26, 1883 – September 16, 1946)
    What Have I Done
    Royal Garden Blues
    Marion Harris -” The Queen of the Blues”
    Look For The Silver Lining
    I’m A Jazz Vampire
    I Ain’t Got Nobody – Signature Song
    I’m Nobody’s Baby
    Beale Street Blues
    Nora Bayes – AKA Eleanor Goldberg, was married five times, and adopted three children.
    Make Believe
    Original Dixieland Jazz Band called themselves the Creators of Jazz because they made some of the earliest jazz recordings, in 1917.
    St. Louis Blues
    Palesteena
    Patrick Waddington
    Night May Have Its Sadness
    Paul Biese Trio and Frank Crumit
    MiMi
    Paul Whiteman and His Orchestra were the most popular band of the 1920s.
    Say It With Music
    Caresses
    My Mammy
    Bright Eyes
    Cherie
    Song of India
    My Man (Mon Homme)
    April Showers
    Make Believe
    Learn To Smile
    Gypsy Blues
    Prince’s Orchestra
    Deep In Your Eyes
    Ted Lewis (June 6, 1890 – August 25, 1971)
    All By Myself
    Van and Schenck
    Ain’t We Got Fun? – Signature Song
  • 1920 Music: Popular Music, Songs and Artists

    1920 Music: Popular Music, Songs and Artists

    1920 Popular Music, Songs and Artists

    1. Swanee – Al Jolson
    Al Jolson was known as “The World’s Greatest Entertainer” – the highest-paid and most well-known actor/singer/comedian of the 1920s and 30s. Swannee was originally sung by Al but was written by George Gershwin. Gershwin would go on to write many other popular songs that would come out of his Broadway successes with his brother Ira, most notably Porgy and Bess and Strike up the Band.

    2. When My Baby Smiles At Me – Ted Lewis
    A bandleader, Ted was probably best known for his catchphrase: “Is EVERYBODY Happy?”
    Although originally recorded in 1920, the song became the title of a movie musical, in 1948 starring Betty Grable and Dan Dailey. Dailey would win an academy award for his starring role in the film.

    3. Whispering – Paul Whiteman
    Whispering was recorded by Paul Whiteman and his orchestra and was written by John Schonberger and Vincent Rose. The song actually has lyrics but they were not used on the first recording. According to the Literature that was provided by Victor, the recording studio, the song used an instrument that sounded like a “boson’s-pipe-slide-trombone-whistle.”

    4. I’ll Be With You In Apple Blossom Time – Charles Harrison
    Like many songs from this era, ‘Apple Blossom Time’ originally came out in 1920 but made a comeback in the 1940s during WW 2. The song, sung by The Andrew Sisters, had meaning for many who were waiting for the return of our troops. Other songs in this category are I’ll Be Seeing You, and I’ll be Home for Christmas.

    5. Tell Me, Little Gypsy – Art Hickman
    Originally sung by Art Hickman, ‘Gypsy’ was written by the immortal Irving Berlin. Berlin’s first hit was Alexander’s Rag Time Band. Mr. Berlin would go on to write music for more than half of the 20th century. Two of his most popular are Blue Skies and White Christmas. His influence is still felt today.

    Take our 1920 Quiz!

    Top Artists and Songs of 1920

    Al Jolson
    Chloe
    I’ve Got My Captain Working For Me Now
    Swanee
    Tell Me
    Wonderful Kid From Madrid
    You Ain’t Heard Nothin Yet
    Art Hickman
    Avalon
    Hold Me
    Tell Me Little Gypsy
    The Love Nest
    Ben Selvin
    Dardanella, My Island of Golden Dreams, Afghanistan
    Bert Williams – In World War II, the United States ship SS Bert Williams was named in his honor.
    The Moon Shines on the Moonshine
    Billy Murray
    I’ll See You In Cuba
    Carl Fenton
    Cuban Moon
    Charles Harrision
    I’ll Be With You In Apple Blossom Time
    Pretty Kitty Kelly
    That Old Irish Mother of Mine
    Eddie Cantor – nicknamed “Banjo Eyes” because of his big, round eyes. He was also the man who named the “March of Dimes” which initially battled polio.
    Palesteena
    You’d Be Surprised
  • Edith Day -had a cocktail named after her – made with dry gin, grapefruit juice, sugar, and an egg white.
    Alice Blue Gown
    Irene
    Francisco Alves
    Fala Meu Louro
    Frank Crumit
    Lonesome Little Raindrop
    My Little Bimbo Down on Bamboo Isle
    Oh! By Jingo! (Oh! By Gee, By Goosh, By Gun, By Juu),
    John McCormac
    Barefoot Trail
    John Steel
    The Love Nest, Girl of My Dreams
    Mamie Smith – Mamie was the first African-American woman to be a ‘million-seller artist. After ‘Crazy Blues” the recording companies started paying more attention to race records.
    Crazy Blues
    It’s Right Here For You
    You Can’t Keep A Good Man Down
    Marion Harris– Marion was the first popular white singer to sing jazz and blues songs.
    St. Louis Blues
    Sweet Mama (Papa’s Getting Mad)
    Nora Bayes – In 1917, George M. Cohan asked her to be the first to record his patriotic WW I son, Over There.
    Prohibition Blues, Without You
    Paul Whiteman – Paul was (controversially) called The King of Jazz. Duke Ellington believed he deserved the title, so there really shouldn’t be a controversy.
    Anytime Anyday Anywhere
    The Japanese Sandman
    Wang Wang Blues
    Whispering
    Ted Lewis and his Orchestra – Better known as Ted ‘is Everybody Happy?’ Lewis.
    When My Baby Smiles At Me
    The Kentucky Serenaders – The Pennsylvania band was originally called The Serenaders. “My Old Kentucky Home” was their theme song and Kentucky kind of stuck with them.
    Rose of Washington Square
    Waller Williams
    I Know Where The Flies Go In Summertime
  • Early 1900s: The 100 Most Popular Songs

    Early 1900s: The 100 Most Popular Songs

    The 1900s: 1900-1919 Pop Song Hits

    1. I’m a Yankee Doodle Dandy – 1904 (by George M Cohen)
    2. America the Beautiful – 1910
    3. Danny Boy – 1913
    4. Take Me Out To The Ball Game – 1908 (by Jack Norworth & Albert Von Tilzer )
    5. Pomp and Circumstance – 1902 (by Elgar)
    6. The Grand Old Rag (aka “You’re a Grand Old Flag”) – 1906 (by George M. Cohan)
    7. When Irish Eyes Are Smiling – 1912 (by Chauncey Olcott & George Graff Jr, . Ernest R. Ball)
    8. Daddy’s Little Girl – 1905 (by Edward Madden & Theodore F. Morse)
    9. The Bells Of St Mary’s – 1917 (by Douglas Furber & A. Emmett Adams)
    10. Give My Regards to Broadway – 1904 (by George M. Cohan )
    11. Swanee – 1919
    12. Too-Ra-Loo-Ra-Loo-Ral (That’s An Irish Lullaby) – 1913 (by James R. Shannon )
    13. I Ain’t Got Nobody – 1916 (by Roger Graham, Dave Peyton & Spencer Williams)
    14. I Want To Be In Dixie (I’m Going Back To Dixie) – 1911 (by Irving Berlin & Ted Snyder)
    15. The Entertainer – 1902 (by Scott Joplin)
    16. Strike Up the Band (Here Comes a Sailor) – 1900
    17. Anchors Aweigh – 1906 (by Alfred Hart Miles & R. Lovell and Charles A. Zimmerman)
    18. The Beer That Made Milwaukee Famous – 1903 (by Dan McAvoy)
    19. Colonel Bogey March – 1914 (by Kenneth J. Alford)
    20. Melody Of Love – 1903 (by Tom Glazer & H. Engelmann)
    21. Flight of the Bumble Bee – 1900 – (by N. Rimsky-Korsakov)
    22. Rite of Spring – 1913 (by Stravinsky)
    23. Over There – 1917 (by George M. Cohan)
    24. Yale Boola! (March and Two-Step) – 1901
    25. Hinky Dinky Parlay Voo – 1919 (by Edward Rowland)
    26. March of the Toys – 1903 (by Victor Herbert, heard in Babes In Toyland)
    27. Frankie and Johnny – 1912
    28. Dardanella – 1919 (by Fred Fisher & Felix Bernard, Johnny S. Black)
    29. You Belong To Me – 1916 (by Harry B. Smith & Victor Herbert)
    30. Alexander’s Ragtime Band – 1911(?)
    31. Hail! Hail! The Gang’s All Here – 1917 (by D. A. Esrom, Theodore F. Morse & Arthur Sullivan)
    32. Fascination – 1915 (by Harold Atteridge & Sigmund Romberg)
    33. McNamara’s Band – 1917 (by John J. Stamford & Shamus O’Connor)
    34. Peg O’ My Heart – 1913 (by Alfred Bryan & Fred Fisher)
    35. Saint Louis Blues – 1914 (by W. C. Handy)
    36. The Glow-Worm – 1902 (by Lilla Cayley Robinson, Heinz Bolten-Backers, Paul Lincke)
    37. Scott Joplin’s New Rag – 1912 (by Scott Joplin)
    38. Hail Hail the Gang’s All Here – 1917
    39. Put On Your Old Grey Bonnet – 1909 (by Stanley Murphy & Percy Wenrich)
    40. Bye, Bye My Honey – Billy Golden (1911)
    41. Joe Turner Blues – 1915 (by Walter Hirsch & W. C. Handy)
    42. It’s a Long, Long Way to Tipperary – 1912
    43. Ragtime Cowboy Joe – 1912 (by Grant Clarke, Lewis F. Muir & Maurice Abrahams)
    44. Oh! How I Hate to Get Up in the Morning – 1918 (by Irving Berlin)
    45. The Whiffenpoof Song – 1909 (by Meade Minnigerode & George S. Pomeroy, Tod B. Galloway)
    46. Alabama Jubilee – 1915 (by Jack Yellen & George L. Cobb)
    47. The Darktown Strutters’ Ball – 1916 (by Shelton Brooks)
    48. Harrigan – 1907 (by George M. Cohan)
    49. Bill Bailey, Won’t You Please Come Home – 1902
    50. Let Me Call You Sweetheart – 1910
    51. Keep On The Sunny Side – 1906 (by Jack Drislane & Theodore F. Morse)
    52. Because – 1902
    53. Hiawatha (His Song to Minnehaha) – 1903
    54. Ida! Sweet as Apple Cider – 1903 (by Eddie Leonard & Eddie Munson)
    55. The Aba Daba Honeymoon – 1914 (by Arthur Fields & Walter Donovan)
    56. Play a Simple Melody – 1914 (by Irving Berlin)
    57. Ah! Sweet Mystery Of Life – 1910 (by Rida Johnson Young & Victor Herbert)
    58. Ballin’ The Jack – 1913 (by James Henry Burris & Chris Smith)
    59. The Memphis Blues – 1912
    60. American Patrol – 1901(?)
    61. On a Sunday Afternoon – 1902
    62. The Saint Louis Blues – 1914
    63. The Rose Of Tralee – 1912 (by C. Mordaunt Spencer m. Charles W. Glover)
    64. K-K-K-Katy – 1918 (by Geoffrey O’Hara)
    65. There’s A Broken Heart For Every Light On Broadway – 1915 (by Howard Johnson & Fred Fisher)
    66. Syncopated Walk – 1914 (by Irving Berlin)
    67. My Melancholy Baby – 1912 (by George A. Norton & Ernie Burnett)
    68. Meet Me in St. Louis, Louis – 1904
    69. Give Us Just Another Lincoln – 1900
    70. I Wonder Who’s Kissing Her Now – 1909 (by Will M. Hough & Frank R. Adams, Joseph E. Howard & Harold Orlob)
    71. In the Good Old Summer Time – 1902
    72. Twelfth Street Rag – 1914 (by Euday L. Bowman)
    73. A Little Bit of Heaven – 1915
    74. Casey Jones – 1909 (by T. Lawrence Seibert & Eddie Newton)
    75. Blame It on the Blues – 1914
    76. By the Light of the Silvery Moon – 1909 (by Edward Madden & Gus Edwards)
    77. Waltz Around Again Willie – 1906 (‘Round, ‘Round, ‘Round)
    78. Alcoholic Blues – 1919 (by Edward Laska & Albert Von Tilzer)
    79. I Didn’t Raise My Boy to Be a Soldier – 1915 (by Alfred Bryan & Al Piantadosi )
    80. Shine On Harvest Moon – 1907 (by Nora Bayes & Jack Norworth)
    81. I Can’t Tell Why I Love You But I Do – 1900
    82. Hungarian Rag – 1913 (by Julius Lenzberg)
    83. In My Merry Oldsmobile -1905 (by Vincent P. Bryan & Gus Edwards)
    84. And Then – 1913 (by Alfred Bryan & Herman Paley)
    85. Good Morning, Mr. Zip-Zip-Zip! – 1918
    86. Goodbye, Good Luck, God Bless You – 1916 (by J. Keirn Brennan & Ernest R. Ball)
    87. Mary’s a Grand Old Name – 1905 (from the musical play Forty-Five Minutes from Broadway)
    88. Un Bel Di Madame Butterfly – 1904 (by Puccini)
    89. My Gal Sal – 1905
    90. Concerto for Piano #2 – 1901 (by Rachmaninoff)
    91. Topsy Song – 1910
    92. I’m Always Chasing Rainbows – 1918 (from the Musical Comedy Oh Look!)
    93. On The Road To Mandalay – 1907 (by Rudyard Kipling & Oley Speaks)
    94. Missouri Waltz (Hush-a-Bye, Ma Baby) – 1914
    95. In the Shade of the Old Apple Tree – 1905
    96. Beans! Beans!! Beans!!! – 1912 (by Elmer Bowman & Chris Smith)
    97. Tell Me Pretty Maiden (English Girls and Clerks) – 1900 (featured in Florodora)
    98. A Good Man Is Hard To Find – 1919(?)
    99. The Caissons Go Rolling Along – 1906 (by Edmund L. Gruber)
    100. Uncle Josh in Society – 1909
  • Bandleader Guy Lombardo

    Bandleader Guy Lombardo

    Guy Lombardo

    Guy Lombardo (born June 19, 1902 – died November 5, 1977) was a Canadian-American bandleader, violinist, and composer who became a popular music icon. His orchestra, Guy Lombardo and His Royal Canadians, was known for its “sweet” dance music style and was a fixture of American New Year’s Eve celebrations for decades.
    • Guy Lombardo was born to Italian-Canadian parents in London, Ontario, Canada.
    • He was the eldest of five siblings, who eventually joined his orchestra.
    • Lombardo began his music career as a violinist and formed his first band with his brothers in 1924.
    • He and his orchestra relocated to Cleveland, Ohio, in 1927 and later to New York City.
    • Guy Lombardo and His Royal Canadians gained nationwide fame through radio broadcasts and recordings.
    • The orchestra’s signature sound was characterized by a smooth, sweet, and melodious style that appealed to a wide audience.
    • Lombardo’s orchestra was known as “The Sweetest Music This Side of Heaven.”
    • They recorded more than 500 songs, including hits like “Auld Lang Syne,” “Boo Hoo,” and “Seems Like Old Times.”
    • Guy Lombardo and His Royal Canadians were the resident orchestra at the Roosevelt Hotel in New York City for 33 years.
    • Lombardo became synonymous with New Year’s Eve celebrations, performing live on radio and television broadcasts from 1929 until he died in 1977.
    • Millions across the United States and Canada watched his annual New Year’s Eve broadcasts.
    • Lombardo was also an accomplished speedboat racer, winning several championships during his lifetime.
    • In addition to being a bandleader, Lombardo appeared as a guest conductor for symphony orchestras and worked as a composer and arranger.
    • Lombardo’s orchestra featured notable vocalists such as Carmen Lombardo (his brother), Kenny Gardner, and Tony Craig.
    • Guy Lombardo and His Royal Canadians appeared in several films, including “Many Happy Returns” and “Stage Door Canteen.”
    • Lombardo received a star on the Hollywood Walk of Fame for his contributions to the music industry.
    • His band’s version of “Auld Lang Syne” remains a traditional choice for New Year’s Eve celebrations in North America.
    • Lombardo’s orchestra continued to perform after his death, led by his brother Victor and later by other musicians.
    • Guy Lombardo’s music has been featured in numerous films, television shows, and commercials, often as a nostalgic representation of a bygone era.
    • His contributions to popular music and enduring legacy as “Mr. New Year’s Eve” have made Guy Lombardo a cherished figure in the history of American entertainment.
  • 1800-1899: The 100 Most Popular Songs

    1800-1899: The 100 Most Popular Songs

    1800s Pop Song Hits

    1. Good Morning to All (Happy Birthday To You) – 1893
    2. Amazing Grace – 1800
    3. Jingle Bells – 1857 (by James Pierpont)
    4. Old MacDonald Had A Farm – 1859
    5. Camptown Races* – 1850 (Stephen Foster)
    *actual title is Gwine to Run All Night
    6. Mary Had a Little Lamb – (1830 Lyrics)
    7. Rock-a-bye Baby – 1884 (by Effie I. Canning)
    8. Alphabet Song – 1834 (copyrighted by C. Bradlee, it’s probably older)
    9. Wedding March – 1844 (by Felix Mendelssohn, from A Midsummer Night’s Dream)
    10. William Tell Overture – 1829
    11. Semper Fidelis – 1886 (by John Philip Sousa)
    12. (Oh Dem) Golden Slippers – 1879
    13. Stars and Stripes Forever – 1897 (by John Philip Sousa)
    14. When Johnny Comes Marching Home Again – 1863 (by Louis Lambert & Patrick Gilmore)
    15. Chopsticks – 1877
    16. The Battle Hymn of the Republic – 1862 (by Julia Ward Howe)
    17. While Strolling Through The Park One Day – 1884 (by Ed Haley)
    18. Can Can – 1858 (by Offenbach)
    19. When The Saints Go Marching In – 1896 (by Katherine E. Purvis & James M. Black)
    20. Row Row Row Your Boat – 1881
    21. Funeral March (Pray For The Dead and the Dead Will Pray For You…) – 1840
    22. Fur Elise – 1810 (by Beethoven)
    23. I’ve Been Working on the Railroad – 1894
    24. She’ll Be Comin’ ‘Round the Mountain – 1899
    25. Oh! Susanna – 1848 (by Stephen Foster)
    26. Glory! Glory! Hallelujah! – 1861
    27. America (God Shed His Grace On Thee) words – 1832
    28. I’ve Been Working On The Railroad – 1894 (copyright is probably older)
    29. Dixie’s Land (aka Dixie) – 1860
    30. Home, Sweet Home – 1823 (by John Howard Payne)
    31. Joy to the World – 1839 (by Handel)
    32. A Hot Time in the Old Town Tonight – 1896
    33. Alouette -1879
    34. O Where O Where Has My Little Dog Gone – 1864 (by James Bland)
    35. Turkey In De Straw – 1834
    36. Funiculi Funicula – 1880
    37. Polly Wolly Doodle (All The Day) – 1883 (copyright, is probably older)
    38. Reveille – 1890
    39. Gloria – 1890 (by Mozart)
    40. (Oh My Darling) Clementine – 1863 (by Percy Montrose & H S. Thompson)
    41. Swing Low, Sweet Chariot – 1872
    42. Onward, Christian Soldiers – 1871 (by Rev. Sabine Baring-Gould & Sir Arthur Sullivan)
    43. The Yellow Rose of Texas – 1858
    44. O Little Town of Bethlehem – 1868
    45. Buffalo Gals – 1844 (heard in the film It’s a Wonderful Life. Malcolm McClaren did it in the 1980s too)
    46. My Bonnie Lies over the Ocean – 1881
    47. Blue Danube Waltz – 1867 (by J.S. Strauss)
    48. Shoo-Fly Don’t Bother Me – 1869
    49. Rock of Ages – 1832 (by Hastings)
    50. Au Clair de la Lune – 1811
    51. Morning – 1890 (by Luse)
    52. Home on the Range – 1873 (by Daniel Kelly & Brewster M. Higley)
    53. King Cotton March – 1895
    54. (I Dream Of) Jeannie with the Light Brown Hair – 1854 (by Stephen Foster)
    55. (Gimme That) Old Time Religion – 1865
    56. Song Of India – 1897 (by Nikolai Rimsky Korsakov)
    57. The Man on the Flying Trapeze – 1868
    58. Hail to the Chief – 1820 (by Sir Walter Scott & James Sanderson)
    59. Barber of Seville – 1813
    60. Old Folks at Home (Way Down Upon the Swanee River) – 1851 (by Stephen Foster)
    61. The Thunderer – 1889 (by John Philip Sousa)
    62. Skip To My Lou – 1844
    63. The Merry, Merry Month of May – 1862 (by Stephen Foster)
    64. Frankie and Johnny – 1869
    65. Grandfather’s Clock – 1876 (by Henry Clay Work)
    66. Beautiful Dreamer – 1864 (by Stephen Foster )
    67. Away In a Manger – 1887
    68. Flying Dutchman Overture – 1844 (by Wagner)
    69. The Washington Post – 1889 (by John Philip Sousa)
    70. A Night on Bald Mountain – 1887 (by Mussorgsky)
    71. Hello! Ma Baby – 1899
    72. Git Along Little Dogies – 1893
    73. Pictures at an Exhibition – 1887 (by Mussorgsky)
    74. I’ll Take You Home Again, Kathleen – 1876
    75. Hark the Herald Angels Sing – 1855
    76. Sleeping Beauty Waltz – 1890
    77. Peer Gynt Suite – 1888
    78. Mazel Tov – 1894
    79. Baa Baa Black Sheep – 1865
    80. Liberty Bell March – 1893 (by John Philip Sousa)
    81. Red River Valley – 1896
    82. Maple Leaf Rag – 1899 (by Scott Joplin)
    83. Goodnight Ladies – 1853
    84. King Cotton March – 1895 (by John Philip Sousa)
    85. Home on the Range – 1873
    86. Coronation March – 1849 (by Meyerbeer)
    87. Carry Me Back to Old Virginny – 1878
    88. At A Georgia Camp Meeting – 1897 (by Kerry Mills)
    89. She Wore a Yellow Ribbon – 1838
    90. Good Night – 1899 (by Mendelssohn)
    91. Dance of the Hours – 1876 (by Ponchielli)
    92. Gypsy Love Song – 1898 (by Harry B. Smith & Victor Herbert (From the musical The Fortune Teller)
    93. Prelude in C# Minor – 1893 (by Rachmaninoff)
    94. Hush-a-bye Baby – 1884
    95. El Capitan – 1896 (by John Philip Sousa)
    96. It Came Upon the Midnight Clear – 1850
    97. Romeo and Juliet – 1871 (by Tchaikovsky)
    98. Three Little Kittens – 1885
    99. Good King Wenceslas – 1860ish (words)
    100. I Gave My Love a Cherry – 1850 (heard in 1979 film, Animal House)
  • Do Re Mi And The Beginning Of Modern Music

    Do Re Mi And The Beginning Of Modern Music

    Do Re Mi (The Beginning Of Modern Music)

    Let’s start at the very beginning… Well, maybe not that far back. Music has been part of the life of human beings since the dawn of the human race. But capturing music and having the means to write it down and remember it took a little more time.

    Let’s meet a musical Monk named Guido De Arezzo. At a young age, Guido was sent to a monastery for an education. This was a thousand years ago. Most specifics about Guido’s life are lost to time, but we know through surviving documents that he is the father of musical notation.

    Music a thousand years ago was not what we know it as today. Music was mainly the property of the Catholic Church. And it didn’t have a melody the way music has today. It was performed in a chanting style. In a way, this was the first rap music. Music as we know it will happen, but not just yet.

    Guido loved the church’s music and became quite adept at teaching it, but it was frustrating. Learning music meant listening and repeating it over and over until you got it down, ultimately. If harmonies were involved, it could take days to memorize a single piece as each section had to work separately and then be brought together as a whole. This frustrated our young music lover.

    What could be done to make the teaching and learning of music simpler? Slowly, an idea came to Brother Guido’s mind. First, he came up with musical notations by using lines and spaces. What we now call a staff. He used the lines on the staff to separate the notes. He Called the notes A, B, C, D, E, F, and G. We now call this the natural minor scale; Guido called it the mode.

    Quido then assigned a sound to go with each of the notes. For singers to learn his sounds, he wrote a hymn where the first note on each line was a musical note in succession. Rodgers and Hammerstein would do this a thousand years later when they wrote Do, Re, Me for The Sound of Music. Guido’s original sound for these notes was Ut Re Mi Fa Sol La. Music was taught using this method for 600 years, and then Giovanni Battista Doni suggested that Ut be changed to Do and added Si as the last note in the scale. In 1845, A Music teacher from England made a change of her own. She changed Si to Ti. She did this so that each note sound would begin with a different letter. The music teacher’s name was Sarah Ann Glover.

    The story of our musical monk isn’t over. It seems his method of teaching music spread far and wide, and eventually, the news of his revolutionary work reached the ears of Pope John XIX. Pope John summoned Guido to Rome and studied music under our friend. The Pope, we know, requested that Guido stay in Rome permanently, but Guido declined the generous offer. He wanted to go home. Some believe that this was because of ill health.

    Guido’s system of teaching music is called Solfege and is used worldwide. It is one of the reasons we can call music the universal language. Those seven notes are, as Maria puts it in The Sound of Music, “the tools we use to build a song. Once you have these notes, you can sing a million different tunes by mixing them up.” And for the last thousand years, composers have been mixing those notes to create symphonies, operas, pop music, rock music, ballets, and musical comedies or plays. Without Guido de Arezzo, no music we know today would have happened.

    do re mi so la ti do

    It is hard to believe that music education is slowly being eroded from our schools. Some public schools are losing funding for music programs, which is sad. Learning music helps in other subjects, specifically math and English. Also, learning music gives students a glimpse into other cultures as they are exposed to music from around the world.

    Music in school also exposes students to the wide range of music that is out there. I remember being young and not caring for symphonic music or ballet. Still, as I got older, because I was exposed to them in elementary school, I began to appreciate them and became a fan. That can’t be said of Opera yet. But I intend to take that plunge soon.

    We must keep music and the rest of the arts in schools and free of charge whenever possible. I heard recently of a school show choir who had to buy their sheet music. The students had to buy the music. That was unheard of in my time, and I feel it’s an unfair burden on the parents to add an extra expense. Also, students who can’t pay will then not be eligible to sing, and that in itself makes this very sad.

    Whatever music education future is in the schools and the world, we have Brother Guido, The Musical Monk, to thank for the gift of Do, Re, Me.